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Yes, most of those were folk songs, many classified as “murder ballads” as mentioned, or laments. And you could add “Miss Otis Regrets” to that list. But the “teen death” thing was a particular, peculiar trend, back in the Donna Reed/Leave It To Beaver era when anything unpleasant was to be avoided. Here’s an interesting take on it all…Well, that theme goes way way way back. Think "Mary of the Wild Moor", "Jimmy Brown the Newsboy", "Hobo Bill's Last Ride", "Katie Dear", "The Banks of the Ohio", "Footprints in the Snow", "Long Black Veil", "Green Grass of Home", "Wreck of the Old 97", and how many others?
They're Coming to Take Me Away, HaHa
Not exactly formulaic:
In England we had Twinkle with the classic "Terry." ("Don't do it! Don't do it!Also overlooked is the sub-genre of “teen death” songs(with the attached ghost story variant)of the very early 60’s. While adolescents go through some sort of obsession with death, these songs tapped the subconscious fear of the nuclear annihilation concerns of the time period, Cuban missile crisis and all that. Dickie Lee was the king of such stuff, “Patches”, “Laurie”, and more, plus J. Frank Wilson’s “Last Kiss”. Later on, there was maudlin stuff like Bobby Goldsboro’s “Honey”. Then, ‘recitation’ records, like Jimmy Dean’s “Big Bad John”(more death), Red Sovine’s “Phantom 309”(another ghost story), and sappy stuff like Walter Brennan’s(an actor who portrayed crotchety farm hand types)record, “Old Rivers”.
)I remember "Brand New Key" being on the radio when I was an innocent and unknowing kid, and that's the genius of the lyrics - if you don't know about "ess ee ex" then the lyrics seem rather innocent, if odd. "..around the world" on her bicycle? really?
Once I had the chance to re-hear the song as an adult I was a little shocked.I think part of the shtick was that "Melanie" had a girlish innocent sounding voice but was singing these racy lyrics. Must have been a thing because Maria Mauldar's "Midnight at the Oasis" has a similar vibe. There was also similar song that's even more cringey and overtly sexual than "Brand New Key" called "Telephone Man."
French, you say?
From Wiki: "In 1976, the Wurzels released a cover version of "The Combine Harvester", a rework of the song "Brand New Key", by Melanie, which became a UK hit, topping the charts for 2 weeks." (my bolding for emphasis...because...wow...)
Taste was never an option. And no. Not listening to it, or finding the video.
Ah! Beat me to it!Few in the US know of it, but there was a British singer, Twinkle, who had a doomed boyfriend song, “Terry”.
But those others, I wouldn’t count as weird/novelty, it was just where a certain section of Euro youth culture was at that time. Remember Grebo? The point of SSS was to be obvious hype and no substance, as commentary on how plastic things were(and still con the public while they were doing it).
Jeez, novelty songs were almost a genre of their own, and Ray Steven’s was the King. Ahab the Arab, Gitarzan, The Streak, Yakety Yak, and many more.
The author apparently has never heard the term "novelty songs." What a load of pretentious nonsense. And as I was there at the time, I can say I do not remember anyone suggesting "Brand New Key" was about sex.
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Well everybody knows about the Bird........