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As mentioned repeatedly, a lot of the attraction is simplicity, ergonomics, and sound. That's what attracted me. But that's not the real reason I play a Precision-style bass. I'm reminded of an old question Microsoft used to pose when interviewing job candidates: "Why are manholes round?" Answer: It doesn't matter why. It's a standard. When I show up to an audition with a Precision, I'm already halfway through the door.
There are many instruments that have their sound and it's considered that they sound just right; pianos, strings, brass instruments and P basses. Others are designed to make many different sounds, guitars, keyboards and J basses.
I wonder if violin forums get asked this question very often?
Manholes are round because its thebonly shape whose lid wony fit inside itself (if that makes sense the way i worded it)
Oh yeah. P basses are pretty sweet, too.
Leo did his homework. He tried a few things, asked players for their input, and as a result made something that, while not perfect, was pretty close.
if you try to make something better, there's not that much that you can do differently without getting into goofy territory. Hence you get lots of folks working on very minor variations of the original.
In short, the P fits in the mix as much as the mix fits the P.
I think it is nostalgia or just sheeples following the crowd. Often Fender P's are modified to make them "better". There are so many copies like Lakland it is hard to figure out what attracts people. I like the Aria Pro II range of basses, because they are more midrange and can be heard easier in a band setting.I have my own opinion. I'm just curious of yours. Nostalgia? Tone? Feel? History?
If the P bass wasn't the 'original' (so to speak) would it still be as popular today?
I'm a big P bass fan, it's got what I'm looking for. Growl, tone, looks... etcetera.
LMAO!!!That's what she said. OK, I'm sorry, I just had to.
I disagree. Even giving the J a head start, people back in the 60's would have discovered what we know now; that the P sits in the mix better than the J. There would have been a group of players who move to the P at that time and we'd be right where we are now.The only thing that makes the P Bass so great was James Jamerson, if it wasn't for him we would all be playing Jazz Basses and the title of this post would be What makes a Jazz so good..