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Why do so many players love flats?

Flats, Rounds, Other?

  • Flats

    Votes: 368 31.5%
  • Rounds

    Votes: 279 23.9%
  • Both

    Votes: 478 40.9%
  • Other

    Votes: 25 2.1%
  • Carrots

    Votes: 19 1.6%

  • Total voters
    1,169
Flats have two personalities, clanky when installed and warm and tight when broken in. Different strings settle in differently (obviously).

It's all personal and what we expect to hear dictates or opinion. An issue I've noticed with many players are when they initially install flat wounds. Most flat wounds need a period of break in before they settle into their (basically) forever tone. Chromes, as example, are known for their initial clanky tone (some like, others... not so much) but eventually (months) settle in quite nicely (bottom tightens and high sweeten). That experience was similar to the Fender 9050Ls that I use on my Jazzes (one of my Ps has very old Chromes).

Not all flats have the same break in period.

Some people like the clank, I do not but was patient enough to work through and now they're exactly what "I" want.

So, if you just try 'em and rip 'em off cause you can't stand the clank, you might be giving your self a great disservice. Be patient, I say (easier said than done LOL)
If you're looking for a non-break in, no stickiness, no clank flat, I would try GHS Precision Flats. I was quite amazed at how " broke in " they sounded right off the bat.
 
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best flats for metal..does it exist, could it exist..seems like it'd sound like sht, or could be the next best thing.
harrissignature.jpg
 
I played rounds for years -- was biased against flats after trying them once as a beginner on a poorly set up bass.

Then read a thread here, and soon did a 180 after trying flats and loving the tone in a band setting. Punching through, instead of cutting through.

Also I slide into a lot of notes; flats are less noisy and easy on the fingers.

Best for me with very light foam muting allowing full sustain but dampening the overtones.
 
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Flats just have “that sound”.
When strung on a Pbass, that’s a special recipe! Not for everyone or every music style.

Flats feel amazing too. Rounds are rougher on the hands.
Rounds sort of get boring with age, especially tapered core. I’m speaking in terms of tone. Brand new rounds sound great too, with a bit of wear to tame the initial over brightness.
 
I'm not at all a fan of flats but can easily see why others might be.

I always went for a brighter more defined tone, and I have what I think might be a unique aversion to flats. They accentuate the frequencies that kick my tinnitus in. The few times I tried flats it was literally painful to play.

So yeah :). Flats are not for me.
 
I’m interested in why so many bassists love using flats as a posed to rounds.

For me personally, I have never really enjoyed using flats on any of basses. I could never get used to the feel or find a decent tone with them.

So, do you use flats, rounds, both, something else?
I use flats, rounds, nylon tape wounds.

I use flats for their tone, feel, & longevity.
I use rounds for their tone.
I use nylon tape wounds for their tone & longevity.
 
Currently playing with a regular rock band and doing a jazz class plus some practice room jazz jams. For the rock band I only considered using rounds and play a Jaguar bass with a P-J config. For jazz I put flats on a jazz bass. I am contemplating fretless but still a bit intimidated by this idea.

For me these two string types work well in these two contexts.
 
I have one bass strung with flats. I find it hard to bring to gigs, because inevitably an RHCP song will be in the set, and I don't want to play those with flats. Sound great for "what I like about you" and the other classic rock stuff though. I have found I prefer much more flexibility in my strings, so much that I prefer round core strings over hex core, so flats are a tough sell for me.
 
I like rounds, tried flats and hybrid flat rounds and just haven’t cared for the feel or the sound. Tried coated strings too and again, didn’t care for the feel or sound, the worst part of the coated strings was it felt like slight carpet burn when sliding and I have some pretty good calluses on my fingertips.
People just use what feels and sounds right for them.
 
Interesting! When I’ve played my short scale with flats in live settings, I’ve had two separate sound techs comment that the bass was too boomy, muddy and/or sub heavy - no tonal definition. Both preferred the sound of my Jazz bass with rounds, apparently it was significantly easier to mix properly. I really do like my short scale for recording, but will likely put rounds on it when playing live.
Well you can put whatever on whatever of course, I myself just have had better luck with rounds on my regular scale and flats on short scale. Bu again, that's me. I know quite a few others share that belief as well though.
 
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