I was referring to the caliber of the monkey-barrel....
Sorry about that I accidently lost that post for a bit.
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I was referring to the caliber of the monkey-barrel....
I was referring to the caliber of the monkey-barrel....
By what logic? Composition and shape aren't the same.
Composition changes the way waves are transmitted -
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Thanks. Point taken.
I'm wondering if those differences are enough for the human ear to hear. Especially for electric bass. That's what I remain skeptical about. Especially considering this, from the study:
"Many luthiers and serious musicians claim to hear the trademark sound that certain woods have when they are used on the back and sides. Lighter woods like mahogany are said to have a dry and woody sound. The denser rosewoods have a rich and bell-like sound, while the denser-still Ebonies and Blackwoods are said to impart a deep, piano-like sound to the guitar.
Even to the experienced luthier/musician these differences are very subtle and emphasis should be placed on the fact that even small changes in the way a soundboard is constructed could change the sound of a guitar much more noticeably."
Thanks. Point taken.
I'm wondering if those differences are enough for the human ear to hear. Especially for electric bass. That's what I remain skeptical about. Especially considering this, from the study:
"Many luthiers and serious musicians claim to hear the “trademark” sound that certain woods have when they are used on the back and sides. Lighter woods like mahogany are said to have a dry and woody sound. The denser rosewoods have a rich and bell-like sound, while the denser-still Ebonies and Blackwoods are said to impart a deep, piano-like sound to the guitar.
Even to the experienced luthier/musician these differences are very subtle and emphasis should be placed on the fact that even small changes in the way a soundboard is constructed could change the sound of a guitar much more noticeably."
Thanks. Point taken.
I'm wondering if those differences are enough for the human ear to hear. Especially for electric bass. That's what I remain skeptical about. Especially considering this, from the study:
"Many luthiers and serious musicians claim to hear the trademark sound that certain woods have when they are used on the back and sides. Lighter woods like mahogany are said to have a dry and woody sound. The denser rosewoods have a rich and bell-like sound, while the denser-still Ebonies and Blackwoods are said to impart a deep, piano-like sound to the guitar.
Even to the experienced luthier/musician these differences are very subtle and emphasis should be placed on the fact that even small changes in the way a soundboard is constructed could change the sound of a guitar much more noticeably."
Thanks. Point taken.
I'm wondering if those differences are enough for the human ear to hear. Especially for electric bass. That's what I remain skeptical about. Especially considering this, from the study:
"Many luthiers and serious musicians claim to hear the “trademark” sound that certain woods have when they are used on the back and sides. Lighter woods like mahogany are said to have a dry and woody sound. The denser rosewoods have a rich and bell-like sound, while the denser-still Ebonies and Blackwoods are said to impart a deep, piano-like sound to the guitar.
Even to the experienced luthier/musician these differences are very subtle and emphasis should be placed on the fact that even small changes in the way a soundboard is constructed could change the sound of a guitar much more noticeably."
Just note: that's not peer-reviewed.
The proponents of the "wood matters a lot" school -- I'm pretty sure the thesis is that the differences in the sound you get from diff types of wood are not all physical, not mechanically detectable. It's more spiritual than audible. That's why it takes a cultured sophisticated musical ear.
Nope.
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Just note: that's not peer-reviewed.
The proponents of the "wood matters a lot" school -- I'm pretty sure the thesis is that the differences in the sound you get from diff types of wood are not all physical, not mechanically detectable. It's more spiritual than audible. That's why it takes a cultured sophisticated musical ear.
I believe there are a lot of reasons why someone may not notice the diffence in wood selection. Of course heavy EQ, effects, highly driven valve amps and a ton of other stuff can make these differences less noticable. Sealed cabs with no tweeter.
If you are using a fairly transparent rig and mostly set up bass-cable-amp and a flat EQ these differences are more apparent. Flat wound strings and rolling off a significant amount of passive tone also mask these differences.
If "your" sound is highly dependent on this kind of stuff the wood probably doesn't matter as much.
You may also come across a bright rosewood or a mellow maple blurring the lines between the two. I've got a fairly bright honduran rosewood board on one of my basses and it doesn't sound like maple but it is not a typical rosewood and would probably throw many people off.
So you think it IS measurable in the audible output?
So you think it IS measurable in the audible output?
One thing I've been wondering about since I first stumbled into "The Tone Wars!!!" is why luthiers would use wood in the construction of so many solid body electrics if it has no effect on tone. It seems a very fickle and inconvenient medium, if indeed it has no impact on the final sound.
The one thing I've learned from this thread: I want me some of Kjungs toys.
How about I put it another way that you just may understand, anecdotal evidence is not valid on ANY topic under any circumstances.You claim the anecdotal evidence supporting the effect of the wood isn't valid...now you're going to have to prove it.
This is the crap you keep propagating, you seem to think that not agreeing that wood makes a difference=inability to hear a difference from bass to bass when it actually means that hearing a difference=/=the wood is the culprit.Nobody's trying to convince you of anything. Since you can't hear the effect of the wood it doesn't matter anyway.
Maybe on a hollowbody instrument it's subtle. On solidbody basses the differences can be remarkable. It can give certain playing styles a completely different character.
Like I said, clips aren't the way to experience this. Just for grins, let me ask this... ever played two otherwise identical instruments and you can actually feel one vibrate against you more than the other?
Or not.
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If you listen to the unadorned sound as many of us do, it can be pretty blatant.
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