I've been playing my ABM-900 through my Ampeg 810. Band loves the tone. Load ins and load outs? Not so much...
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Ashdown Pedal Preamp you say? I hadn't heard of this....I bought an Ashdown 410 cab about 12 years ago on a lark because of a deal that was too good to pass up. Played dozens of gigs with it and it held up beautifully so decided to try more of their stuff. Bought the RPM-1 preamp and it still to this day is my go to preamp for rock stuff. I plan on buying the pedal preamp when it releases.
Ashdown Pedal Preamp you say? I hadn't heard of this....
Was always a toss up for me between Ashdown and GK, as the EQ sections are so similar. Unfortunately there are little to no Ashdowns to be found in Nashville, so GK won out.
View attachment 1182446
I actually found my cab used at the Sam Ash in the Rivergate area there. I used to work for the Gibson Custom Shop in Nashville and lived in that area. The Preamp pedal is based on their new Origin Series, looks pretty cool.
Oooohhhhhh very nice... May have to look into that pedal.View attachment 1182446
I actually found my cab used at the Sam Ash in the Rivergate area there. I used to work for the Gibson Custom Shop in Nashville and lived in that area. The Preamp pedal is based on their new Origin Series, looks pretty cool.
Oooohhhhhh very nice... May have to look into that pedal.
Interesting that you were in the area @dbljointedthumb. When you worked at the Gibson Custom Shop, by any chance did you know Sean Nicholson?
Yep. Same guy. He's a friend of mine. We've been in a couple of bands together over the years, usually with me as a rhythm guitar. Good guy. Small world, eh?Yes I did, if it's the same Sean I'm thinking of ( I am bad with last names). He worked in the Pro Shop, super nice guy with long hair.
a sonic maximizer (BBE) really adds life to the mag 300, yet smooths it out. I did a ton of gigs with that setup.I have an Ashdown MAG 300 head, and it is basically a big loud 'blah'. A really uncharacteristic 'unseasoned' tone. The volume is there, and the EQ is quite versatile, but there is just a sort of clean, undynamic and unflinching edge to the tone. I guess it doesn't have any sort of identifying features.
Yep. Same guy. He's a friend of mine. We've been in a couple of bands together over the years, usually with me as a rhythm guitar. Good guy. Small world, eh?
I have an assortment of the ABM Mini cabs. Are these the ones you use? I've been on the lookout for another Mini15 or Mini12T. They don't come up very often, for sure.I didn't mention in my original post, but I like the ABM 115 compact cabs so much that I bought 2 more (4 total). The ABM 500 can't push all 4 at once (4 ohm minimum impedance), but if ever needed I can run them with a Fender 1200S (2 ohms) that I have. Lots about brute power, but I like the ABM better. More "polished". I have just never needed more than the ABM 500 and 2 cabs to get the full sound I want. I have observed that the "Ashdown sound" is rather distinctive - deep, clear, room-filling. I suppose you like it or you don't. Some major supporters have been John Entwistle and Sir Paul M.
I think the "mini" cabs are smaller yet. Have not seen many of those.I have an assortment of the ABM Mini cabs. Are these the ones you use? I've been on the lookout for another Mini15 or Mini12T. They don't come up very often, for sure.
I really like my Ashdown Rootmaster 500 EVO. It sounds good on all my cabs, Has a great flat tone and can also do a very good GK tone. Pretty versatile EQ and just a little bit of Drive and Comp goes a long way.
View attachment 1189548 View attachment 1189549