In other news, Journey was still around.
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This is my take on it also. Schon and Caine wanted to continue to rack in the money while touring and the other two longtime members would be left holding their,... well you know.In fairness I can understand why they'd want to establish income once they are finally done touring. As it stood only Schon, Cain and Perry would continue to receive checks. I think.
Never liked 'em, anyway.
Now that Ross is gone I'll do the gig for one of those rotisserie chickens they cook onstage during the show... oh wait, that's Rush....in glancing over the documents, i believe the side deal that kept the name 'Journey' between perry, schon, and cain (elmo partners) was executed in 1985. smitty and valory were already fired from journey by then. so they weren't around to be able to participate in such an agreement.
my question is how didn't smitty's and valory's lawyer not know that fact before they charged in?
all i know is i'm done. seems like there's quite a few detractors here but i've been a longtime Journey fan since 1980. y'all can crack on them putting out 'sloppy' and 'weak' slow songs but the perry/schon/cain collaboration was responsible for quite a few timeless classics. listen to 'mother/father' off of the 'escape' cd and tell me that perry's vocal dynamics and the arrangements are 'soft'.
there was a time a few years ago when they had a chance to properly take the name 'Journey' into the new millennium by having jeff scott soto be the lead singer and have a front man that can write, play bass and keys, and command a stage. but they decided to become a 'hits only' touring act. bringing smitty back a few years ago was a nice touch but too little, too late.
deen castronovo (their drummer from '98-'15) will probably retake the chair for their tour with the pretenders. neal's worked with marco mendoza so he's a possibility for the bass chair. people mentioned randy jackson but i'm pretty sure perry brought him in during the 'raised on radio' cd and tour. not saying randy is loyal to perry but could be weird nonetheless.
i'm pretty sure they already have someone in mind. they've used a couple of nashville guys for backup keys/vox on the past few tours so maybe a nashville vet might be in the cards.
or they can shoot me a text. i'll do the gig for chicken sammiches and a diet dr. pepper!![]()
... listen to 'mother/father' off of the 'escape' cd and tell me that perry's vocal dynamics and the arrangements are 'soft'.
I actually like some of their earlier stuff when Greg Rolie was in the band. When Steve Perry came along and became more the focus of the band is when I lose interest. I still think ‘Just The Same Way’ ‘Feeling That Way/Anytime’ are great songsSad... I saw Journey when Greg Rolie was the front man. I thought they were great live. Had an energy that seemed to be lacking on their early records.
Yup. Tacky soccer mom band at the best of times.
I can think of only one person qualified to undertake this mission...
... paging... @Joeykun.
Haha, I want no part of this drama!
If you've ever been to Joplin, MO for any length of time, you'll see why. I've never seen a collection of people so into Journey in my life. It's really odd, but there's this pocket of Journey fans there. You can't go into a bar in town without hearing them on the jukeboxes most nights. If you spend a whole night in a bar, you'll hear at least five Journey songs.In other news, Journey was still around.
Yeah but it's not about that, their situation is they can't use any thing that says they were part of Journey just like when BTO got kick in the a@@ even though it was Randy and his brothers Bachman– Fred Turner they lost the ability to use it to continue riding on any fame that they had created with BTO. It would be like if Gene Simmons didn't do his due diligence and he was no longer able to connect himself with Kiss and or his own make up design or imageThe vast majority of non-touring money (mechanical and performance royalties) go to the songwriters and their publishing companies. Valory had a handful of shared songwriting credits on some of the albums, Steve Smith, almost none (except for the 1980 soundtrack Dream, After Dream). On the huge, multi-platinum albums, Smith and Valory got very little in the way of royalties, reflecting their limited writing contributions.
This is just the way it is in the recorded music business if you don't write and publish the songs. (Unless, that is, you can convince your bandmates to give you a share of their royalties just because you're a good guy.)