If you don't own a P Bass your not a real Bass Player..![]()
What you *meant* to say was, "if you don't own a P-bass with flats played through a non-class D amp and *never* slapped, you're not a real bass player"
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If you don't own a P Bass your not a real Bass Player..![]()
Sure does!yep-
respect you don't have to earn makes it a lot easier.
I respect your opinion. We are all different and I never bought into the Fender thing. In my mind the finish deteriorates too rapidly. The traditional bent bridge dampens the tone. The pickup is week and coincidentally gets lost with the kick drum. The neck is often misaligned and there are SOP's from the factory for shimming the neck. That is a well known design flaw that Leo identified early on but never fixed. That itself is a deal breaker for me. Three years ago I picked up a very abused P body. I stripped it of its Fenderplast and painted it black poly. I have a mid eighties Double Eagle neck hand fitted to the body, wood on wood. The pickups are Quarter Pounders and the bridge is a Babicz. I used CTS pots and an Orange drop. It took a lot of work to squeeze the best tone out of it. Still it gets lost in the mix. That's why I prefer Matsumoku built SB's. Out of the box you get the tone you expect with no mods needed. But that is just my opinion.I don't think so-
if they weren't good, many people wouldn't use them.
a good P bass (mine has TI flats) should be in every bassists arsenal IMO.
I just bought a G&L L2500 and it has about 30 combinations and guess what? front PU/series/passive and I could die happy (very close P bass tone).
I tried every bass over 30 years and I just wasn't happy until I lastly tried a fender P-I should have tried it sooner- I wasted a lot of time.
What you *meant* to say was, "if you don't own a P-bass with flats played through a non-class D amp and *never* slapped, you're not a real bass player"
I remember reading somewhere this story: in the sixties a bassist went to a studio to record a blues album. When he took his J-bass out of the suitcase, producer's dissatisfaction was obvious. He asked: is something wrong? Producer (old dude) replied: what's with the second pickup?![]()
neither did I-We are all different and I never bought into the Fender thing.
The only thing that makes the P Bass so great was James Jamerson, if it wasn't for him we would all be playing Jazz Basses and the title of this post would be What makes a Jazz so good..
Just being sarcasticNot sure if serious...

Just curious, how many of you P bass diehards have played a G&L L-1000 (wunkay)? What were your thoughts?