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What makes a drummer great?

Dr. Cheese

Supporting Member
Mar 3, 2004
57,279
120,402
Metro St. Louis


I think I have asked this question before, but what makes a drummer great? There are lot of drummers I like, but I’m not sure I can totally put into words why I like them. Some drummer I like are Terry Lynne Carrington, Narada Michael Walden, Steve Arrington, Jerome Brailey, JD Beck, Billy Cobham, Manu Cache’, Questlove, Steve Ferrone, Steve Jordan.
 
How they emphasize the form and changes I believe.
I love It when you can tell which jazz standard they are playing and which bar they are at just from listening to the drummer, crazy. :hyper: Otherwise It's random shuffling for 4 bars repeating untill the end no matter how good they are.
Edit: Oh ofcourse.. they should shut It during others soundcheck and communication between band. :spam:
 
The kit... definitely the kit.

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When they start the song with 1-2-3-4 instead of 1-2-1-2-3-4.

Seriously a good drummer plays in time and a great drummer can lock a whole band in time. Makaya McCraven, Blakey, for example.

Haha... Keith Carlock does that with Steely Dan. It sounds like every song is about to be a punk rocker... and he yells out the timing. ONNE... TWOOO, ONE TWO THREE FOUR... <intro to Peg> lol
 
A few things I look for in a good drummer:

1. Volume control: A good drummer can play quiet, both hands and feet, regardless of tempo. I also like a drummer who doesn't pedal the hats obnoxiously loud on the 2 & 4.
2. Listening: A good drummer listens and reacts to the other musicians. That includes allowing the bass or keys to dictate the kick pattern.
3. Intelligent count-ins: People always sleep on how a count-in can dictate the feel and intensity of a tune, not just the tempo. It's a hugely important skill to have if you're going to lead a band that observes dynamics.
4. Bass solos: Nothing grinds my gears more than drummers who completely check out or stop playing altogether during the bass solo. It's a conversation bro, keep playing and if you're listening to me I'm listening to you.
 
Haha... Keith Carlock does that with Steely Dan. It sounds like every song is about to be a punk rocker... and he yells out the timing. ONNE... TWOOO, ONE TWO THREE FOUR... <intro to Peg> lol

That's definitely a thing in the jazz world. Almost everyone I've ever played jazz with counts tunes in subdivided like that. Personallly, I like it.