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I’m so sorry dude. I have to ask though, are your sentiments shared by the rest of your band?It went exactly as my OP said it would. Smoky, lots of really drunk (falling down, knocking stuff over, fighting, being sexually inappropriate), and a constant struggle all night with volume. That got on my nerves more than anything. Drummer behind a plexi shield all night, barely hitting and us playing to match his volume with no instruments through the PA, just amps carrying the room and vocals and we were told to turn down 3 times. this place is such a contradiction. with people behaving like that you would think that they would have wanted a little more volume. Let's put it this way, while we were playing I could actually hear the acoustic sound of the strings on my bass like playing a bass in the room by yourself which is way to quiet for a rock band IMHO. For those that keep asking I said that I was in South Carolina (yes, not proud to live here at all for other reasons, not just smoking in bars).
Extremely smoky bar, the worst one we play. We have more volume restrictions here than any other place we play (I mean stupid quiet for a rock band, the drummer should be using brushes probably), and the drunkest bar in town where there is always a fight and just too much of everything. Why do I do this again? If you're thinking pay, yeah, it's about the same as some of the better places we play. I just always dread this one.
Let's put it this way, while we were playing I could actually hear the acoustic sound of the strings on my bass like playing a bass in the room by yourself which is way to quiet for a rock band IMHO.

I’m so sorry dude. I have to ask though, are your sentiments shared by the rest of your band?
Everyone but the singer feels this way. Singer and guitarist sometimes do acoustic gigs there as well. Don't get me wrong, money is money. The places in which I earn it are just really questionable sometimes.
A decent singer could drown you out without a mic if you are really that quiet.It went exactly as my OP said it would. Smoky, lots of really drunk (falling down, knocking stuff over, fighting, being sexually inappropriate), and a constant struggle all night with volume. That got on my nerves more than anything. Drummer behind a plexi shield all night, barely hitting and us playing to match his volume with no instruments through the PA, just amps carrying the room and vocals and we were told to turn down 3 times. this place is such a contradiction. with people behaving like that you would think that they would have wanted a little more volume. Let's put it this way, while we were playing I could actually hear the acoustic sound of the strings on my bass like playing a bass in the room by yourself which is way to quiet for a rock band IMHO. For those that keep asking I said that I was in South Carolina (yes, not proud to live here at all for other reasons, not just smoking in bars).
A decent singer could drown you out without a mic if you are really that quiet.
The volume restriction has to suck. Not something we have to deal with anywhere we play. As for playing dives in general. I’ve noticed over the years that the fans we pick up in those types of venues tend to become more loyal fans. There are some places I get tired of playing but I try to think positively. You know like thinking of it as a paid rehearsal. Sometimes we even just say to hell with it and make it a giant party. My band doesn’t drink much if at all at big shows but for dives we’re a lot more laid back/unprofessional lol or however you want to put it.Extremely smoky bar, the worst one we play. We have more volume restrictions here than any other place we play (I mean stupid quiet for a rock band, the drummer should be using brushes probably), and the drunkest bar in town where there is always a fight and just too much of everything. Why do I do this again? If your thinking pay, yeah, it's about the same as some of the better places we play. I just always dread this one.
"Worst" smoking event we had was in Metairie, Louisiana in the '70's.
We opened for Black Oak Arkansas and allowed use of our 4-way PA(operated by a now-FOH for a major touring band). The worst part? It was 2 night in a row. Place had no security system so me and 2 roadies(armed) spent the night in the place with the gear between shows breathing stench. We did leave the front and rear doors open for an hour post-gig with large fans drawing air out of one door and forcing clean air into the front door.
The best part? The late Shawn Lane was in the band and we heard, saw, and copied what he used for his amazing rig. Furman PQ3(early generation that had MOSFET circuits that sound like tube when leaned on)->Crwon D60->Marshall 4x12 cab. The rest of his 2 stacks were dummies(not hooked up, just set up, powered up, and left on standby). We used that "rig" to get his sound and Boston's sound for a number of years.
Because you can get a chance to create a scene where you'd get drowned out in larger venues?Extremely smoky bar, the worst one we play. We have more volume restrictions here than any other place we play (I mean stupid quiet for a rock band, the drummer should be using brushes probably), and the drunkest bar in town where there is always a fight and just too much of everything. Why do I do this again? If your thinking pay, yeah, it's about the same as some of the better places we play. I just always dread this one.