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i think comfort is important but it shouldnt impact the price. something isnt more expensive because its more comfortable, however the most comfortable one may happen to be expensive.
i dont know if playability has that much to do with woods, but maybe i am wrong. i am open to hearing others thoughts on it.
well, lets hope that you pick a bass based on the body, and maybe the neck. everything else can be replaced.
It's not as simple as that. Just recently I played a up-and-coming custom builder's bass with all Sadowsky electronic yet it sounded BETTER than the large majority of actual Sadowskys that I've tried. Suppose, I just happened to be looking for that exact sound? If you put all the weight on the electronics then I could end up with either that bass or a Sadowsky and one would make me happy while the other wouldn't. You can drop the Fodera preamp and pickups into any other bass but I seriously doubt it'll sound just like a Fodera. Close? Maybe. Nail it? Highly unlikely. In the case of the Sadowsky vs. the small builder, you wouldn't be able to guess that the two even had the same guts.
Well you'd be dead wrong. Sorry if that's a little blunt but that's just what I believe. To me a jazz bass has jazz style pickups in positions at least reminiscent of Fender 60s or 70s spacing. Play a Warwick Corvette next to a Fender American Standard and a Sadowsky Metro. Two will sound much more similar than the third.
I think it's bit judgemental to rip on people who don't have the desire or confidence to mod a new bass the way you do.
Based on people's preferences for a musical instrument, you seem to have formed some broad generalizations about society which serve to confirm your initial beliefs. I don't think my statement about people's preference for off-the-shelf basses is really enough evidence for such a sweeping indictment, nor do I think it is relevant to the topic of the thread.
As a part time pro bass player but long time player the cost and sound are not important compared to feel & fit. If the instrument doesn't have a comfortable feel in my hands then its not mine. Then the sound is considered then the finish. I couldn't care less about cost or if the instrument impressed a soul. My instruments are very personal to me and I care for them with caution and concern. I recently saw the "road worn" bass that Fender is offering, its a shame when a company that has lead the way for solid bodied guitars stoops to such a ploy or novelty that cheapens the product. I guess for some if you'll never play like Jaco you may as well look like him hahaha!!! just goofy. Doc
Call it insurance.
If I'm a casual player on a budget, I'll sift through lower-end garden-variety Jazz basses to find one that feels and sounds good enough for me to comfortably play. Might take a few years to find a good one, though.
If I'm a working musician, I might opt for an American-made Jazz with certain features I've come to know and desire... choice of fretbioard woods, pickups and electronics. My livelihood depends on this tool being right and not limiting me in any way.
If I'm a internationally-renowned touring Pro, I want to ABSOLUTELY guarantee that my basses are the top of the top, with hand-picked woods, built to my very discerning ear and abilities, and cost is not a concern, the ultimate in craftsmanship, reliability and support IS the deal. So I contract to a high-end boutique builder for that level of "insurance".
If I ever decide to get a J-type bass-which I never considered until now-it will be a Carvin SB5000! Carvin has attracted a lot of attention from established pros and others not so established for good reason. Price, options and quality makes the SB4000/5000 very hard to beat!
A Groove is a Terrible Thing to Waste!![]()
You also have to factor in economies of scale. Sadowsky would not be sustainable selling basses at the same profit margin as Fender when it comes to the volume sold.
For me too, feel is number 1. I don't care so much about name. Like as an exampled, the "road worn " business. I like the feel of that neck, I don't care if it's from mexico or, the north pole or, if it looked scuffed up or brand new. Now for me, if they put that neck on anything I would be happy.
As someone who charges by the hour for his craft, I assume it's labor that drives the price up on the more expensive instruments. A three-hour inspection of a bass in NYC can be passed to the consumer for an additional $300 whereas a quick glance-over on an assembly line in Jakarta or Tianjin etc, $3.00.
Also, marketing is very expensive: if you're advertising in Guitar/Cigar Aficionado it will require
Page 4CB $12,000 $11,640 $11,300
1/2 Page * $8,400 $8,150 $7,900
Cove r 2 /Page 1 $30,000 $29,100 $28,300
Cove r 3 $14,400 $13,970 ---
Cove r 4 $15,600 $15,130 ---
1, 3, & 6 occurrences respectively. And I hardly believe a manufacturer won't consider that in its retail price.
the looks differentiate them obviously.
I wasn't trying to imply the most expensive is always the best, al though that is often the case. I think it is very important to get the bass YOU are most comfortable playing, whatever the price.
It can have an impact, more on comfort than playability, due to weight etc. I was really lumping it in to my point to show that the body and the neck and to some extent the hardware are what really makes the bass, and when you start replacing them you may aswell have not bought the bass
Of course all this is IMO and YMMV etc
Peace![]()
I'd imagine the necks being a major factor, each company has their own preferred neck carve, fretboard radius, scale length, fret count, etc, etc...
Add that to the different pre-amp, pickup, hardware, woods, build mechanics, finishing materials techniques, and so on, you could find two similar looking(say 5 string candy apple red and maple fretboard) Jazz basses by different companys that could sound nor feel anything alike at all.
Even with the same types of wood, properly aged, and higher grade wood costs more.what i am saying is that company a and company b use the same specs, to include wood types. we already determine that certain companies dont use exotic woods due to price, business model and their perspective impact of the sound and quality of the bass.
Certainly a major factor in the tone department, not so much in the price department. Different brands of pickups are't really more expensive than one another, and even the bigger separated ones pricewise would only add 2-300 on to the price.i think we determine that the pickups and preamps are the key to different prices and certain sounds cost more than others.
the neck is important and people can have preferences for those neck specs, but their price shouldnt be too much vs. another neck, unless you use more material, 5 string vs. 4 string neck. this is what I am really seeing as the key feature to buy one over the other, but one neck shouldnt be that much more than the other unless exotic wood was used.
Even with the same types of wood, properly aged, and higher grade wood costs more.
Certainly a major factor in the tone department, not so much in the price department. Different brands of pickups are't really more expensive than one another, and even the bigger separated ones pricewise would only add 2-300 on to the price.
It's a lot more than basic material, compound radii are much more work intensive, has the bass graphite reinforcement, or steel, one piece neck, or separate fretboard, binding, inlays, single truss rod, double truss rod, multi laminate neck?
A maple/maple neck could be either,
A standard one way truss, no reinforcement, one piece neck with skunk stripe and 12" radius,
A double expanding truss, graphite reinforced, 3 piece neck, with a 12-16" compound radius and higher grade maple.
The 2nd would cost a lot more, but on the surface, not seem all that different.
Yes, That's me. So for me, if I could get the "road wore" neck specs (vintage frets, 7 1/2 radius, comfy old school feel and whatever body maybe Jazz but, who knows) and good working pickup and all that may entail, I'm down or, in or, whatever the kids sayi like this answer a lot! this particular neck feels the best, doesnt matter where its made or how it looks or the price.
why is the most expensive the best? why is that the case? i agree, get the most comfortable bass, thats the one that is going to lead to the best performance and encourage practice.
i think weight goes into feel and I think its an important factor. i dont think the hardware make the bass like others think. the body and neck feel is the bass to me. hardware is interchangable and dont really change the feel of the bass in most cases. tuners? really? tuners dont effect my playability and isnt a factor into whether a bass is a good fit for me. i agree that some tuners are better than others and we can prolly measure why that is, but i dont let that be a big factor in any decision because I can swap them out if my tuners arent doing the job.
so you dont think that you can find that quality in craftmanship at a lower price?