• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

We're playing... I'm sorry what now?

Last night I showed up to the pre-gig rehearsal. Did not have the A drummer, or even the B drummer. Had the C drummer. Sigh. Same with the keys. The C keyboardist, but did her best, bless her heart.

But theeen... Buuut theeen the band leader hands us lyric/chord charts of 11 new songs, never even heard them before! Oh... And we play in one hour.

It went better than you'd have expected. People sang along. So there ya are.

Anyone else? Stories? Stories?
 
Once on a birthday party. Many of us were musicians and started to play. Than after a couple a minutes 2 guys came along and asked us to play some songs I never played in my life. Luckily the drummer (wich also was a bass, keyboards and many other instruments player) knew them. He was like: "ok, now D, going to A....a fill and C....it was lot of fun!
 
Worship set at church on a Sunday night not all that long ago. We walk out and the BL hands us all a lead sheet as we take our spots. Now mind you, the pastor is older and came up playing southern gospel his whole life. He recorded LP's and did comp work in Nashville for very famous Christian groups and secular artists that might have done a gospel track on a session. This man can ROCK his Hammond/Leslie. Anyway, sometimes he get a nudge or feels like he misses those types of tunes. That night we set those lead sheets down and he gets into his mic and greets and just starts to RIP IT UP.

None of us had ANY idea what the song was, none had ever heard it before or since, and so forth. I have no idea today what that song was.

Actually, this has happened more than once. With a band even full of hobby-level volunteers that plays together 3x/wk all year round (we know each other's playing very well) we did great. Some types of music lend themselves to jumping right in - obviously.

I know the Pro TB'ers can top this story 100-fold but for us hacks, this was super challenging and actually very fun. It sure builds confidence, I'll tell you that!
 
I have done many fly by the seat of my pants fill in or throw together gigs.

Last year, I did several that had a different lineup every gig with a guy who has the band. He will start playing a song without telling anybody what the song or key is or he will ask the audience what they want to hear. Somebody will yell out some obscure song from the 50s or 60s that not even he has ever played but he will start trying to play it and expect the rest of us to follow along.
 
I subbed for a top 40 cover bar band that had over 100 songs in their repertoire. I was told to learn about 60. I charted them all out and arranged them in order according to an old set list. The singer starts going off the list and calling out songs on the fly. I was scrambling to find charts and telling him no, I didn't learn that one. The gig went ok, but super stressful. The next time I played with them I had my charts alphabetized and color coded in a binder. He would call out a song and I would find it in a few seconds, much easier. He would still call out random songs not on the list though. I told him, "hey I'm just a sub, take it easy on me". The rest of the band got a kick out of watching me scramble, but had my back and told the singer to chill out on the randomness.
 
yeah...this has happened to me twice in my time... but with an originals band. One was a straight out NWOBHM type band, and the other was a "Viking-Metal" band. The NWOBHM was easier b/c they were not in a weird tuning. The VM band was in Drop-Q or something, so I had a slight learning curve there

Both times we are at the club, and the news comes across that the bass player is not going to be there for whatever reason.

All eyes look to me. And like a moron I say "sure". It was actually a very cool challenge, and came off better than I thought it would. I just kept my eyes glued to the guit players hand, and ears on the drummer. There were big body cues as to starts and stops. The audience also knew that I was last minute filling in...

also, sometimes the band I play in now will ask for requests during a show if the mood seems right. We challenge people to "stump" us with 80's era metal/thrash/punk/hardcore etc songs. Usually, we can get though at least the first half of anything people yell out...this is always done "in jest" though, and people don't expect it to be perfect.
 
@lokikallas: Asking you to prepare 60 songs in advance is just lazy by the bandleader, who presumably wants to leave all his options open without considering what that means to your time. It's happened to me and I didn't appreciate it. However, I wouldn't sort my music by playlist unless I was in a band where the playlist order was held sacred. Actually I've never been in such a band!
 
Back when I was in Los Angeles, I got a call to come play a gig down in Fullerton. I never heard of the piano player who called me, and had no idea how he got my name, but he asked me a few questions about "the standards" and that was the "Audition". No rehearsal, just go play the gig. I show up and there he is on piano and vocals, and a drummer. It's basically a cabaret / piano bar thing, so off we go. He's calling tunes I know, and I am watching his hands - I see that he is playing a lot of roots with the pinky of his left hand, so I am feeling like I can make it through the night. Second set, he starts drinking, and he gets into working the crowd - playing a tune, stopping in the middle of it for a monologue, then back into the tune or maybe another tune, but without telling me what is going on. More drinks and he starts playing some really obscure stuff, a lot of it from Broadway, but I am hanging onto his left hand, and doing a decent job of following him. At least most of these show tunes have recognizable progressions.. Break time, and he goes around to the tables joking, shaking hands and drinking. Oh heck.. Last set, he's drunk as a skunk, and away we go - he starts playing some "standards" I have never heard of, ever. And he's drinking with one hand, his left, of course, and playing piano with the other, and he is way soused, to the point of stopping playing piano altogether and standing on the piano bench and singing with just me and the drummer, who is lost, too, holding the music together. He stops in the middle of some tune to do a really rambling booze soaked monologue, then turns to me and says, (I wish I could remember the actual name of the tune, but, for example) " do you know Ocobahabie Serenade?" Uh, no, I say. "You'll love it! - one, two, one, two, three four--" I did three nights a week for almost nine months, with this guy and it was the same thing every night.
 
  • Like
Reactions: aetheldrea
While arranging to play bass on a country sub gig I got a repertoire list of 80 songs and the instruction was "pick what you know, learn what you can and let me know where you are at. We will build the 3 sets around that".

A week out I sent a colour coded list back to him. Green can play, yellow will be ready, red havent learned.

Rock up to the gig the band isn't there so I start setting up. Band leader and drummer walk over and the leader hands me a sheet and says "this is the set".

Most were the red ones I hadn't prepared. So I tell him and he pulls my email out (printed in B&W) and says "you sent this list".

I pull out my colour copy and show him what I had and had not prepared.

He forced me to play the list he came up with regardless. He also changed keys on the fly (a weakness of mine I also warned him about when clarifying keys).

It was a terrible gig and I left gig learning never to take a sub gig without knowing all the songs listed, and to work on transposing tunes on the fly more.
 
He forced me to play the list he came up with regardless. He also changed keys on the fly (a weakness of mine I also warned him about when clarifying keys).

It was a terrible gig and I left gig learning never to take a sub gig without knowing all the songs listed, and to work on transposing tunes on the fly more.

I've been in this situation a few times. Learning to transpose on the spot is of course a good skill, but don't be too hard on yourself - you did exactly as asked. IMO, band leaders who change things up without notice and contradict their own instructions are the unprofessional ones, not us. It's still humiliating to be put on the spot like that, but it's rarely our fault I find.
 
I go to a jam every Sunday night specifically for the purpose of putting myself in a position to have to at songs I have never heard before and don't have any idea how to play. The more you do it...the better you can get at it...just like anything really. Cheers.