There is a sort of intangible component to them, though. It's not that Vinnie is "better" than anyone else. It's that the instruments have Vinnie in them. The same way that a Jaco record has Jaco in it. You can buy a Jeff Berlin record for less money, maybe...but it's not Jaco. Maybe better in many ways. He certainly has lots more chops and a more refined sound. But if it's Jaco you want, it's Jaco you must have. If it's Fodera you want, it's Fodera you must have. Once you understand this in the ways that are truly important, you won't argue any more. I'm sorry to be so blunt, but if you love Fodera, there's no alternative. There are only close seconds. The same is true if you love any other luthier's work. Nothing else is the same. It's not really a point of discussion. For each of us it's inarguable fact. No one in the world who loves Jersey Drodz's work (sp?) and thinks he has the magic touch would consider buying a Fodera. Compaining about price is just a waste of energy. If you were a violin player, I'd tell you to go price a Stradivarius and tell me how that payment plan is working for you. When you're dealing at this level, you pay...and gladly...for whatever it is that your musical vision asks for. If the answer is Fodera, you don't have an alternative. Fodera's are worth every penny and more. As bass players we're fortunate to have Vinnie and a few other of the true greats around to make us instruments. Some day we may well beg to pay less than $10,000 for any high end Fodera. In the end, if you don't like Fodera, don't suggest that people not buy into all this "Fodera-elitist junk going around these days". Just encourage people to seek what it is that they need to make the music they have in them and suggest that they not have any preconceptions in doing so. Don't dis one of the best luthiers to come along in a century. I don't know anyone who has earned that right. Do you? Have you?