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Warmoth Bodies and Necks

I don’t believe that getting a slab of rosewood to have a slightly different radius will imply a huge investment, if any investment at all, for the company .. it may be a nice option to have though …likely there’s not enough demand ..

It's only a matter creating G code to tell the CNC what radius to cut and the setup, plus the administrative and production management aspects.
 
I'm going to go out on a limb here. Based on all or most of Fender's (non-vintage reissue/custom shop) basses employing 9.5" radius necks along with Lakland and many of the boutique Fender knockoff companies using 10" radius necks, I'm guessing that the flatter radius necks are more popular in the marketplace. Warmoth's reason for being is to make money. It's probably more profitable for them to limit the options they offer in order to streamline their operations.

That said, I have a bunch of basses with Warmoth standard contour, steel reinforced Jazz necks that I really like. Short of them not having a 7.25" radius, they are the closest thing I know of to the rare and highly sought after Fender Precision "A" necks that were available in the 70's. While they were 1.5" wide at the nut, they were noticeably chunkier than their standard Jazz necks.

All true, what you say in the first/top half about why Warmoth does it their way, but there's a reason why I keep pointing to Musikraft; they do that.
 
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I'm going to go out on a limb here. Based on all or most of Fender's (non-vintage reissue/custom shop) basses employing 9.5" radius necks along with Lakland and many of the boutique Fender knockoff companies using 10" radius necks, I'm guessing that the flatter radius necks are more popular in the marketplace. Warmoth's reason for being is to make money. It's probably more profitable for them to limit the options they offer in order to streamline their operations.

That said, I have a bunch of basses with Warmoth standard contour, steel reinforced Jazz necks that I really like. Short of them not having a 7.25" radius, they are the closest thing I know of to the rare and highly sought after Fender Precision "A" necks that were available in the 70's. While they were 1.5" wide at the nut, they were noticeably chunkier than their standard Jazz necks.

The difference of a 9.5" and 10" radius (chord height), is two to three thousandths of an inch...
that's less than a sheet of paper ;)

That's a nominal difference, and IMHO, a non-point.
Rear shapes are way more subjective :thumbsup:
 
An investment into updating their process would go a long way. To be able to custom cut (for a cost) a neck to for an oddly shaped neck pocket would be great. To change a neck pocket on an existing body shape they have (like expanding the Jag 4 pocket to got a 5 string neck) would also be great. More options for routing odd pickup configurations... There’s a lot of opportunity there imo

100% agree!!
 
If Warmoth did the CV 70's maple neck in rosewood Id be all over it. My CV 70's P bass neck is real chunky, not quite as thick as a Fender 70's neck but way more comfortable than the industry standard skinny profile used by all manufacturers.
 
The difference of a 9.5" and 10" radius (chord height), is two to three thousandths of an inch...
that's less than a sheet of paper ;)

That's a nominal difference, and IMHO, a non-point.
Rear shapes are way more subjective :thumbsup:

Yeah, this is why I'm amused by Wildwood "10" Fender Custom Shop basses and guitars. It's such a tiny difference practically, that really essentially a distinction for marketing sake.

-------

//Also, for the overall thread subject because weight of steel reinforment rods has come up: Musikraft offers graphite reinforcement rods, BTW.
 
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In effect I’d gladly buy a neck from Warmoth, even with the steel rods inside, if it could manufactured with a 7.25” radius as I like curved boards .. they offer a nice variety of woods with colour and texture variation even among the same species.
Don’t ask them to finish the neck however as the price will double … the reasons of this will always go beyond d my understanding .. it’s just a neck bit a full body ! I wonder how many hours of work of super-qualified elf-like artisans spraying the back of a neck with a rosewood board may require …
Warmoth finishing is first rate. Much better than I could ever do (almost no one is equipped to spray catalyzed poly at home). So I gladly pay for it almost every time. I also despise nitro.
 
Warmoth makes good bodies but I do wish and agree that they would make them 1-5/8" or 1-1/2" thick, true to the Fender vintage dimensions. They're philosophy seems to be a conservative one, tending to slightly over-spec or overbuild parts a bit as far as heft or girth apply.

It's somewhat understandable in that they likely believe it signals quality and robust reliability (better than Fender replacement) to consumers and possibly very slightly reduces risk of warranty claims. Coming from the '80s, literally founded in 1980, this mindset makes sense.
 
well, here’s my warmouth with a slim Taporneck. I build my own guitars, and it plays pretty good. However, my fender is much better and has a better feel the telling part is that they use fender necks in their YouTube videos on their Warmoth bodies. Meaning to suggest their necks may not be as great as the bodies.

I really doubt that’s the reason they use Fender necks. It could be to show the fit compatibility or possibly even a Fender decal on one of their necks . I have no problem with that because they’re licensed and pay for the privilege. In my mind no different than FMIC products are since Leo sold & left his own company.

I guess I’m both a Fender & Warmoth fanboy but I’ll go on record that Warmoths are as good as any Fender neck I’ve played and owned-and that’s a large assortment.

I highly recommend Warmoth bodies & necks for replacement or custom builds.
 
Warmoth finishing is first rate. Much better than I could ever do (almost no one is equipped to spray catalyzed poly at home). So I gladly pay for it almost every time. I also despise nitro.
Mh .. I believe they’re great but it’s not for me; they’re charging too much; I have a friend that does very nice finishes using Tung oil for free as his hobby so I’m usually asking him to help (living in Italy I have to pay VAT and custom duties on the tag price already; I can’t afford the finishing cost).
 
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Best of both worlds - Warmoth body, Fender neck (couldn't find a seafoam green fender). Perfect fit


IMG_1379.JPG
 
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Dear Warmoth,
Thank You for making this Real Big 5 neck with 2 STEEL stiffening rods, 2 TRUSSRODs, and 5 layers of Maple/Bubinga.
It sounds/looks/feels GREAT!!!
IMFO, of course.
View attachment 4921336
Here is what is sounds like:

You guys sound great ! I like that style and instruments. Perfect !
That Rhodes solo is sick. I see you did that in 2008. That was a GREAT time for live music. Original bands were everywhere and thriving then. I was gigging all the time.
Yes, Warmoth makes magic. I have NEVER owned a Warmoth that didn't pull riffs out of me I never knew I had. Something in their water.
 
Warmouth is one of those "you get what you pay for" reality checks. I built a Frankenjazz using their parts years ago (before the "superneck" thing), and its still the most stable wood bass I own. The neck and body were a perfect interference fit right out of the box. Definitely pricier than they used to be, but unless you are willing to put in a little time to carefully fit something like an Allparts or Mighty Mite, Warmouth is just hassle free. I would say getting a really good quality neck is more important than the body. The Warmouth bodies tend towards the heavy side, mine was Ash, and it weighs in around 10.5 lbs.
 
What is bad about the steel rods in the neck? None of my basses have the reinforcements so I don't know what is good or bad with them...
I have no issue with the steel rods. All my Warmoth necks have had them. Some say they add weight to the neck, some say they negatively affect the tone (I haven’t found this to be true).
 
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