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Why do you own more then one bass?

Well Basses are like women…each one has a different personalities or we can say tonal qualities and many factors influenced this…combination of woods like MTD's…sophisticated electronics like Fodera or F basses…scale…fingerboard woods…fretted, fretless…
Then comes the comfortable factors ergonomic neck, weight balance…basically we are looking for that sound that is printed in our minds…but ultimately a good tone is achieved from your fingers and accuracy and right dynamics…but also luthiers like Viny Fodera, Michael Tobias, George Furnaletto, Ritter, Jerzy Drodz and others make an amazing instruments that are worth it to own. Specially if you record frequently…

So if you like to date many basses do it but spend time, dedication, love and care for each one to really know these ladies…so then you can take them on a serous date because you are certain how they would behave…

Javi
 
I tend to keep four on hand at any given time:

• A "Modern" bass (MTD Kingston Kz)
• A "Classic & Versatile" bass (MTD Heir)
• A Fretless (Tactile Proto-J)
• An Acoustic (Ovation)

The MTD's are performance basses. Not only do I have back-up (which I have never needed to this time) but I can swap from more Modern (Fedora, MTD, Zon ) hi-fi like tones to more Classic tones (Fender, Music Man, G&L) style tones on the fly at the gig without wasting a ton of time as they are both on their own wireless transmitter.

The Fretless & Acoustic are mainly for studio & "unplugged" shows.

This being said I do this with amps also running the Traynor YBA-200+ 8x8 "Old School" Tube rig @ stage left & Overtōn + 4x10 Wizard @ stage right at every gig that can handle the space. Not only do I have an easily portable back-up, but a choice of tones to compliment what I'm required to pull off.

Call it excessive, call it OCD… but I just can't see compromising at this stage of my life when I can afford to use whatever I want. For those without this stability - I think that the only way to go is with the best instrument you can afford with an active/passive system onboard Soapbar & J style Pickups to be as flexible as possible. And there are a ton of Hybrid amps out there now that you can switch from a tube based to solid-state preamp @ a moment's notice (Traynor DB 400/800 for example) that are as versatile as all possible.

In short - an ounce of prevention is worth a pound of cure. The best gear (and buying it used) is always the best way to get in the game with your ducks in a row IMHO.
 
I didn't until fairly recently. I realized I was finally an actual grownup. So why was a screwing around with budget garbage?
Music is still a hobby for me, but it doesnt mean I should not take it seriously.
That is why I own 3 Musicman basses, an Ovation Magnum and several guitars, synths and a drumset.
It is also nice to have a bass at home and the rest at the studio.
 
I like the different way they all look and feel and sound, to suit my mood.
I have an 8 string (4 string + 4 harmonic strings), so that's got a sound all its own.
A 4 string that I love to play
Another 4 string that I love to play when not playing the first 4 string
and and acoustic/electric 4 string, when I don't feel like plugging in, or I want to go outside, commune with nature and play some tunes.
 
Hmm... good question.

I dabbled with bass as a kid and took a wrong turn somewhere and became a drummer. After forty some years I was in a pawnshop buying a snare drum when a Jackson JS 40 caught my eye. I ended up buying it for next to nothing and taking it home. I found that I could play pretty much the same simple stuff that I could as a kid.

My sweetie and I were in the middle of both retiring, selling our home and moving to a new city. The bass got packed away and forgotten for a couple of years.

In January of 2011 I stumbled upon a youtube video with a simple bass pattern. I went into the attic and found the Jackson and started getting serious about actually becoming a real bassist.

The Jackson was okay, but I started to get curious about what kind of bass would suit me better. It was about this time that I found Talk Bass and learned the joy of bass gas. My next bass was a Peavey Fury. MAN, this was a whole bunch easier to play. I later figured out that it had been professionally setup before I bought it.
Then I bought a Peavey Dyna, it had a really different feel from either the Fury or the Jackson. A niece in California became interested in playing so at Christmas 2011 we shipped her the Jackson.

Up to this I was just trying to find out what kind of bass fit me, and buying fairly inexpensive basses had filled that need. I had decided that I really liked P basses. I decided to sell the Dyna and save my coin up and buy a nice used P -bass. I announced my intentions to my sweetie one night and she asked me how much a new "good" bass would cost. (Visions of a new American Standard Precision danced in my head.) I said around $1,200 to $1,300. She thought that we could surely afford that and told me to start looking for "the one". In this year my playing had come along and I was starting to feel like a "real" bassist and no longer a drummer pretending to play bass.

So I started looking for a new American Standard Precision. I went to my friendly neighborhood mom and pop Fender shop and they didn't have a single American Fender bass. I went to another local guitar shop that deals in Fenders. They only had one American P, and it had a rosewood neck. I was leaning toward something with a maple neck. I ended up stopping in a Guitar Center. They had a bunch of Am Stds, but in the middle of the wall was a blonde 60th Anniversary P. Oooooo. I played it and really liked it. Then I noticed the sunburst 60th Anniversary P, it played even better. I put money down on it and picked it up a week later.

At this point I should have sold the Fury, had one bass and lived happily ever after. Nah...

I stumbled upon a Schecter C-4 XXX on craigslist cheap, really cheap. I bought it, it was a fun bass. A bassist whom I played drums beside for years announced that since he wasn't playing out anymore he was selling some of his basses. He gave me a killer deal on his Telecaster bass. That week I was selling some drums and ended up working out a trade for a 2011 American Standard Jazz bass. A P-bass, a J-bass and a Tele bass, I couldn't possibly want anything else.

Yeah, okay... I was on ebay and came across a Tele Star bass identical to the one I had when I was a kid in the 70's. It only ended up costing 8 times what it did new. (This was officially my dumbest bass purchase ever.) By the way, I still had never gotten around to selling the Fury. It lives on the second floor, and I would grab it as something to work stuff out in front of the computer or for late night practice unplugged when I couldn't sleep. In the fall I came upon a deal on a Fender MIJ Precision. Now I use it for second floor practice. Last December, two years into my bassist odyssey I came across a chance to trade a drumset that I wasn't using for a 1995 EBMM Stingray. (Which I'm still playing a lot.)

I never intended on owning eight basses, but I don't regret it. Four of mine are not cheap instruments. The three American Fenders and one Musicman really do everything that I could every want a bass to do.

The other four were all bought so cheap that, well I couldn't help myself. The MIJ Precision and the Fury do really serve a purpose for me as upstairs practice basses. (Admittedly, I only need one.) The 70's Tele Star is an awful bass and is just a reminder of my lost youth. The Schecter is just a lot of fun and a conversation piece for sure with it's stripper inlays on the neck.

So, I think that eight is enough.






I do have a confession though.


I also own seven drumsets, twenty-five snare drums and over eighty cymbals.

But I have a good reason for all of them too! (At least in my mind...)