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Whatcha watching?

Had a Shudder trial, so hit/miss movies as of late, but I really dug these:





"The Guest" is pretty good. "Color out Of Space" with Nic Cage reminded me of "Death Of A Unicorn" a bit but not quite as good. "They Will Kill You" I wanted to like. Great visuals but didn't grab me.
 
Agreed. Glad you enjoyed. I'll eventually watch again when it hits streaming. Trying to decide if I want to see Backrooms, but opinions are mixed. I'll likely wait on that one.
It's good. I didn't like it the first time and saw it again and enjoyed it. My mood really affects my movie reviews. I think it's worth seeing in a theater. The sound plays a big role in the overall tone. I think it's worth seeing in the theater.
 
Disclosure Day is compelling, much like most Spielberg movies. It takes a story and tells it well. The problem is the story is ******* stupid. It ended and I was annoyed while the rest of the packed theater clapped and woohoo-ed. So I guess the masses will love it.
I haven't watched a BIG Spielberg movie in a long time, but I've recently rewatched Jaws and Close Encounters and he definitely had some ticks/tropes back in the day. He loved utterly chaotic family and crowd scenes with people talking over each other, noise, tons of movement. I'm guessing that predilection/eye for controlled chaos really paid off with Saving Private Ryan's D-Day scenes.
 
I haven't watched a BIG Spielberg movie in a long time, but I've recently rewatched Jaws and Close Encounters and he definitely had some ticks/tropes back in the day. He loved utterly chaotic family and crowd scenes with people talking over each other, noise, tons of movement. I'm guessing that predilection/eye for controlled chaos really paid off with Saving Private Ryan's D-Day scenes.
It's so much more disappointing thinking about it the next day. It's a bad movie.
 
IMDB reviews would concur. It looks like something I'll watch when it streams. I'd like to see Spielberg put out one more classic film before he hangs it up, but it ain't looking good lately.
The more I think about it the worse it gets. It's such a weak story. I don't know what he thought he was doing here. The message is clearly "let's not have world war three because there are more important issues that should bring us together", but the story is bad. It's childish. There are plot holes. The CGI is awful. There are a couple of CGI animals that look like they came out of PS2 games. But it's gonna do great. I think people will love it. The audience I saw it with went nuts when the credits rolled while I wished I had something to throw at the screen.
I'd like to see Spielberg put out one more classic film before he hangs it up,
I don't think he's capable of it, unless he has nothing to do with the story. The pacing was still good. It looked good, except the CGI. He still made a movie that drew you in despite how awful the story was. He's still got that.
 
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I don't think he's capable of it, unless he has nothing to do with the story.

Not seen his new one yet, but he's certainly written either the screenplay, or the story, or in some cases both, of several of my favourite movies, and games : Sugarland Express, Close Encounters of the Third Kind, Poltergeist, The Goonies, Medal of Honour (credited as creator of the game series).
 
Wyatt. It doesn't really matter, I wouldn't have watched it regardless. There's something lacking in Hollywood productions, the bigger they are, the dumber they seem to be. The more they spend on production, the further the film seems to distance itself from my sensibilities. Its a machine with recycled parts. I much prefer independent efforts with new faces that aren't recycled as well. I want to see actors with the kind of abilities that are earned rather than watch some substandard performance by the child of some luminous cog of the mechanization.

Im not much on Kate, either. There's probably some sort of connection between too many American actors and a parent that smacks of privilege for my liking. I want to see real people. People with physical flaws. People who earned their roles. I think that's what sets the U.K. productions apart from the stuff done here. I realize that many of the actors across the pond share connections with their parents as well, but it's on a different scale.

I don't think we would see a Barry Keoghan here. Nor Sally Hawkins, or Olivia Coleman, or for that matter, 80% of the actors in British and Irish productions. It seems the only time we see them here, it is long after they are established, and it's not because of the accent which they are perfectly capable of dropping.
 
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Watched WaterWorld last night. A post-apocalyptic action film with a happy conclusion. Probably the same sort of movie as Mad Max. I'm a sucker for that type of thing. Rotten Tomatoes gives it 61%.


WaterWorld.webp
 
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