My last bass purchase was a fretless Jerzy Drozd Legend six-string. I'm not a gear-churner; I graduate up to a new bass every decade or so and make its voice my own, so I'm extremely particular about every detail of its tone, form, and function.
- Aesthetics: 25%. A good handmade bass can be a work of form-follows-function art. Hand-selected tonewoods, flowing ergonomic contours, and the highest level of fit & finish can add up to a thing of beauty, assuming that the luthiers design acumen, aesthetic sensibilities, and workmanship are up the task. I find musical expression too important and life too short to settle for outdated designs, plastic cover-ups, spray-painted bulk lumber, and mass-production shortcuts.
- Feel: 25%. Im willing to give or take a millimeter or two of string spacing if everything else is in place, but I wont accept a chunky neck profile, poor balance, poor upper-register access, arbitrarily limited range (less than five strings or 24 stops), or even slightly compromised ergos. I play fretless exclusively, so excellent fingerboard surfacing and a large (16 to 20 minimum) radius are must-haves.
- Tone: 25%. This ties into aesthetics for me. If the wood selection and build quality arent up to snuff, the tone usually suffers; they both contribute as much as electronics and hardware to the tone of the instrument. For me, good tone means clear, punchy, articulate, and complex, with a nice balance between hifi and organic.
- Weight: 25%. I wont buy anything over nine pounds. The semi-hollow Jerzy weighs around eight pounds, and Ive never played a more comfortable bass.
If my hands aren't happy, then I'm not happy.