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What precisely is good about Precisions?

Who here doesn't like Precision Basses?

  • Blasphemy!

    Votes: 180 44.0%
  • I like J Basses

    Votes: 74 18.1%
  • X makes a better Precision (please elaborate!)

    Votes: 17 4.2%
  • Carrots

    Votes: 138 33.7%

  • Total voters
    409
I always ask why do people like Jazz basses? I find them fussy. And there's a reason why so many of them need a pre-amp... to get a more acceptable tone, bass frequencies need to be boosted. And the pickups hum if the volumes aren't balanced. So that requires different pickups. Like I said, fussy.

Precisions, on the other hand, are workhorses. Plug and play. Punchy. Smooth. It's a BASS.

For the record, I have two P's and two J's.
 
Just had a gig in a medium size bar, P with worn Roto rounds through my SVT and a Bergantino NV610.

The bass and amp owned that room, strictly rock covers from the last 50 years. Never founded out of place, from funky thick and punchy to in your face distortion to smooth fat supporting bottom. Just pure effortless visceral joy and the reason I play bass, to sound cool and have a ball while women want to be with you and guys want to be you.
 
I bought my first p bass last month. Found a great deal on an Xotic. The neck is thick but the tone is nice. I am getting used to the neck through practice. As others have suggested I like the tone and I like having a platform for flat wounds. Between this and my j bass with rounds I have nice variety.
 
I love it for the tone... That juicy, thick, fatty, "T-bone steak with a baked potato on the side and an ice cold beer" tone that makes whatever I'm using it with instantly sound 300% better..

Aaaaaaaaaaaaand now I'm hungry!

Seriously, when all else fails I know I can grab one of my Ps and get a sound that will work.
 
1. A mid forward voicing that makes it sit great in a band mix (agreed not the best sounding bass solo'd)
2. Simplicity and ease of use (for the player and producer/engineer recording)
3. Different shapes (slab or cutaway) and pickup layouts (single coil, humbucking, p/j) with the ability to customize with after market parts to your hearts content (literally every part from body/neck to pots/jacks) meaning theoretically you should be able to find or make one that "fits you perfect" in feel at the very least.
4. The carrots. If you add peas it makes a vegetable medley.
 
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I couldn't find what I wanted in a p, so I had to make my own:


http://i1022.photobucket.com/albums/af348/coverbagman/IMG_2832_zpsopsc6dnq.jpg
 
I've never really played a P that I love. The necks are just too fat on the one's I've tried. I like the wide nut on my Ray, but it has a shallower neck shape. Always preferred the look of a jazz, but the tone of a P, so my SX PJ seems to fit that bill.

The American Standards have really nice necks. Same with the Nate Mendel. I think you'd like the neck on the Mendel P
 
I find the "you gotta play them with a band/in a mix"
Heres something I just wrote in a different thread, copying/pasting to save time:

"The single pickup Classic P-Bass voicing is one of the most popular recognizeable voicings in contemporary music, but its not like the StingRay MM Sound where actual physical equipment ( a Parralel wired MM as well as the proprietary nature of the Ray's PreAmp System) is coupled with pickup placement to achieve that voice. The P-Bass voicing is much simpler: A humbucking Pickup in the Mid Position -- thats it. Even a single-coil in that position will mimic the earliest P-Basses (such as soloing the mid PU on a Jazz -- it will be thin, but the voice is there). There are literally TONS of basses out there that have the P-Bass voicing (or variation of) as an option (such as G&L L-1000s, Peavey T-45s, etc) and can be further accented by passive or active electronics, EQ-shaping, techniques/playing style, to make up for the different tonal variances from type to type. Furthermore, there are many twin-pickup basses out there can have their mid pickups soloed to achieve that sound, like almost any P/J or G&Ls ( click the link in my Sig and scroll down to the last song "Old Skool Town" -- Hear that P-Bass? Its not: Its my G&L ASAT with mid pickup soloed in Series Mode).......So if your criteria is that "sound", understand that sound can be achieved on a LOT of basses that dont necessarily say "Fender Precision" on them.....Now, if you want a P-Bass because you like the way it looks, like the way it plays, you want that P-Bass "mojo", or just so you can post pics on TB to get other P-Bass lovers to "Gawk" at your new bass, those are all legitimate reasons to get one because it boils down to just making yourself happy....but get out of this mindset and stop listening to all this "A P-Bass is all you need" garbage because that mantra will vary from the needs/wants of each individual player so Im gonna' call BS as I see it....... $.02, YMMV"

For the record, I dont play with a pick, but I enjoy hearing the P-Bass voicing picked when executed correctly...Had the Go-Go's Kathy Valentine had a little more bottom-end on the Go Go's earliest recordings, I'd say her sound would be a perfect "picked" P-bass Sound

I replied to your comment in the other thread but I'm gonna do it again here.

I totally agree. I also find the "you gotta play one with a band/in a mix" comments overstated. I have many times, I still prefer other basses. P basses are not the be-all-end-all. Nobody needs/has to own a P bass. If you want one, that's great! By all means, play one. Lots of my favorite players play/played one. Yes, it's the most recorded bass of all time. However, there are other options, and somebody is not crazy for going another route or for even not liking P basses. I often wonder how many times someone thinks "Wow, great P bass tone!" on a recording that it actually turns out to be something different.