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I believe they have said their influences are prog rock and rock, not metal. Yes, being the biggest..... ELP, Jethro Tull, Led Zeppelin.Better to compare Rush with another huge metal band.
The same can be said for most "metal" bands that started in the earliest Seventies: beside listening to one another, their influences were mostly in rock of the previous decade, and unsurprisingly so. By the way, as a genre descriptor, "heavy metal" was practically a synonym of "hard rock" back then.I believe they have said their influences are prog rock and rock, not metal.
I'm no fan of Rand, and I have repeatedly listened to their albums and it does not appeared to have negatively influenced me. But I certainly do not care for their naked man pentagram.Well, their record label *is* called Anthem. And I don't know about specifically referencing Rand, but her so-called 'objectivist' philosophy runs through the lyrics of all their best work from their 'golden age' of the 70s and 80s.
Bro! Rush is not metal. Differing opinions are great as God did not create us to be puppets! Reading the posts many say Floyd puts them to sleep. Who cares, enjoy both! Or not...Pink Floyds concepts and melodies are simply way stronger...less busy and just darn more interesting. Even Gilmore is a way more satisfying more melodic player than Liefeson...Not sure why the comparison has been made really....
Better to compare Rush with another huge metal band.
No offense, but Syd songs are typical 60's fodder. Not too different from how the Moody Blues and tons of others sounded, but with a bizarre twist. Grateful for Syd because that was the situation that led Waters to become the phenomenal writer he became. Meddle and Dark Side are very interesting, and Wish You Were Here to The Final Cut are incredible.
All true....but Rush is not metal.The same can be said for most "metal" bands that started in the earliest Seventies: beside listening to one another, their influences were mostly in rock of the previous decade, and unsurprisingly so. By the way, as a genre descriptor, "heavy metal" was practically a synonym of "hard rock" back then.
The above being said, I say compare away: it's no sacrilege in either direction. Zeppelin or Yes, Pavlov's Dog or Budgie, it's all good. Worst that can happen is you'll find more differences than similarities.
Agreed. They only are "metal" in the sense that the early Rolling Stones are "R'n'B": it's an historical usage of the word (they were called that by the press), not tantamount to saying they played the same music as Bruno Mars. Rush shares little stylistic elements with, say, Judas Priest or Saxon, let alone all that came later.All true....but Rush is not metal.
Their song structure is not very metal, their sound is not very metal, they sound like very busy hard rock.
To me, I hear progressive rock structured music that still always sounds like a three piece hard rock band.
That’s a great observation. The production quality of the later Pink Floyd recordings is nothing short of amazing. The pixie dust or whatever they sprinkle over the final mix and mastering makes a huge difference.The first time I heard Dark Side I was working late at the office and the local rock station would play long cuts. I listened thru a one-inch speaker in a small desk radio. It was Ok but I would never have purchased a copy. Fast forward a few years when I had purchased a very nice music system complete with nice headphones. Play DSOTM one night with headphones. Played it again. Took off the headphones, cranked it up, and played it again. The stereo mix did it for me. Bass - highs - mids - suround sound. I had it all cranked by the third play. Lucky I had my own home and no near neighbors because, man, I had the bass shaking the house.
I never had that kind of experience with Rush.
imo The Wall is one of the best produced albums ever. Bob Ezrin and his team did amazing work. Kiss Destroyer is another amazing production by Ezrin. If only he'd produce my stuff. Ironic to this thread, it is hugely influenced by Floyd and Rush.That’s a great observation. The production quality of the later Pink Floyd recordings is nothing short of amazing. The pixie dust or whatever they sprinkle over the final mix and mastering makes a huge difference.
I’ve listened to music I didn’t like all that much, but if it’s a great recording with the right amount and not too over the top production, it’s still a pleasurable experience. At the same time I have some old LPs from artists I really love, but the pressings I have don’t sound anywhere as good as the digital remastered versions I can stream online. That does make a big difference and the average person also picks up on that even though they may not even realize it.
this thread can now be closed.Budgie
Bob Ezrin turned the Alice Cooper Band into a Gold and Platinum selling band, prior to him getting involved they were just a band that had great potential.imo The Wall is one of the best produced albums ever. Bob Ezrin and his team did amazing work. Kiss Destroyer is another amazing production by Ezrin. If only he'd produce my stuff. Ironic to this thread, it is hugely influenced by Floyd and Rush.
The worst part about Rush, of course, are their fans. And that's not the band's fault. But their fans are insufferable.
I agree. Pink Floyd up to The Wall and Rush up to Hold Your Fire for me. The albums after Hold Your Fire have a few nice cuts on each of them but never reached the heights of the albums before it. They started to repeat themselves after that. Up to Hold Your Fire every album was different and original but somehow they lost that aspect after that, that’s why I lost interest in Rush. Still love the old albums though.
Aren't you a fan of Clockwork Angels? I think that album is definitely above average.
Why? Because they are rabid?
Why? Because they are rabid?