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Double Bass What's my bass worth?

B

Bass68

Oct 28, 2009
82
15
Berkeley, Ca
#1
Having owned my instrument since 1992, I am now considering making a change for something with different qualities. The question I have for those with experience selling basses is how do you generally come up with an asking price? About 15 years ago it was appraised at $9800, but I doubt it would actually sell that high - it was for insurance. (BTW, it's much harder to get appraisals these days!) It's a 1930s German bass with the name "Hammig" inside - it seems no one has heard of this maker. It's in good playing condition, plenty of cosmetic blemishes and repaired cracks, but otherwise solid. Any words of wisdom?
 
#2
Visit some shops online and in person and compare it to other basses for sale. Talk with some shop owners and get their opinion about what they might list it for. If it's a great sounding bass in good shape and set up well, it should do well. People are paying up to 10k for Asian basses, an old German in good shape should compete well. There are a lot of dogs out there for sale...
 
#5
Maybe it is Hofner, I don't know anything about that.
The inside label says:
Joh. Heinrich Hammig
Mittenwald
Made in Germany


There's no year, but since it doesn't say West Germany (or East) I was advised that it's probably a Weimar era bass.

Below are some pics. I can't get a clear image of the label.

[Invalid or Expired Link Removed]

[Invalid or Expired Link Removed]
 
#6
Ok, I guess I have to figure out how to get photos on here...

Lets try this:

IMG_1107_zps89e5927a.jpg


IMG_1106_zps16931e23.jpg
 
#10
it may be worth more than you might think-to some buyers, a label makes a big difference. William Henley published his book "dictionary of violin makers" probably would have had the maker of your bass in it, but this Hammig came a little after Henley's time. Henley has several Hammigs in his book and speaks highly of them. There are a couple of John(or variation thereof)is mentioned a couple of times. These Johns lived and made violins in the 1700 and 1800. The last Hammig in Henley's book, made several double basses. If anyone has a book about makers witten later, it will surely include the maker of your bass.

I would try to find that info-Ken Smith-Ken's Corner bass forum, would be a good place to turn. Also, if you do a search John Hammig, you will get results. The aprraisal of $9800 was high back then, but today it would not be so high.

I hope that this helps and good luck.
 
#13
jnel said:
it may be worth more than you might think-to some buyers, a label makes a big difference. William Henley published his book "dictionary of violin makers" probably would have had the maker of your bass in it, but this Hammig came a little after Henley's time. Henley has several Hammigs in his book and speaks highly of them. There are a couple of John(or variation thereof)is mentioned a couple of times. These Johns lived and made violins in the 1700 and 1800. The last Hammig in Henley's book, made several double basses. If anyone has a book about makers witten later, it will surely include the maker of your bass.

I would try to find that info-Ken Smith-Ken's Corner bass forum, would be a good place to turn. Also, if you do a search John Hammig, you will get results. The aprraisal of $9800 was high back then, but today it would not be so high.

I hope that this helps and good luck.
Click to expand...
Plenty of these names were used by manufacturers in the 20th Century to make their instruments seem special. They bear no relation to the older makers. "Andreas Morelli," for instance, was a fake name belonging to a collection of shops all over Germany.

This bass looks factory-made. There is a market for these older German shop basses, but it's unlikely to sell for more than six or seven thousand.
 
#14
It's hard to say for sure-to say that the bass has no relation to the Hammigs is going a little too far-imo- we simply are guessing, at best. If we hear something enough we tend to believe it. This idea of using names is pushed really hard by some and in some instances, it probably applies. This could be a bass that was made by a modern day Hammig-The is talkbass and we're just talkin-that's all--a guessin and talkin.:)

anyway, you(0P) might want to get the bass in better condition if you want to sell it, cosmetic work, new set up-sell the gut strings to someone who uses them- trim back the upper edge that looks like it has been replaced since the grain wasn't matched up with the top(hard to say from pictures but that's what it looks like)

Hopefully, your bass sounds great once set up and you will be able to get the 6 or $7000 for it that Paul mentions -It should be worth that if someone wants a good old bass. Most of these old European basses sound great.

good luck
 
#15
The wholesaler was the now defunct J.M. Sahlein of South San Francisco. Their old office and warehouse is less than 3 miles from my shop. Like the "Roderich Paesold" brand name (a bowmaker who never made instruments), "Hammig" is an appropriated name for distributed basses made by Hofner. The Hammig basses were used extensively in northern California for public schools and private teachers.
 
#16
Steve, you sound pretty certain, Not that i doubt you, your experience and your proximity to the history of this bass. Did Hofner make them in Germany? I wonder why Henley doesn't have Hofner in his book of makers. He has Karl Hofner. One would think if Hofner made the bass, then Hofner would put his own name in it as the maker.
****! i'm confused.
 
#19
:crying:
i couldn't find the icon of one hitting his head againt the wall

i'll just sit here and cry dammit

Salieri : Mozart, I killed three

Hofner: Hammig, I killed three




op- you have a fine bass and someone will love it- don't give it away $5000 min
If i were you, i would get Steve to sell it- Steve is also in Calif i think- if i am breaking a rule- I plead a 5th, after i finish this 1/2 pint
 
#20
Eric Hochberg said:
I don't know anything about the Henley book, but Hofner is a factory built name brand, AFAIK. Like Juzek.
Click to expand...

Karl Hofner made stringed instruments in Bavaria; John Juzek put labels in stringed instruments in New York and later Stowe, Vermont.

Basses labelled Hammig, Juzek, Johan Rauner and Gibson (and more!) were variously made in different eras in the violin shops of Saxony, Bavaria, Bohemia and Czecho-Slovakia.

Upton Bass used to put their name in basses that were mostly constructed in Europe and the Juzek brothers continue the family tradition by putting their family label in instruments from Romania and China. Kolstein basses are also from Europe and the String Emporium's Thompson and Wan Bernadel basses are constructed in China.

Steve's been doing this for quite a while and has been paying attention, eh?
He knows his stuff when it comes to guitars, too. I recently played Kathy Kallick's '57 D-18 and its a delightful guitar! ;)
 

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