I love Utopia's first two LPs! Especially their debut, such high-end 5-star prog-rock fare! Yeah, Siegler isn't even a wiki-entry (his name isn't even in red; just unclickable black). In addition to those two LPs already mentioned, he also was onboard for an album I just mentioned on another thread, 'War Babies' from Hall & Oates. May as well call it 'Rundgren, Hall, Oates, and Utopia'. A similar point should also be made for the 1980 LP, 'Wasp'. It should instead be listed under 'Todd Rungren & Utopia (featuring the lead-vocals of Shaun Cassidy)'.
For those who may not be aware/think this is a joke, the teen-idol mentioned tried giving his career a shot-in-the-arm after his last LP bombed along with 'The Hardy Boys' going off the air. Wanting to be taken more seriously as an 'edgy' new wave rocker, he enlists Todd & Utopia in the studio. This although he would only co-write (w Todd and two other Utopia members) one of the LP's ten tracks, and half the album's tracks being remakes; the rest penned by Todd/Utopia members). No longer with Utopia at the time, Siegler was not the bassist. It was Kasim Sulton backing-up the now-former-heartthrob. Not a bad LP at all IMO if only for its 'interesting' 'cult'-status and, by-all-means, for its Runt-DNA. Listened to it a few times already, some of those times last weekend actually. No I don't officially have it in my collection (not yet), but definitely a conversation-piece/freak-out-your-guests piece of artillery which, yes, should be placed in the 'Rundgren (Utopia, Nazz)'-section. Shaun did make an effort though albeit plenty of studio assistance, then went onto a rather successful behind-the-scenes TV career.
Anyways, back to Siegler and 'War Babies'...practically the entire LP exemplifies his bass playing. My favorite example, though, stands-out with me for its also my favorite track on the LP. That track being this one...
hall oates better watch your back - Bing
A psychedelic-nod to the catchiness of "ABC" by Jackson 5, I think. Even with the 'trippy' sound-effects here and there, I think it was foolish for this to not be released as a single! It would have been a hit, thus propelling its LP to sell more as well (having a greater bragging right than the 100,000 copies it actually sold in NYC alone). The boring-as-heck cover of the album was no help. Has there ever been a contrast between album cover and the album's actual music??