I paid or it. And I can get the sound out of it that I want.
Yeah. This. Not sure what else.
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I paid or it. And I can get the sound out of it that I want.
With apologies to the Marines: "This is my bass...there are many like it..."
Don't forget Saturday / Nov 11th is Veterans Day.
Riis
Now we know the place to hit and the number to call to make sure you’re out
First, I only play RondoMusic Hadean violin/Hofner style 21" scale bass ukes, plus have modifications and paint that I choose, done by Eric's Guitar Repair Shop and Pat Wilkins Finishes. Eric replaces the limited function floating piezo bridge with an all metal fully adjustable bridge that has a pickup in each saddle, and ads an on/off slide switch so I can leave my wireless pod plugged in. Pat is one of the best finishers in the country. I've used both of them for years and will not go anywhere else.There are millions of ps, and js and string rays, Rick’s, danos, foderas, wals, Warwick’s, Yamahas, Ibanez, , etc. What makes it yours? A particular dead spot? A rattle? A bit of wear only you could have put there.? What makes it yours?
I transferred the neck from my other project bass which was on Geddy Lee Mexican body unto a nitro MJT Ash body which was made 10 years or so ago but it has reliced naturally. I like the natural finish, but best of all the sound. With the original bent plate bridge it was 7.4 bs and now 7.6 or so with the Leo Quan that I had for almost 30 years. I also have a BT2 D-tuner. on it and if I took that off it would probably be even lighter. Has Seymour Duncan Antiquity II. Needs nothing in the tone department. I was thinking to put the Barts I got but I will keep it as is, and live with the slight hum. Got the loaded body from a cool TB'er. Everything on the headstock are hipshot including the oversized string retainer. May get an ultralite D-extender since I have Ultralites on the rest. I like the bent plate bridge alright but I palm mute a lot and want something more comfortable so may get a B type hipshot down the road but for now the old BA does is fine. That thing is heavy.
It's the bass that makes you play until the wee ours of the morning. A very singing quality in the solo region and just a slight wolf tone on the C# on G. Growly lows. . And I am very partial to ebony necks. The neck is a P and in a few months I had it has become really playable and settled. It feels well played like my oldest bass. Already did an improv gig with it and it was well loved.
I call it the Esperanza Bajo -- the Hope bass. Pics taken at 3 AM after getting lost in it for like 4 hours.
Simplicity is best and this is it.
View attachment 5247161
There are millions of ps, and js and string rays, Rick’s, danos, foderas, wals, Warwick’s, Yamahas, Ibanez, , etc. What makes it yours? A particular dead spot? A rattle? A bit of wear only you could have put there.?
What makes it yours?
The birthday of a former girlfriend in the early '80s....Nov 11th...
Riis
I really need to get a set of those for my fretted Martin Keith Elfin 5 (the fretless one has TI Jazz Flats on it).But I found the perfect rounds ( TI Jazz) , and have learned to appreciate what it brings to the table.
It’s a nice change of pace . The B sting is glorious !!
There are millions of ps, and js and string rays, Rick’s, danos, foderas, wals, Warwick’s, Yamahas, Ibanez, , etc. What makes it yours? A particular dead spot? A rattle? A bit of wear only you could have put there.?
What makes it yours?
My fingerprints and DNA are all over it.
I was going to say the same thing. I don't have anything particularly rare or custom made but I know how I like them set up and how to get them there, generally speaking.My setup.