That's kinda like saying any car can be driven on any road.Stop fixating on the number of strings. Any song can be played on any bass.
Though that is true, it misses the point.
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That's kinda like saying any car can be driven on any road.Stop fixating on the number of strings. Any song can be played on any bass.
Or a song in E becomes a song in Eb.When you're singer calls for Livin' on a Prayer in the key of B, you're gonna need the low b.
Are there songs that you feel would suffer if the bassist used a 4 string instead of a 5?
I'm a huge Warwick fan but got a Lakland because of the 35" scale B string. Very nice. Still kept one of my 2 Warwick fives though. Recently played a Stingray Special 5 (34") and had to have it. Best B string I ever played. Traded my $$ for it. Kept the Lakeland as a spare and am keeping my Warwick Bleached Blonde Thumb 4. I never say never but I cannot imagine ever moving the Thumb or the Stingray!Crazy! I went Lakland SPECIFICALLY for the 35" scale to get a better B. It IS better than the TBird, but I just recently got a Sterling (import line) Stingray 5. It's a standard 34" scale, and the low B is MORE defined/allround pleasing than even the Skyline 55-02!
I am hopefully less than a week away from picking up my very first custom bass from Brian at The Low End. He even has 33" basses with crazy great low Bs! This will be a 34" scale and I'm HOPING it will be great... you never know until you play it, though. If it IS, then I'll probably sell the Lakland.
Glad you found your Killer B! (even if it's not a Tobias!)
I started playing in 1998 and learned on five. A couple of years later I picked up a four and it was fine, until I tried to use the fiver hand position for a song in E. oops. The killer was trying to play "Summer of 69" with a four and I was used to going DOWN at the key change. but "down" didn't exist on the four. I wasn't experienced enough yet to just easily pick it up an octave higher. I floundered for a couple of measures. I was just goofing off at the Howl at the moon in Hollywood, but still, it was embarrassing.5's just work better for me on everything.. I played 4's exclusively for over 25 years, until October 2014. Found a Modulus Quantum 5 that played & sounded incredible, (still got it) & I've been hooked. I've discovered that 5's just sound beefier across the whole tonal spectrum- for example, my Musicman Stingray 5 just sounds bigger & thicker than my buddy's 4 string Musicman. (& I'm not even talking about the low B) I would attribute this possibly to more mass overall that a 5 has, generally speaking. Lots of the modern gospel & country music incorporate the low B string, it just sounds better (to me) played on a 5. Four's certainly are very popular & countless bass players use them everywhere, but 5's just are home for me.
While I mainly play 5's, I got my first 6'er a few months ago- a Yamaha TrbJP2- & I primarily use it at church & plan on using it for studio work. It sounds amazing! & I'm a longtime John Patitucci fan. Yamaha makes killer sounding basses! I regularly alternate between my 5's & my Yamaha 6 & love them all.My Yamaha TRB6P has been my #1 since about 1995. I own 4- and 5-string basses, but I am most comfortable on the Yamaha. I tend to use it whether I need the B and C string, or not. I truly believe that it's better to have the extra range and color available that an extended range instrument affords. In all honesty, some aspects of playing become easier when you master a 6-string and some aspects of playing become slightly more difficult, so it's a trade off. But in my opinion, there are more advantages than disadvantages.
I got a sixer from Rondo from the "scratch and dent" section for $120. It's a very beautiful silver, but I had to put a shim between the neck and body to get the neck correct. And it's got a dead 23rd fret on the C string (Slightly lower than the 24th fret).While I mainly play 5's, I got my first 6'er a few months ago- a Yamaha TrbJP2- & I primarily use it at church & plan on using it for studio work. It sounds amazing! & I'm a longtime John Patitucci fan. Yamaha makes killer sounding basses! I regularly alternate between my 5's & my Yamaha 6 & love them all.
ThisAny song made popular (or otherwise originally played) with a 5 string, assuming the B string was used for below E notes, will sound different performed on a EADG 4 string. Not that it can't be pulled off, but discerning ears will hear the difference.
I bought a cheap 5 string specifically to do Before He Cheats.
To be honest, I'm so used to a Fives that all incorporate the B in almost everything I do. (Almost)Are there songs that you feel would suffer if the bassist used a 4 string instead of a 5?
Just curious what the community thinks.
Dude from Helmet played a 4 the other nite. Frickin Helmet.
You don't need a 5 for this one, just a fretless 4, an octaver, and a pick.Sledgehammer - Peter Gabriel
No, not really. When I'm messing about on my 5, sometimes a do one of their drop-D riff on the standard BEADG tuning, just for fun.Has their music deviated from drop-D or something?