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What makes a very good bass ?

What makes a very good bass ?

  • Attention to small details(fretwork,comfort,ergonomics)

    Votes: 116 75.8%
  • Sound only, even though it doesn't feels good at first I'll adapt

    Votes: 39 25.5%
  • Finish and look(including "coffeetableness") , if it looks good then it's good.

    Votes: 9 5.9%
  • There isn't such thing as a good bass guitar, just good players

    Votes: 22 14.4%
  • Price, the cheaper the worse

    Votes: 1 0.7%
  • Electronics only , plywood can sound good

    Votes: 12 7.8%

  • Total voters
    153
  • Poll closed .
high-quality parts and fretwork. By parts, I mean tuners, the nut, the bridge, the input jack, the pots, the pickups, and the truss rod nut. So many cheap basses (and some expensive ones) have one or more of these that need to be replaced immediately upon purchase.

EDIT: Also, if the bass is not shielded properly, I don't consider it to be worth purchasing. That gray paint crap is not adequate. As far as I know, only Carvin/Kiesel does it right.
 
The Tale of the Good Bass
(A Zen Folk Tale)


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Once upon a time there was a bass that sounded good and played well.

It was called: Good Bass.

- The End -​
 
LEBOWSKI
Funny–I can look back on a life of achievement, on challenges met, competitors bested, obstacles overcome. I’ve accomplished more than most men, and without the use of my legs. What? What makes a bass, Mr. Lebowski?


DUDE
Dude.


LEBOWSKI
Huh?


DUDE
Uh, I, I don’t know, sir.


LEBOWSKI
Is it being prepared to do the right thing? Whatever the cost? Isn’t that what makes a bass?


DUDE
Ummm..sure. That and a tort pickguard.


LEBOWSKI
You’re joking. But perhaps you’re right.
 
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In my opinion there's a holy trinity of if you love a bass:

Sounds Great
Feels Great
Looks Great

Of course all three of those things are subjective and there are different levels to each one, but if a bass has got all three it's a keeper.


Of course, it has to look good to me, too. Make me want to pick it up.

I didn't vote either - if I had to choose one, I would say sound. But I wouldn't want to play a bass that didn't feel comfortable, & if I didn't like the way it looked then I wouldn't pick it up to find out about the rest.
 
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"Very Good" I say sound and attention to detail.
However, one of the most important "details" to me now is weight. Sound (primarily a function of the pickups, and electronics) may be the first consideration, and in general attention to detail (Fretwork, neck shape, nut, etc) is what separates good from Very good or Great. However, there's lots of "good"" basses out there and if it's heavy, it's generaly out of the running for "very good" in my mind.
 
I only have three requirements that aren't negotiable:

1) It's got to be reasonably easy to tune, and it must stay in tune. 'Jumpy' tuning keys (or an incorrectly slotted nut), a half-ass bridge, etc., not gonna happen. Before tone or anything else, if it won't play/stay in tune, what's the point?

2) Regardless of what kind of pickups and pots, active or passive, it's got to be quiet electronically. I've long since gotten over the thrill of listening to 'The Grand Ole Opry' thru my bass and amp. I don't want to stand and point in one direction like a scarecrow to eliminate a hum. The easy answer for me is usually all-EMG: There are corpses that make more noise than an all-EMG axe. Passive Single coil or side x side humbuckers in the same shell? This is a question?

3) It needs to be reasonably comfortable. I'm not one of these 'only 8.5 lbs or less' or '19mm spacing, period' guys. But they can get too heavy, and usually they're too heavy and a 'different' shape (unless they're late 70's Fenders . . . .). I prefer a flatter than a rounder neck. I hate bridges with sharp edges. I like a thinner than a thicker body. Ergonomics are a seemingly unknown concept to a lot of designers. Play an original 4-string NS Spector: Most things seem like planks in comparison. Some shapes just work better for me than others, and like a racing driver, I far prefer curves to straight edges.

After that, I like colors instead of clear or oil finishes, and PRS-like tints over interesting wood is right up my alley. And fortunately, the three things I mentioned do not require spending huge sums on hand-built axes to achieve. There are more well-built bargains, new and used, than I can ever remember.
 
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To me it's the right , high quality components put together well.
Basses I think of as 'good' are resonant.
The whole neck sounds good-tone does not thin out higher up.
They sustain and decay well ( that does not mean 'long' sustain but it means the tone doesn't 'fall apart' during decay.
They set up well and respond to minor tweaks. They also hold tuning and intonation well.

And...the 'very good 'basses I tried felt good and made me want to play them.
 
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So in your opinion what makes a very good bass (the one you will never sell)?

Good feel when you play it, and great sound and wood resonance.

Great sound is very subjective as some people/genre prefers thumpier sound, while other prefer extremely long and even tone sustain.

So, ultimately, feel in your hands, so that the instrument makes your playing easier and more dynamic, not making things harder for no obvious reason.
 
It has to be comfortable and it has to be well constructed . It can be the cheapest bass or the most expensive bass . If feels right it's your bass . You can always change the hardware and/or the electronics to suit your personal specs . As Al Dimeola once said "There are no bad guitars . Just bad players" .