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Whatever happened to sax?
- Thread starter avvie
- Start date
My personal opinion of the saxophone is that like it is like cologne/perfume. When there is too much of it, everyone notices, and it's unpleasant for most of them... a little usually goes a long way and it's really a right place/right time kind of application.
Give me more vibraphones/xylophones/glockenspiels, though. Give me ALL OF THOSE.
Give me more vibraphones/xylophones/glockenspiels, though. Give me ALL OF THOSE.
In my neck of the woods (south Louisiana) almost all of the bands have a sax player. My main band has a 4-piece horn section, comprised of a trumpet, (2) tenor sax players (one also plays alto sax), and a baritone sax player.
My son got into music college ridin' on his tenor. He's studying Electronic Production & Design.
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One of my favorite contemporary uses of the saxaphone, or at least in the last 30 years, was that of Dana Colley from Morphine.
Came here to share Moon Hooch and Leo P, glad to see there's some more fans out there!
Marcus King was getting popular before touring all but ended; his arrangements heavily feature sax and trumpet. In fact a lot of bands that are on the "festival circuit" tend to feature at least one horn (or EWI player).
Marcus King was getting popular before touring all but ended; his arrangements heavily feature sax and trumpet. In fact a lot of bands that are on the "festival circuit" tend to feature at least one horn (or EWI player).
W T F is wrong with you all... 5 pages and no Morphine!!??
I have to agree. What a phenomenal band. I've been to many live shows over the decades and seeing them 22 years ago was still one of the most captivating experiences I've ever been a part of.
Yeah, but this happened first...
Granted, “rock and roll” was born of post war jump blues, with sax as the lead voice, but as more hillbilly cats got involved there was a shift. Plus, you had this guy....
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While I don't quite share your level of vitriol against the out-of-the-blue sax solo in pop/rock music, it does make me realize that the art of rock'n'roll saxophone -- where the instrument is not just there for solos but is an integrated part of the ensemble, playing throughout most of the tune -- is definitely a dying art.
Is there anyone in the 21st Century playing sax parts like Bobby Keyes played with The Rolling Stones, or Clarence Clemons played with The E Street Band? (other than the kid who replaced Clemons) Much as I love Keyes' solo on "Brown Sugar" I think I'm far more enamored of his tenor playing during the verses and choruses of that tune...so tightly integrated with the rhythm section, a very effective bridge between melody, harmony, and groove.
In between Kirk originating that feat(as far as I know, and keep in mind that he was blind)and Davey Payne continuing the tradition, there was Dick Heckstall-Smith...
He played with John Mayall and Jack Bruce as well. Also from that Supershow film...
IIRC, there was a moment in that where Kirk and DH-S jammed together, but I couldn’t find the clip. Kirk’s flute playing was a big influence on Jethro Tull’s Ian Anderson.
