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You can always do what I did and go with a heavy gauge set for E standard and drop it. I’m running 50-110 Rotos on two basses and I think 50?-115 round core Boomers on another. Once you get past the adjustment to your attack, you’ll be shocked how good the B sounds.
newtonestrings.com
Flexibility. The larger the gauge relative to tuning, the less freely a string is going to vibrate, and you get closer to being an inflexible metal rod. Free vibration equals more clarity especially as you go up the neck. I’ve also found a lower gauge string (again, relative to tuning) seems to last longer before going dead, but that’s nothing I can really prove in a quantifiable wayMy .105 can be tuned to B. So can the .040 I currently tune to G.
I'm curious - what's the purpose of the lightest gauge B string?
It's going to be a very personal discovery process: What is the thickest B string you can tolerate, versus what is the most flabby string response you will tolerate. In the end, you could probably use ANY string to reach a low B, but what about it's balance of tone, tuning stability and feel? That's a very personal choice. It would be interesting to see what you end up with and why.I think Ernie Ball does a .110?
La Bella does a .118 LTF....
Who else? Lighter than .120?
I got the RX-S6A for my 6, for light gauge overall and largely to try that 0.118 B. It is the cleanest, clearest B that I have had, out of several up to about 0.135.Ordered some LA Bella RX-S5A. We'll see what's what.
If you want to go lighter than .115 I would either get a single e string with the rest in piccolo bass gauge or get a regular set with a high c string and use that in whatever tuning you want. I've used a 105 and 110 e string in a bead tune and it sounds pretty cool. Really clanky if you dig in. GHS has a special gauge custom set that Evan Marien endorses and that's a pretty light gauged 5 string set.I think Ernie Ball does a .110?
La Bella does a .118 LTF....
Who else? Lighter than .120?