Do you carry the bass around using the strings as a handle?
Every time I do that I know my strings go dead.
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Do you carry the bass around using the strings as a handle?
They don’t have to sound brand new to make me happy. Just not totally dead. *brand* new is typically a little too zingy. I like em to break in for a gig or two. Then they’re good. I have no problem playing my L1000 for a couple months on a set of strings. Typically, over 35 years of doing this, I’ll change strings on my main bass every couple months. That works for me. This Jazz doesn’t allow for that.
Being a Texan, I wholeheartedly approve of this messageJazz Bass eating your strings . . . . OK . . . . try this: Next time you install new strings (pretty soon from what this sounds like), first rub them down in jalapeno juice or Tabasco, THEN put 'em on.
Believe me, that'll stop that right NOW.
Interesting idea, never thought of that.
If the strings are perfectly serviceable on every other bass but not the Jazz, it’s not the strings. You’ve got something going on...or not going on...which has eluded detection so far.
Riis
Yeah, trade it in for a German Warwick and you’ll be goodI did the weird thing and read the whole thread before commenting. I'm not going to comment on preferences, that's silly. We do have different preferences however.
Do this. I fix things for a living, and I'm sure there's something off that can be fixed. Doing a deep dive on the bass may be warranted. I'd bet the broken in sound is your real sound, and the sound you like is masking a problem on the bass.
Bruce Bennett (bennettmusiclabs.com - no affiliation) suggests chamfering the neck bolt holes inside the neck pocket. the idea is that when screws are tightened they sometimes create what appears (visually) to me as a small volcano (more obvious when over tightening screws in sheet metal). So the chamfering allows the little volcano to have room, and it gets the necks to rest fully on the back of the neck, and not on the four (standard 4 bolt right?) little mountains. That would definitely kill sustain that may be masked by the zing of the new strings till they break in.
I haven't tried any of his tips on his website, but he seems to know his stuff. Good read anyway.
I'd go full detective mode and inspect as much as you can. No detail is too small. Something is causing this, and it should be fixable.
I did the weird thing and read the whole thread before commenting. I'm not going to comment on preferences, that's silly. We do have different preferences however.
Do this. I fix things for a living, and I'm sure there's something off that can be fixed. Doing a deep dive on the bass may be warranted. I'd bet the broken in sound is your real sound, and the sound you like is masking a problem on the bass.
Bruce Bennett (bennettmusiclabs.com - no affiliation) suggests chamfering the neck bolt holes inside the neck pocket. the idea is that when screws are tightened they sometimes create what appears (visually) to me as a small volcano (more obvious when over tightening screws in sheet metal). So the chamfering allows the little volcano to have room, and it gets the necks to rest fully on the back of the neck, and not on the four (standard 4 bolt right?) little mountains. That would definitely kill sustain that may be masked by the zing of the new strings till they break in.
I haven't tried any of his tips on his website, but he seems to know his stuff. Good read anyway.
I'd go full detective mode and inspect as much as you can. No detail is too small. Something is causing this, and it should be fixable.
Only one solution.
Another interesting idea as I always crank down on my neck screws and bridge screws, I guess that's not such a good idea unless he screw holes are chamfered, I assume that would mean taking a drill bit larger than the screw holes and drilling down one 1/16" or less to allow for the 'volcano' to be below the level of the body.
I’m baffled. I’ve never had a bass do this before. But I’ve only been playing since 1987 so I’m still kinda new. Ha!
I’ve been using my L1000 for all my gigs since I got it at the first of the year. I also host a jam every Monday, and I’ve let plenty of other people play it there. I’m just changing the factory strings today. They’re not totally destroyed yet, but they’re getting there fast. So two months on a set of strings.
My American Elite Jazz eats a set of strings every time I take it to a gig. After 2-3 hours of play time, they’re like old rubber bands. Just totally and completely dead. I’ve tried different brands, different gauges, string through, and top loading, and nothing makes a difference. One gig and the strings are toast.
Is this an issue other people have encountered? Is there a remedy? Or is this bass just a string eater?
No oil at all. It’s a clear gloss finished maple fretboard.I would figure out what brand/model are the factory strings on the L1000 and try those on the jazz. The only way I know a bass would be a string eater is when it has burrs at the bridge and it actually *breaks* strings at the bridge. Make them sound deader? I don't know. Do you oil that fretboard maybe? Excess oil might be making your strings die faster, but other than that, I don't really know.
On a serious note, +1 to everyone who said to examine where all your strings come in contact with the bass. Bridge, saddles, nut, tuners. If each set independent of gauge or material breaks then perhaps there is a common failure point for each.
If you can't find anything physical on the strings my next (un)educated guess would be to examine the neck for abnormalities.
No oil at all. It’s a clear gloss finished maple fretboard.
They don't break, they go completely dead after one gig.
If each set independent of gauge or material *experiences a common failure event*
I hope this fixes my post. Sorry for uncommon worse usage. If I can't use the string like it's intended, in my head it's broken. I can now see how this can be confused with a string in a state of multiple pieces. I do hope you find a resolution soon