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Why did you quit a band?

I once joined a band and the second practice in, we took a break and the guitar player just walked over, picked up my bass, turned on my amp, and started playing on it. Now, I have no problem letting people play my gear, but I kinda expect a little respect in asking me first. To lead by example, I walked over to his guitar and asked him if I could play it.

His response was, "I don't let anybody else touch my instruments". I walked over, took my bass off of him (a bit forcefully), packed up my stuff and started to leave.

This guy went to the security guy of the practice place (I guess they were friends) and told Mr. Security to stop me from leaving. When Mr. Security blocked my way out, I had to threaten him. I hate that. It got tense for a few seconds, then he got out of my way. I left and never looked back.

Very strange, what reason did he give the security guy to stop you?
 
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I will stick it out under most circumstances, but the one I absolutely won't tolerate is not playing out. I end up being the booking agent in most of the bands I've played with, and if I'm getting decent gigs, especially if folks are calling ME about availability and I have to decline because the other members don't want to play, I'm gone. I've quit more than one band for that reason.
So Anyway, congrats on having the skill set to book gigs. Not everyone has it and a band without gigs isn't a band. I won't even start rehearsing unless there's some work in the pipeline.
Our BL books all our work and if he's available, the gig is booked. Then we see if everyone can make it and start subbing when necessary.
I've never been very good at booking...not in my skill set plus it seems too much like real work.
 
This is an offshoot of the "have you ever been fired" thread.

So why did you quit?

I'm lucky. I've rarely quit, and I've rarely been fired. Usually what happens is the band just breaks up.

Last time I quit -- it wasn't just me. Four piece band - me, the singer, and the guitarist all quit to form another band. We'd been together for over a decade, but there'd been two years of drama from the drummer and his g/f -- mostly the g/f. The last straw went like this:

Drummer: "I'm not playing at (Bar X) any more. It's a dive"
The rest of us: "OK fine, we'll use another drummer for those gigs"
Drummer: "If you do, then you have to use another name, because it's my band name, and I don't want it associated with that bar"
Us: o_O:confused::facepalm:

We huddled up and quit him at the first opportunity. It splintered our fan base a bit -- some of his friends resented us and others were disappointed -- but we'd had enough.
 
I once joined a band and the second practice in, we took a break and the guitar player just walked over, picked up my bass, turned on my amp, and started playing on it. Now, I have no problem letting people play my gear, but I kinda expect a little respect in asking me first. To lead by example, I walked over to his guitar and asked him if I could play it.

His response was, "I don't let anybody else touch my instruments". I walked over, took my bass off of him (a bit forcefully), packed up my stuff and started to leave.

This guy went to the security guy of the practice place (I guess they were friends) and told Mr. Security to stop me from leaving. When Mr. Security blocked my way out, I had to threaten him. I hate that. It got tense for a few seconds, then he got out of my way. I left and never looked back.


Very strange, what reason did he give the security guy to stop you?

Yeah, I was kind of wondering that too.
 
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Self proclaimed BL (lead guitarist) had to have his way.
His wife had power of veto on all band matters.
She thought she was musical director, wardrobe dictator, sound person. etc, etc. (She was a good booking agent though.)
Guitarist couldn't keep time, every song speeded up.
Drummer followed him.
Rhythm guitarist thought if he could hear himself he was too loud.
Lead guitarist thought if he could hear anybody else they were too loud.
Band was usually too loud for the venue.
It morphed from an ok blues band to a third rate bar rock band.

She thought she was musical director, wardrobe dictator:

 
Ok, memory slowly coming back. Had a Wrath of Khan moment about 10 years ago. The scene in the movie where Chekhov realizes he and his captain are in the Botany Bay and are trying to get out before they’re noticed by Kahn!

Was alerted by a sax player friend of a great new “progressive” band forming. He had a guitarist and drummer. I get there. Seems ok at first, then something strikes me as chillingly familiar about the guitarist. Things he said and his actions.The clincher was when his wife walked by the practice room and said something to him in a nails on chalkboard voice! At that point, I’m thinking “Scotty, emergency beam me up now”. At this time he hadn’t recognized me. I then somehow concocted an imaginary voicemail that my girlfriend was stalled out in her vehicle and bailed out, never to return. Close call. Here’s why this came to be.

Seems about 15 years prior to THIS get together, I was in rock/soul outfit where he was our replacement guitarist for a few months. His wife insisted on coming to our practices, and just being generally annoying in attitude and that voice of hers. Both those and the fact she looked like Broomhilda. She was her own hat trick. He wouldn’t take the hint that it was band only practices. We had let him go after a subsequent practice. She was there of course and opened her mouth with a few ugly comments. They were shown the door immediately.
 
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I watched one of the best bands I was ever involved with implode once the real money of royalties raised it's ugly head. Once players realized that they "may" get less because two guys in the band wrote most of the material it got weird. A producer friend of mine told me "If you guys are feeling that with no money in hand, you're done."
He was right. From that point forward I always talked about that stuff early...
 
I watched one of the best bands I was ever involved with implode once the real money of royalties raised it's ugly head.
Last originals band I was in. No real expectations. They had 45 minutes. Which is enough to start. They were pretty and they had a cello. Singer might've been on drugs. We play a few gigs, make a demo, and nothing. No buzz out there. So they want to record another demo. More songs from the existing set. The guitarist (music) was already carrying the singer (lyrics) over rehearsal space. So I want to talk about royalties before I dig deeper into my pocket. We can't be all equal financing the band if we won't be equal when it comes to getting money back. At least work out something that works for everyone. Got the stock "If you don't like it, your welcome to write some songs." And I was welcome to write them but no way the guitarist would let his band play them.

Sayonara, Daniel San.
 
I was in a band in my 20's that was more a group of friends than a solid group of musicians. Our guitarist was a very good songwriter and rhythm guitarist, but his "leads" were slayer style note vomit. Our drummer followed us instead of setting a beat and got lost coming back from almost every fill. Our vocalist couldn't hold a note in a bucket and sang the songs slightly different every time. Great friends, but I got tired of it eventually and quit.

About 2 years later the guitarist talked me into having another go at being in a band with him. My conditions were; #1 He was not allowed to even attempt leads. Extended fills that worked with the song? Sure, but NO A minor spazing. #2 It was not going to be the previous band 2.0, we were writing all new material and we would not be going with our old drummer and vocalist.

Started out OK, we wrote some killer new tunes and landed a fantastic drummer. Guitarist held true to written "fills" instead of leads. Unfortunately the previous vocalist somehow found out about it a few months in and started showing up to practices like the job was his. Vocalist rubbed the new drummer the wrong way and he quit in VERY short order without even giving me a chance to argue for him over vocalist. The very next rehearsal I show up to our old drummer fully set up, all three guys looking at me with poopie eating grins on their faces.

I packed up my gear and left.

Still very close to guitarist and vocalist to this day, but would not care to be in a band with either.
 
Well...I haven't read every reason, but it all boils down to;

THE 3 PARTS of THE GIG

The Tunes

The Hang

The Cash

If the HANG is great and the TUNES are OK, then the CASH is the least important...this situation motivates you to jump in a Chartreuse VW MicroBus and "go tour" with the TIP Jar!

If the TUNES are great and the CASH is OK, then the HANG is not going to drive you or band mates to homicidal rage!

If the CASH is fantastic, then you will play almost any TUNES and will develop coping survival strategies for the HANG!

BUT, when the TUNES, the HANG and the CA$H are all good, then you are in the ZONE!
 

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