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What's your favorite preamp that's also a DI?

Maybe you can help us by narrowing down your area of interest. For example, if your max budget was under $300, that would rule out some of the boutiquey options. Or maybe you have champagne taste and don't care to hear about the more pedestrian pedals. Or if you desire clean, articulate, modern tone, that could rule out some of the more tubey/dirt oriented preamps--or vice versa, desiring SVT emulation would rule out the super clean boxes.

Fair enough, but I was really hoping for more of a "Tell me what you use and what it does for you" than a "Tell me what you think I should use."

$3-500, capable of outputting a hot enough signal to drive a PA amp hard while staying clean, warm and round is good but as long as it plays well with effects I figure I can get a variety of sounds by adding other pedals, able to drive an amp while simultaneously sending a signal to the FOH. I like OD ( Fuzzrocious Dark Driving is a favorite) and some fuzz, but I'm happy to have those in a separate pedal instead of being built into the DI/pre.
 
i'm not a huge fan of the SansAmp od section. never got anything i liked out of it. the VT's cool if you're going for an Ampeg sound without haing an Ampeg, but i don't really enjoy that tone for me. i actually prefer the old small SansAmp BDDI over the VT for the cleaner tone.

the Rusty Box sends a VERY hot signal, especially when flipped up to Hi Output, gets from warm to very wooly to ANGRY, and the boost switch is a bit too much extra volume for me (i try to stay very close to unity when engaging effects usually), but a lot of peoples seem to like it.
 
+1 on mxr m80
although,i owned 2 of them and they were somewhat different....first one i had was WAY too loud as a di(got to the point i had to turn the volume knob to 11 o clock so it wouldn t clip),then it got stolen,and the second one i bought is a bit <tamed> as a di(actually,my sound tech always wants more volume,and i keep the volume knob on 3 o clock,most of the time),weird huh?
i would send it to be repaired,but i don t know which one of the two was actually broken?
+ i am used to it,by now....
overall,MIGHTY,MIGHTY BASSTONES from this box!
 
Having finally had a chance to try my new DHA VT1 bass eq at a rehearsal I can say that it is amazing as a preamp.
I use it for a bit of clean tubeyness before my Markbass Lm11 and it has a volume for the DI.
I am really looking forward to it being part of my sound from now on.
 
I have been using Line 6 stuff for a while, and get great results. I use the X3 Live, and it drives my power amp as hard as I ask it to. Plus, it has an effects loop, built in gate, a reasonable compressor (not my favorite.... seems a bit slow, but it'll more than suffice), and has enough dirt models to keep you busy.

There's enough routing flexibility to accomodate every situation I've encountered.

The bad thing is that it's "modelling". So if you just forget that's what it is trying to do, and just treat it as a preamp with it's own flavor (only this one has many flavors), you'll definitely find a sound that makes you smile... and have a plethora of bonus stuff that can be anything from just fun, to very useful.

OK, Line 6. Where's my check?
 
Having finally had a chance to try my new DHA VT1 bass eq at a rehearsal I can say that it is amazing as a preamp.
I use it for a bit of clean tubeyness before my Markbass Lm11 and it has a volume for the DI.
I am really looking forward to it being part of my sound from now on.


what settings did you use....? Did you try the Boost and the Color knob? Pretty cool pre amp isn't it?
 
Tech 21 Sansamp BDDI Deluxe. I've only had mine a few weeks but here's what I like and dislike.

Like: it runs off a 9v battery or off my 1-Spot (I hate when pedals require their own power supply!).
Like: its small, considering it gives 6 easy to access presets and is also an A/B switch.
Like: the "Fat Tube" sound gives me close to a tube sound without having the weight and cost of a tube amp.
Like: if my amp fails my FOH sound will still get to FOH.
Like: the SVT sound is pretty useful too (for my playing style).
Like: because I have the luxury of 6 presets, I can set one to "mute".
Like: super easy to program, or figure out what I had previously programmed to a channel.
Like: parallel out so you can run a clean signal to a second amp, if you want to get all fancy-like.
Like: effects loop so you don't need to have more than one wire going to your stage amp (but see corresponding item in "dislikes").

Dislike: the effects loop requires some fancy toe tapping to hit without changing A/B channels as well. This may just be "I'll get used to it but at the moment I'm a new user" syndrome, but they could have added an additional dedicated switch or button.
Dislike: no tuner.
 
I use a Markbass Super Booster.

Pros: Has the only eq I really need in the two Markbass filters (VLE/VPF), and a handy-dandy clean boost for solos, slap parts etc. Really, I think the feature set is perfect for me.

Cons: Its kind of noisy in a 60-cycle hum kind of way. It will also only work with the 12v Markbass adapter.
 
My current faves are built into the Eden ENX/WTX260 and Genz Benz Streamliner 600/900 heads.

Both preamps are smooth, clean, quiet, and warmer than average (the Genz more so than the Eden). The Streamliner also provides a useful tube overdrive function, via a full 3-tube preamp.

Both have excellent "audio swiss army knife" capabilities in terms of aux inputs, pre-post DI, headphone outs, etc. The Eden has particularly powerful EQ, and starts out flat with the controls at noon. The Genz has a definite pre-shape at noon, and doesn't have quite as broad an EQ range. However, the Streamliner's EQ is perhaps the most musical I've ever used, in that even extreme knob settings are still useable.

Both are rackable. Interestingly, both are smaller and lighter than most rack preamps, yet they are full-service heads, and include a handy buit-in class D power stage. This makes them even more versatile. My Genz is the 900 watt version, and has MUCH more punch than the Eden, which is really only big enough to handle acoustic sets, jazz trios, rehearsals, etc.

The Eden is also available in pedal format, as a preamp/DI only. Note: if you are looking at the Eden heads, the WTX is preferable to the ENX, which doesn't allow you to defeat the onboard compressor. IMO, the Eden's compressor is by far the weakest element of the whole design.
 
what settings did you use....? Did you try the Boost and the Color knob? Pretty cool pre amp isn't it?

Input and gain about 11-12 o clock, no colour, no boost, treble boost on. Level control seems to have a sweet spot around 3-4 o'clock. Eq to suit.
Amazing how flat the Markbass sounds in comparison when the DHA is switched off.

Not a criticism of the Markbass btw. Far from it.
 
I use a Markbass Super Booster.

Pros: Has the only eq I really need in the two Markbass filters (VLE/VPF), and a handy-dandy clean boost for solos, slap parts etc. Really, I think the feature set is perfect for me.

Cons: Its kind of noisy in a 60-cycle hum kind of way. It will also only work with the 12v Markbass adapter.

I'm thinkin if this thing could be used as a pre into a PA power amp I would be all over it. Have you ever tried it? Thanks.
 
No doubt we each vote for the DI we use and like. That acknowledged, I'll put in a vote for the Tone Hammer as between its 'clean' and AGS channels I think you can get it to do just about anything you like. The fully sweepable mids offer really nice tone control; the AGS is a great low-gain vintage/OD option. It takes some work, but there are a lot of sounds in there. I sold my DHA VT1 EQ DI to finance a Tone Hammer and am very happy with the move.
 
I currently use a Presonus Tube Pre to push a PA amp. I've been wanting to try a few other pre's, so I'm wondering what everyone is digging and why? All I need is a strong output and the ability to use it as a DI while also driving a PA amp at the same time. If it played nice with effects (boost/drive pedals and fuzz esp) that's a big plus.

So, what do you like, and what is it that you like about it?

My custom built Pre.
No features apart from a mute button. The best sound I have ever gotten.
If using effects and in need of features I'd go with a glockenklang bass art pre( still keen to try the pope mpp1 tho)