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What happened with the Hartke cab craze?

Couple of thoughts. The Hartke Aluminum 410 concept was a pretty radical design idea. Radical design ideas seem to go in one of three directions:

  1. They do not catch on at all. They fail. (New Coke)
  2. They catch on, popularity swells, and eventually they alter the status quo in their category. (the iPod)
  3. They develop a following, become popular for a period of time, but fail to materially alter the status quo, and become a niche product. This happens especially when a competing product comes along and becomes a category 2 (Sony MiniDisc, or perhaps the music of Jesus Jones)
I'd say the Hartke aluminum cabinet concept evolved more or less like category 3. I never owned one, but I thought they sounded fine. Someone else (David Eden, namely) happened to come along with a more compelling product.
 
When I was playing heavily in my late teens and early twenties, Hartke's were IT. Then I took a long time off (like 13 years) and came back and was surprised to hear that they were not what they used to be. When I started buying some gear to just get back in the game without dropping a ton, I bought a Hartke head and 4x10 cab (the low end VX series). And I tell you what, both sound pretty good!

I bought a used Ampeg with a tube preamp in it because it was a good deal and now I am looking for a good 4x10 at 4 ohms to get the full wattage out of that head, but the Hartke cab sounds good. If it was 4 ohms I would be keeping it.
 
Couple of thoughts. The Hartke Aluminum 410 concept was a pretty radical design idea. Radical design ideas seem to go in one of three directions:

  1. They do not catch on at all. They fail. (New Coke)
  2. They catch on, popularity swells, and eventually they alter the status quo in their category. (the iPod)
  3. They develop a following, become popular for a period of time, but fail to materially alter the status quo, and become a niche product. This happens especially when a competing product comes along and becomes a category 2 (Sony MiniDisc, or perhaps the music of Jesus Jones)
I'd say the Hartke aluminum cabinet concept evolved more or less like category 3. I never owned one, but I thought they sounded fine. Someone else (David Eden, namely) happened to come along with a more compelling product.

I think some of the reason why things catch on or not is simply advertisement and/or who is endorsing it.

Pepsi was close to dying out until Michael Jackson had that Pepsi commercial that brought it back to popularity (even though Jackson didn't even drink a pepsi or hold a pepsi during the entire commercial).

Like that, some guitar/bass amp companies have gotten popular just by who uses them.
 
I like mine. Had it over 10 years now. I weigh 140 lbs and I am able to lift the XL in and out of cars, but I know the days until I downsize are growing short as I round 40 and head toward 50...
 
I have been using a 2.5XL for 6 years. Got it to use to Bi-amp with a JBL 15" on bottom but it sounded so good by itself, I quit hauling the JBL. I understand it is discontinued.Too bad, for the weight vs tone, it is probably the best cab they made. Very loud, tons of bottom.
 
I agree it was bad marketing to bring out low end products. I've got a kickback10 - not cheap, but really great. However for less than a quarter of the price you can get something with the same badge on that looks almost identical. After trying a Hartke 15W practice amp, you probably wouldn't look at a Kickback.

Trace Elliot had similar problems, and Acoustic are just asking for trouble with their new "dual brand" thing.
 
Two other factors:

(1) IME, the dustcap seals were prone to break. It's an easy DIY $4 fix; but when the dustcap rattles against the cone, it sounds like a blown speaker.

(2) Hartke had a paranoid speaker-replacement policy, so that you couldn't just buy a replacement driver.

I suspect that the two factors combined to give even the XLs a rep for failing and being a PITA to fix.
 
Two other factors:

(1) IME, the dustcap seals were prone to break. It's an easy DIY $4 fix; but when the dustcap rattles against the cone, it sounds like a blown speaker.

I wonder if that's what happened to my 210 Combo? All the sudden one day it sounded like one of the drivers was blown yet there doesn't appear to be any visible damage and I wasn't close to overpowering it.
 
the early ones were not so great. later they made a deeper sounding box that
sounded decent. aren't they about 100 lbs?

about 10 years after they invented aluminum speakers, they
came out with an amazing new invention----paper cones.!
 
the early ones were not so great. later they made a deeper sounding box that
sounded decent. aren't they about 100 lbs?

Yes that would be the XL series. That's what I have, a 4x10 that was probably built between 1991 and 1993. I believe the listed weight on those puppies is around 95 lbs. Tom Hamilton of Aerosmith was probably their most notable endorser, also Stu Hamm who I believe still uses them today.

Hartke also made a 1x15 and I think possibly even a 1x18, but those never seemed to catch on like the 4x10s. Don't know what kind of weight those checked-in at.

Those new Hydrive (?) cabinets sound intriguing in concept but they are uhhg-leee. Also it seems like in their recent advertising Hartke is really targeting the death/black metal crowd and that's really not where I'm at so I probably won't be giving them any new business.
 
I owned that 1155 combo with the 15" and 5" tweeter and that thing was as solid as a tank and took almost everything I dished out. I did have to replace both speakers (at different times). The tweeter blew when my instrument cable popped out of my bass and hit the metal mic stand and zzapppp!!! Other than that, the only other complaint I had were with those PLASTIC input jacks. I had them replaced with that more durable material called...metal:)
 
The Kickbacks were a great design concept (note how widely copied it has become), but I never really liked their sound personally, also I hated the EQ and the plastic jack. And, it seemed every time I went into the music store they had two or three of them on the repair bench with shredded cones.
 
I have been using a 2.5XL for 6 years. Got it to use to Bi-amp with a JBL 15" on bottom but it sounded so good by itself, I quit hauling the JBL. I understand it is discontinued.Too bad, for the weight vs tone, it is probably the best cab they made. Very loud, tons of bottom.

I wholeheartedly agree with this. I've got (4) Hartke 2.5XL's and use the quantity as I need them. I wouldn't trade any of them for any Ampeg, Eden, Genz, etc. It's just one awesome cabinet with such perfect bandwidth and tone plus not so hard to lug around. Nonetheless, the cabinet is discontinued. It's a rare bird. And, it does bother me that replacement speakers are hard to get. Ouch!
 
I own an old XL series 410 w/ the alum cones, & an MX series 410 (paper cones w/ alum tweeter) & they sound great. No probs yet. I paid $100 a piece for them (seperate sales). The alum cones have a distinct sound, & people either love them or hate them. Get some casters for the bottom...

You can't even mention the name Hartke over at HC...


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[*]They develop a following, become popular for a period of time, but fail to materially alter the status quo, and become a niche product. This happens especially when a competing product comes along and becomes a category 2 (Sony MiniDisc, or perhaps the music of Jesus Jones)
t.

...MUSIC OF JESUS JONES.

AMAZING! HAHAHA!

I never liked the Hartke cabs at all. Way too "Clanky" for me. I am interested in hearing the new cabs though.