• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

What is your Bass guitar progression?

I use the same progression the guitarist and keyboard player do unless I wanna like mess up the singer or somethin'. Then I play the progression in reverse and the singer gets really pissed. ;)

My approach to this is to put Latinx dance basslines underneath country songs (Exception: "Wolverton Mountain." I am firmly convinced any rock/pop bassline that can be devised will fit this song. it's the most dangerous song in the world.)
 
  • Like
Reactions: soulman969
Seriously? This is gonna tax my memory some. :help: Lot's of overlaps and multiples at times and back in the '60s and '70s stuff was a lot cheaper, I had a good job, made good money, and it was easy to pick up basses cheap or swap stuff for. We never imagined what some of that stuff would be worth some day. It was either new or used then. Nothing was "vintage".

In the '60s and '70s
Silvertone 1444 Dolphin Bass
Fender Jazz Bass '66
Fender Precision Bass '63
Gibson EB-0 '68
Epiphone Semi-hollowbody '70
Fender Precisions '71 and '76 (I think)
Fender Jazz Bass '74 and '77 (I think)
Gibson EB-3 '72

In the '80s and Current
Carvin LB20
Jackson Concert Bass
Modulus M92-5
Fender Deluxe Jazz Bass
Squier '60s Classic Vibe Jazz Bass
Squier Matt Freeman Precision Bass
G&L L2500
 
  • Like
Reactions: Rumble Thunder
1980-something, Grand Prix P copy. 88 or so, '79 Rickenbacker 4001. Tried to defret the P, ruined it. Gradually began to find the 4001 uncomfortable, but kept it for some time after picking up a Mouradian CS74. Sold the 4001 after finding the CS was quite similar but improved on all things that bugged me about the Ric. Late 90s I think. Then things started to get crazy. Had a flurry of buying, trading and selling that lasted until 2005 or so. Went through a Corvette fretless, Ovation fretless, Dean 8 and 12 strings, Fender Stu Hamm, BC Rich Platinum Warlock, Tobias Killer B, Cort Curbow 5 & 6 strings, Aria ZZB, and probably some I don't remember.

Still have the CS, plus some other 80s products:

Tobias Basic
Alembic Exploiter
Steinberger L2
Burnside "The Lance" Flying V
Andreas Demetriou (unknown model, sort of looks like the old Overwater C)
BC Rich Bich 8 string

Moving into the 90s with a Peavey MIDIbass

Plus a couple from earlier in this century, a Ristola fretless and 5 string. Have a 5 string Steinberger Spirit from the Musicyo days, can't remember when those days were.

I won't swear that I have one or two more I can't think of at the moment. I wouldn't mind something to put my Bartolini Ric pickups/Demeter preamp setup in, had an Ibanez Ric copy body and neck project that was only playable for 2 practices before the neck gave out but sounded gnarly. My Spirit similarly has Gibson pickups from an Explorer with a neck that had been rendered unusable by previous owner.
 
  • Like
Reactions: Rumble Thunder
1971-SB400-775.jpg

Started with one of these bad boys in a whole 'nother era.

Upgraded to:

4001.jpg

70s 4001

Then didn't play bass for many years.

Borrowed two Washburns that I did not like at all, and my first "modern era" bass was this FrankenFender:

Fender Rick.jpg

Followed by the 4003 next to it.
 
Last edited:
  • Like
Reactions: Rumble Thunder
Starting in '69:
Telestar violin bass, white w/black binding.
Gretsch Bikini, bass & 6 string, black
Gibson EBO-L, cherry. 1970, later added a bridge pickup with V/T pots and toggle switch.
Acoustic/Hohner fretless white, EB 2 body style.
Rickenbacker 4001 black 1972. Still have this one.
Gibson non-reverse Thunderbird tobacco, mid 60's, not sure of the year. I regret trading this one everyday.
No Name violin bass, white w/black binding.
Current herd:
Steinberger Spirit 4, black.
Jerry Jones longhorn 4, black.
Epiphone Viola, sunburst.
Jerry Jones longhorn 6, black.
Danelectro longhorn pro, silver burst.
Hondo longhorn, orange burst.
Peavey Foundation, black.
Wishnevsky Super longhorn fretless, natural spalted maple. Steve said this was the last instrument he made before he started using the Wishbass name.
Daisy Rock Retro H, white.
Italia Rimini, cherry.
Squier VM jaguar, red.

As I traveled through the above basses I have also acquired and still have:
Mellotron M400
Moog mini
Moog Opus 3
Moog Theremin
Moog Taurus
Moog Taurus 3
Bassmate bass pedals
Korg Poly 6
Hohner Clavinette D6
Gulbransen Harmonium
Estey Army Field organ
Ovation Breadwinner 12 string, tobacco.
Ibanez Ar 250, tobacco.
Lark In The Morning Cittern.

testing.jpg
 
Last edited:
  • Like
Reactions: Rumble Thunder
Started with a MIK Fender Jazz about 15 years ago, on the recommendation of a bass playing friend. I pretty quickly came to feel that I wanted more bass in my bass though, and after a year or so came to realize that what I really needed was a Precision.

MIM Precision — still (after many mods, most significantly, a pickup swap) my co-#1. The "sound in my head" — just what I always wanted a bass to sound like, and more. Got it about 13 years ago, and sold the MIK Jazz shortly thereafter. My only [electric] bass for a good decade.

Eventually, hand/arm/shoulder trouble led to interest in a short scale, and then living in two very far-apart locations necessitated another bass (one for each location), so about 2 1/2 years ago I picked up a Gibson SG Bass. The SG largely just needed a setup (action was a bit high, so it tired out my left hand sooner than I'd been hoping for), but also although the tone was very good in its own way, it seemed to make everything too "garage rocky", so I started longing for a Fender short scale.

Meanwhile, there were two Mustang basses hanging in a local shop window, so I went in one day about 2 years ago and asked to try one and I just instantly totally dug it. My MIJ Mustang Bass reissue became my instant new co-#1.

Then, well, I'd always kinda regretted selling that first Jazz. The Jazz tone isn't "my tone", but there's all sorts of good, useful tones in there, I like the Jazz look, the Jazz neck is a pleasure...so last summer I started shopping for a white MIM Jazz. A used white MIA Jazz came up for a very good price, but I hated it when I got it home — I'd gone too low price-wise. That made me go back and look at a very good condition used white Am. Stnd. Jazz that had also been for sale at the time, and I got that one. I'm not a Jazz guy, but I'm enjoying it more than I'd expected.

Finally, I wanted a Precision (my favorite bass) for both locations I live in, and had always kinda wished I'd ponied up for a sunburst American Standard back when I'd bought my first Precision, so, after a major life event a number of months ago created some major perspective on things, I went and got me that sunburst Am. Stnd. Precision I'd long wanted. Funny thing is, I still feel closer to my MIM...

Going forward, well I'm pretty set actually, but a Mustang PJ might finish things up, and an Epi Thunderbird Vintage PRO always lurks on the edge of my thoughts. Might sell the SG, which I don't use much, and I'll probably also eventually sell one of the Precisions. So, I'll probably end up my bass journey with anywhere from 3 (P, J, Mustang) to 7 basses
 
  • Like
Reactions: Rumble Thunder
1976 (age 14) '62 Precision ($100) Sold for $500 in '82, which was a fair price back then.
1988 Ibanez Roadstar II 5 string. Sold.

Became a pro sound engineer, only played guitar sometimes

2010 Rogue 8 string--Nothing like their cheap stuff, great bass, pawn shop steal
2012 Ibanez Iceman, my main stage bass (pawn steal)
2013 Ibanez Roadbass RB 828 from 1991 (gift), still love it
2015 Dean Edge (gift) converted to BEAD tuning
2017 LTD Viper with EMGs, my main recording bass and #2 stage. $80 pawn steal!

My history shows that I like to find interesting and underrated used instruments at stupid-low prices.
The Roadstar II is the only one I bought new and the most expensive by far, and I liked it the least. Not ripping Ibanez, because I love their guitars and basses--it was just a rare bad one I think.
All the others are great, and the average price paid for them is just over $100.
(The two freebies help that low average a lot)
 
  • Like
Reactions: Rumble Thunder
6 years ago (first instrument, age 42) i picked up a barely touched entry level Yamaha off of Craigslist for $100 that included a practice amp, tuner, cord, & instruction book (I added the sticker :)) >
20180407_230929.jpg


1 year of playing as a daily obsession, I then researched, and did my one and only upgrade in a BIG way... got a barely used USA Spector Forte-X (#016) on consignment at BassNorthwest for half the cost of a new, upgraded the pre, and we've been in love ever since *sighhh* :rolleyes: >
20180220_230009.jpg
20180201_183634.jpg


It's like a Thunderbird on steroids + a work of art, but a real player :bassist:

This thing set the bar pretty high for me. The only things I'm somewhat gassing for are maybe a Ric (someday?), and the new Epi Vintage Thunderbird Pro in white (mostly for a backup.)
 
Last edited:
Started venturing out from the drum set and into the realm of bass around the year 2000 or so...

Honestly can't remember my first bass -- something generic from a pawnshop -- then I went through the following:

-Ibanez GSR200 in dark blue (eventually donated to a church youth group)

-Fender Standard Precision MIM, black/tort pg with SD quarter pounders and Badass II bridge

-Schecter C4 Diamond Series MIK, in quilted amber mahogany, with abalone Vector inlays, EMG HZ pickups and Monorail bridge - sold

-G&L Tribute L2500 MIK in Amber - sold

-Fender Standard Jazz MIM sunburst with Fender Original 62 pickups and Badass II bridge -sold

-Schecter C4 Diamond Series MIK, in black cherry mahogany, with abalone Vector inlays, active/passive Bart pickups -sold

-Squier Classic Vibe 60's Precision in Sonic Blue - sold

-Fender American Standard Precision, in Blizzard Pearl, with SD Antiquity pickups - sold

-Carvin SB5000 in sunburst - sold

-Fender American Special Precision, handrubbed satin honey amber finish, with Dimarzio Model P pickups and cream pearloid pg - my current #1 bass

-Squier Vintage Modified Jaguar, made in Indonesia (the discontinued 34" scale with stacked Vol/Tone x2) in black with tort pg and Dimarzio Model P/J pickups - my current backup bass

20180408_001236.jpg

20180408_001236.jpg

[Invalid or Expired Link Removed]
 
Last edited:
  • Like
Reactions: Rumble Thunder
Learned on my dad's '77 Stingray fretless with flats around late elementary/junior high age.

When I entered high school, I actually took music classes for the first time. So the Music Man was not exposed to the possibility of theft, loss, damage, etc., I took his '76 Musicmaster to high school and kept it there in a music locker for first semester of freshman year, when I was in beginning band. At this time, I insisted on stringing the Musicmaster up with flats, as that was what I was used to playing, due to playing/learning on the Music Man. Second semester of that year, I moved to jazz/stage band, and I was allowed to keep the Music Man locked in the band director's office. This continued for all of sophomore year and the first half of junior year.

Sophomore year, I learned upright and played it in the orchestra until the end of high school (a school bass - some German-made one the maker of which I don't remember).

Junior year, my dad decided he didn't want me keeping the Music Man at school any more, so about halfway through the semester (my b-day/X-mas), he got me a slightly used G&L L-2000 fretless for the crazy low price of $400 (it was only a few months old, in dead perfect condition).

Senior year, I switched to trombone in jazz band, and didn't play bass guitar at school any more (only upright in the orchestra).

That G&L was my only bass until 2007, when my dad died, and I inherited everything he owned, including the Music Man, the Musicmaster, and a Franken-P-Bass made of MIJ, MIA, and aftermarket parts (with the flats I had installed for him years earlier).

That all sat for about a year (I was almost entirely playing guitar at this time). Then I decided to join a band on bass because I missed it. I used the Franken-P for this band, and ever since, I haven't played the fretless basses but for a handful of times.

I joined another band in 2008, which started playing gigs in early 2009, and I left the other band behind. I played the Musicmaster in this band, with a pick (but with the same flats I had put on the bass back in the early '90's).

As the years in that group went on (we are still together), the Musicmaster was my main axe, with the P being played from time to time. (After a few years in this band, I ditched the pick and went back to what I was most comfortable with: my fingers.) But I picked up some other basses and messed around with them for a while: A Squier Jaguar short scale (modded with 1/4 Lb. pickups), a Squier Bronco (kept stock), and a no-name cheap-O short scale Japanese bass from the '70's (which I tuned to D standard using the bottom four strings from a 5-string set). All of those had rounds on them. I moved them along to new owners around 2013, because my collection of instruments was getting out of hand, and these were my least sentimentally precious and most redundant basses.

In 2014, I was hired by a "known" blues artist, for whom I had auditioned back in 2009. Back then, I got beat out by someone else. But when he quit, they remembered me, and asked me to re-audition, and I got it this time. My introduction to working with this band was two two-hour practices (without the artist present) to learn about 30 songs, and then directly in to a 30-day, 20-gig southeastern and Texas tour by van. I used the P for that, and a few extraneous local gigs with them after the tour was over. (This artist has since died.)

This year, I picked up an AV '64 J (my first ever Jazz Bass) and an AV '58 Precision (my first ever bass with a maple fretboard). I just got .110 La Bellas for both of these, so I can finally set them up the way I like and move them in to the rotation. I will probably be using the J primarily for a while.

In short, here is what I have now:

'76 Musicmaster, Olympic White
'77 Stingray, natural, with '80 Sabre fretless neck (almost never played, but kept because I learned on it)
'90's L-2000 fretless, ash, natural with ebony board (almost never played, but kept because it was my own first bass)
Franken-P, black ('90's MIJ body, MIA Fender replacement lacquer neck, Duncan pickup)
'13 American Vintage '64 J Bass, Olympic White (new to me, about to enter rotation)
'16 American Vintage '58 P Bass, blonde (new to me, about to enter rotation)

...and here is how I got to it:

1997: + L-2000
2007: + Stingray, + Musicmaster, + '62 RI Franken-P
2010: + no-name SS
2011: + Jag SS
2012: + Bronco
2013: – no-name SS, – Jag SS, – Bronco
2018: + '64 AV Jazz, + AV '58 Precision
 
Last edited:
  • Like
Reactions: Rumble Thunder
First was a 1950s Kay hollow body with lipstick pickups and strings a 1/2 inch off the neck, next a 1973 Fender Jazz, then an Alembic Spoiler and last my self built 6 string fretted.
<<<<<<<<<<<<<<
I also have a self built 5 string fretless. There were a couple of flip basses in there too, but none were my main players.
 
  • Like
Reactions: Rumble Thunder
moving to Hawaii in '75 at age 20 from LA immediately gave me a culture shock of new musical perspectives as I was quickly ushered into the local scene by my first Hawaiian friend who'd been an award winning drummer for Don Ho and knew everybody, most importantly the iconic Pahinui* family. Gabby's steel guitar playing took me over but I was also in close contact with bass players who did the off-shore booze cruise tourist trade and I gravitated to that as well since they played aboard my home and responsibility for 5 years, the massive 160' schooner, Invader**. Hawaiian style bass is v simple but incredibly effective and this lead to my first basses in the early '80s, a '65 BASS V and a '72 Fender P stripped and de-fretted to fretless, a $500 package, those were the days! eventually the P went away cos I never got on with the toothpick neck as steel consumed my soul, but bass thunder always captivated me and I'd pick up an oddity here and there like a cool 1970ish Micro-Frets Husky, the complete opposite of a BASS V! it's been my thing for many years now and have always been adding to the collection amap.
*Gabby Pahinui - Wikipedia
**Link Removed
 
  • Like
Reactions: Rumble Thunder
Really a nice idea to have a look back (not in anger) to the previous basses and all those that were allowed to stay.
Beginning with the RB Corvette $$ some years ago, which has undergone some modifications (electronics).
Bass 01 Warwick RB Corvette $$ WP_20150803_20_30_57_Pro.jpg

Next came a WW streamer stage 1 which is a very solid and heavy old axe with a nice tone and has stayed unchanged through the years.
Bass 02 Warwick streamer WP_20150803_20_21_56_Pro.jpg


Then came a beautiful Spector Euro LX4. I really liked the body-shape and tone but could not cope with the narrow and thick neck. Sold it then.

C__Data_Users_DefApps_AppData_INTERNETEXPLORER_Temp_Saved Images_517427000127284-00-500x500.jpg


Next came a Lakland Skyline 5-string which had several deeper cuts but great Bartolinis and a complicated John-East-Amplification which was sold and replaced. Still have this bass with its phenomenal Low B and wonderful playability.
Lakland skyline 5er Barto Indonesien.jpg


Next came another 5string from Yamaha in a strong and rare colour. Still have this bass although I brought it to my brother:
_Yamaha Bass RBX765 green.jpg


Then I switched to a fretless Fender Jazzbass with lines. I was not happy with the sound and changed the pickups and electronics. It still is not used very often:

Bass 05_Fender Jazzbass fretless IMG_2108.jpg


Next step: a Steinberger Spirit 5-string which had an awful tone and low output. The string-spacing was too narrow and I sold it neverthess I really liked the shape/design and handling a lot.
Bass Steinberger Spirit XT-25 5-String 71789_l.jpg


Then I tried an acoustic Takamine but found out that it does not fit me - neither soundwise nor playability-wise. So I gave it away rather soon:
Bass 06 Takamine acoustic_IMG_01.jpg

Next I bought an old Hohner which was really not useable anymore and had a Squier PJ with an awful Agathis body. I mixed them up and had a Hohner-body with a Squier-neck in the end which serves as experimentation field for various pickups and electronics:

Bass 07 Squier PJ vintage modified IMG_3692.jpg


Bass 08 Squier Hohner PJ Eigenbau_1477972911_o.jpg

Then came a WW (German) Fortress in a beautiful colour. A friend of mine has dropped it to the ground so the paint broke off in several places. Normally when played you would not recognize this and the handling / fretboard is great. Tried several pickups / electronics (still not sure about that) but am still convinced of a PJ-setting.

Bass 09_Warwick Bass Fortress 01.jpg


So the next purchase was a 2nd-hand Maruszczyk Jake (still have to look twice on the name) in 5-string version. Great axe, although pretty heavy. It's really nice and beautiful.

Bass 11 Maru IMG_2056.jpg


The last purchase (at the moment) is the Ibanez Talman TMB-100 in mint-green. Really nice vintage design and colour, although I have to find a way to reduce the treble in there - maybe using nickels or flatwounds or changing to passive and tone-blend.

Bass 10 Talman IMG_2704.jpg
 
Last edited:
  • Like
Reactions: Rumble Thunder
Learnt on a 3/4 size onyx bass (really bad p style bass)
Saved up my own money and bought a OLP 4string.
Left school, got a full time job and bought Spector Rebop.

Saw my dream bass pop up on eBay a few years later and bought a flea bass modulus.

Five or so years went by and I bought a electric upright (NS4).

Recently sold the upright as I hardly used it. Bought a super cheap p bass copy- upgraded the pickups and electronics. Absolutely love it now.

Just this week put a deposit on a Sire V7.

At the moment I have the OLP (have turned this into a fretless), Spector, Modulus, P bass and soon to be mine Sire V7
 
  • Like
Reactions: Rumble Thunder
1972 Epiphone 5220e: Learned to play on it and used in first few bands, but always dreamed of a Fender Jazz.
1987 Fender Jazz Special MIJ: First "real" bass.
Loved everything about it. Still do.
1988 Fender JSB MIJ Fretless: because I wanted a fretless. Recently sold it to a friend who fell in love with it.
1990 Martin B15e: all maple ABG that is awesome, because it was so different at the time.
2011: Fender Jag Deluxe MIJ: Local guitar store was closing, my marriage broke up and it was a HELL of a deal. First Fender that felt. As good as my JSB.

With wife gone, house gone, no credit rating from the recession, living in a borderline slum and cutting expenses, I went in a most enjoyable plunge into music and instruments. Bought some from friends who needed money. Got others cheap. Had a few bought for m

2012 - 2018 Rondo Beatle bass (Douglas); Rondo (Douglas) SPB1000, FGN Mighty Jazz, rebuilt Squire Affinity P Bass, Jack Casady, Fender Starcaster (I LOVE the Starcaster) Ibanez AFB 200 (LOVE, you know)

I ran across Andrew Drake in 2013 and bought a Drake 7 fretted and a fretless and later had him build two basses, one for mom and one for dad, that -- if I have sell all of my stuff Someday -- would be the two I always keep.

Oh, and a Hofner Ignition Club because it was on sale for $240 and it was so cute!

I play in two bands, local jams and as often as possible and each of the critters still gets to play.
 
  • Like
Reactions: Rumble Thunder

Latest posts