OBLIGATORY I AM NOT TROLLING MESSAGE
I don't have strong opinions about amps. I think all moderately priced amps do a fine job doing what they were built for: amplifying your signal. Sure, I prefer some over others, but I'll be happy with whatever (I'll be giving the Aguilar Tone Hammer another chance this weekend now that I understand its drive and gain controls better, if you've been following that thread).
Except for the SVT.
Whenever I plug into an SVT I feel like I'm plugging directly into a shrieking panel of stainless steel. Every other year I buy yet another SVT-flavoured preamp pedal -- SV-Pre, Bass Driver DI, VT Bass DI, SCR-DI -- hoping I'd finally get it and end up absolutely hating it (I must be the only one who's ever returned a perfectly working Broughton pedal).
I know I'm not the first one to hold a grudge against the SVT, but whenever these feelings are brought up, people are quick to point out the magic comes from the 810. Maybe that's part of the story, and but then, why is the preamp market flooded with SVT-flavoured pedals? Why is the 810 always paired with the SVT? Why the SVT/810 combo and not the Fender Bassman/810 combo?
And yet, here's Sean Hurley sounding like what I assume warm butter on freshly-taken-out-of-the-oven bread sounds like plugged into an SVT (whether or the SVT is what we actually hear here is another story).
So, what's so special about the SVT?
I don't have strong opinions about amps. I think all moderately priced amps do a fine job doing what they were built for: amplifying your signal. Sure, I prefer some over others, but I'll be happy with whatever (I'll be giving the Aguilar Tone Hammer another chance this weekend now that I understand its drive and gain controls better, if you've been following that thread).
Except for the SVT.
Whenever I plug into an SVT I feel like I'm plugging directly into a shrieking panel of stainless steel. Every other year I buy yet another SVT-flavoured preamp pedal -- SV-Pre, Bass Driver DI, VT Bass DI, SCR-DI -- hoping I'd finally get it and end up absolutely hating it (I must be the only one who's ever returned a perfectly working Broughton pedal).
I know I'm not the first one to hold a grudge against the SVT, but whenever these feelings are brought up, people are quick to point out the magic comes from the 810. Maybe that's part of the story, and but then, why is the preamp market flooded with SVT-flavoured pedals? Why is the 810 always paired with the SVT? Why the SVT/810 combo and not the Fender Bassman/810 combo?
And yet, here's Sean Hurley sounding like what I assume warm butter on freshly-taken-out-of-the-oven bread sounds like plugged into an SVT (whether or the SVT is what we actually hear here is another story).
So, what's so special about the SVT?
. It's sort of like asking, why do I like a specific color. Why we like or dislike the SVT and/or 810 tends to be more subjective. I personally can't stand playing through the 810, even though I do agree it's a significant part of the sound. However, IMHO objectively the SVT and 810 are both fabulous designs...it's just not really "my" sound.