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What kind of strings do you use?

Preferred String Type

  • Roundwounds

    Votes: 5,505 69.2%
  • Flatwounds

    Votes: 1,868 23.5%
  • Nylons

    Votes: 142 1.8%
  • Compression, 1/2, groundwound (either or)

    Votes: 258 3.2%
  • Other

    Votes: 178 2.2%

  • Total voters
    7,951
I have used Fender strings mostly because of their bright and sharp tone. I have LaBella flatwound strings on my Squier Precision for the nice and warm vintage sound, and D'Addario roundwound strings for the round yet trebly sound. I am going to put Fender strings on my Eagle Rickenbacker 4001 and some short-scale strings on my Ibanez GSR200.
 
On fretted basses, D'Addario XL nickel .045, since the late 80's
On fretless basses, Fender 9025 (?, anyway, the ones with green silk ends) .045
Mostly due to the fair price/quality ratio.
My Squier CV 60' P sports D'Addario Chromes .050, but I almost don't play it anymore (now resides i a friend's home
On my Danelectro Longhorn (almost ashamed to confess this) the very same strings that I found on it when I bought it in 2000: by now they must have turned from rounds to flats...;)


(But on double bass I'm very picky: at the moment I switched back to D'Addario Helicore Hybrid Medium from Thomastik Belcanto)
 
What strings do you play & why?
- roto swing 66, extra-light gauge (35-90) --- because they're rounds and they're 'flimsy' (compliant).
- TI jazz rounds --- because they're rounds and they're 'flimsy' (compliant).
- any other round wound string if they're light enough --- because they're rounds and they're 'flimsy' (compliant).
 
For my bass guitar (5-string P - Lakland Skyline 55-64), Kalium balanced (.045-.150). This is mainly for the tension and feel vs. sound. On a 4-string bass guitar, I prefer Jamerson flats, but the B string on that set is way too skinny and wiggly, not enough tension compared to the others. In short, I need a .145-.150+ B string to be happy, so I play them in until they're pretty dead and I have faux-flats. On upright, I use Spirocore S42s, mainly because I like their punch and sustain, and (of course) tension.
 
my basses are set up with these

MIM Fender J with LaBella DTF's
Sterling SUB4 w/ D'Addario tapes
P-bass kit w/ Fender flats
my new Epi T-bird has stock strings, but I waiting (a couple of months now, supply chain woes) for GHS Pressurewounds to put on it

I'm on a flat wound kick the last few years and love them...decided to try the the pressure wounds for a new feel and sound...

gave Ernie Ball Super Slinky's a try a while ago....might put them back on my jazz
 
Typically, I prefer steel strings. Though I haven't bought em' in a while, I think Dean Markley might be my all time favorite for both sound and feel. Not easy to find them in my area though. Elixir steels have been the only common alternative I can find, but the only plus the have over Markleys is they last a bit longer.
 
I generally play GHS Boomers for rounds and LaBella LTFs for flats, generally in whatever is the lightest gauge I feel that I can get away with for the specific tuning I am using (which varies quite a bit).

Boomers were the first set of strings I ever bought for myself 20+ years ago, and to this day they are the "default" sound that I hear in my head for a set of strings as well as the default feel in terms of tension, stiffness, and roughness/smoothness level. I'll typically only go for something else if I am chasing a different sound, which is rare. Generally speaking, I've never played another nickel string that offered any particular advantage that made me want to switch -- price, feel under my fingers, overall tone profile, longevity, etc. Steel strings are simply a different sound from what I typically go for.

I've used flats a lot less over the years and am less set in my ways. For a long time my favorites were Fender flats, but lately I've switched to Labella LTFs purely for tension/stiffness purposes. As a lifetime rounds player I do tend to feel more comfortable with a flat that is not super dark sounding or too high of tension, and the tension preference has only become more important over the years.
 
DR HI Beams (45-105; 125 B) on Stingrays since high-school. Bass teacher turned me on to them (he had a huge Costco-sized box of them) as well as the Stingray and they have been a perfect match. I've tried a couple other brands when I was younger and was more prone to breaking strings, but nothing went "dead" properly. Tried many other DR offerings but HI Beams haven't been bested to my ear.