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Who needs five strings??!

Well, obviously it depends on what you're doing. There aren't a lot of songs that need all five strings to play, but there are some - Get Lucky comes to mind (if you're going to do all the high fills). Heck, there aren't a lot of songs that really require more than two strings to play. The thing is, though, that songs vary in WHICH two they need. In a given set I might have one song that needs the B string and another that needs the G. It's cumbersome and disrupts the flow of the performance to keep switching basses mid-set, so I'd much rather have one bass that can do it all, and that means a 5er.
 
For metal anyway 5 strings come in handy. Lots of people actually prefer to down tune a 4 but the 5 gives you all the options. I love low notes mixed with the melodious harmony so a 5 is the way to go.....Or my own drop tuned 4 :bassist:
 
I was planning on doing the BEAD tuning on one of my four strings just to see if it gets me more comfortable, since i'm a five string guy. I think the change of not having a G string on the bass is smaller than to not having a B string and it messes less with my head - so i might pick up the four strings more often.
It was discussed here more than once, that the five lower notes are not the only issue about playing fivers, but having five strings under your fretting hand at every bit of the neck is. Once that settles in, it's hard to get it out again. Except for those who are 4 string guys by heart.
 
The first time I tried a five string it just felt better in my hands, a four string now feels too narrow and small. Even if the fifth string would only be a glorified thumb rest most of the time (which it isn't) I think I would still choose it over a four string instrument.
 
In a lot of the current musical theatre shows that I'm playing in the pit for, the bass parts are written specifically with a five string bass in mind. Case in point: Hairspray has a TON of low Ds, Cs and even a couple open Bs. This makes having (at least) a five string a necessity, as jumping the octave in these cases just doesn't sound right.
 
I'm about to find out whether I like using a 5. Picked up a gig with a New Country band and there are a bunch of tunes that seem to need it. I thought about a BEAD setup, but I don't want to restring, mess with the nut, etc. because I'm lazy. Besides, switching between BEAD and EADG would confuse the hell out of my tiny little brain.:D
 
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