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What 5'er has the punchiest, tightest B string?

That's the one thing I don't like about the 'Ray's B string. I'm a firm believer that you should be able to play the B with the same stroke you'd use on the rest of the strings. Could you imagine if every string required a different touch? Most of us would never be able to adapt.
QUOTE]

:confused:
Hmmm... on every bass I've ever played (and I've been at it for almost 39 years), I've used different strokes on each string! It's the nature of playing a stringed instrument, assuming the strings are all different gauges and have different degrees of tension. Well, we're all different, I guess...
:confused:
 
That's the one thing I don't like about the 'Ray's B string. I'm a firm believer that you should be able to play the B with the same stroke you'd use on the rest of the strings. Could you imagine if every string required a different touch? Most of us would never be able to adapt.
QUOTE]

:confused:
Hmmm... on every bass I've ever played (and I've been at it for almost 39 years), I've used different strokes on each string! It's the nature of playing a stringed instrument, assuming the strings are all different gauges and have different degrees of tension. Well, we're all different, I guess...
:confused:

With a Dingwall bass, all strings have the same (more or less) tension and that allows for an unparallel translation of dynamics across the board and across the strings. Even on the B string.
 
I have a Dean Edge (the european one) with light guage strings and a tapered low B and it is just monsterous. However it is 35" scale and I play light.

As previous posters said low B's are pretty much always floppier than the other 4 due to physics. I learned on a cheap 5 so it has never been a problem for me.
yeah. And the other problem is that if you are used to playing medium or medium-heavy gauge strings on a 34 scale 4 banger, you can NAIL that E string, and it sounds glorious. You can't do that on a B string. It's just too big of a string. Increasing the scale length to 35 or 35 1/4 helps somewhat, but you still can't nail it like the E. what you CAN do however is use a thinner B string with the same tension as a larger gauge on a 34, and have less of a chance of it being floppy.
 
I don't think anyone has mentioned Pedulla yet. He makes one of the best balanced B strings out there. For me, it's about the entire bass, not just the B string. Much of it has to do with technique too. The closer you pluck to the bridge, the tighter any B string will sound.
 
With a Dingwall bass, all strings have the same (more or less) tension and that allows for an unparallel translation of dynamics across the board and across the strings. Even on the B string.

And even if you're too scared of fanned frets you can use balanced gauge string sets on standard scales but you'll have to custom order them. This works particularly well on longer scales if you want a good low B string.

Alex
 
My Dingwall has an awesome B. My Sadowsky and Ken Smith have excellent B strings and both are 34" scale. As I understand it, the most important factor is to have a nice stiff neck. Some basses just don't have a great low B no matter what strings you put on them or how good your touch is.

Strings help. I put a set of strings on my Smith (brand unknown?) and they sound better than the original Smith strings. Better definition on the B string.
 
Ken Smith basses have incredable B strings.
As do Sadowsky's and my Valenti.
I have two older Yamaha's (BB5000 & TRB5P) which both have very even B's.

And no need to be gentle on the bass with regard to playing the B string (as I read earlier in the thread). I play the same way on the B that I do on the other strings.
Especially on the above mentioned basses.
 
And even if you're too scared of fanned frets you can use balanced gauge string sets on standard scales but you'll have to custom order them. This works particularly well on longer scales if you want a good low B string.

Alex

I've been using a method like this for many years and have been happy since day one. Personally, I think buying in bulk takes out the sting of having to pay for each individual string.

Perhaps another type of strings, I found some GHS's to be very tight strings (this compared to DR)

Certain companies use thinner or thicker cores, which is why you'll find strings in the same diameter that don't have the same response. When it's all said and done, it's the linear density that matters, which is how you could explain a LaBella .060 tapewound string has about the same tension as the average .045.

It was sarcasm my friend...due to Munji's post that I quoted.

LOL, one must clarify otherwise people might take the info seriously.