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Why so much hate for slap??

It's almost impossible to play anything from the 70's & 80's without
using slap...so why all the hate?? I get that some folks try to apply it
to everything, which slap really isn't meant for everything...but it does
have legitimate playing uses!

So is it a case of folks hating on it because it's really best for Disco/Motown,
and should never be used elsewhere?? Or just a general slap hate as a whole??

It should be a tool in every bassists arsenal, to my way of thinking.
Not the only tool, just one of several screwdrivers... ;)
 
It's almost impossible to play anything from the 70's & 80's without
using slap
...

So is it a case of folks hating on it because it's really best for Disco/Motown,
and should never be used elsewhere?? Or just a general slap hate as a whole??

Ok, I'll bite.

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Depends whether it's self or professionally taught?

I kid, I kid. Because it's boring and unmusical when it's done poorly. Bad fingerstyle doesn't hurt my ears....as much anyway. And I don't like it much better when it's done well. It's a sound that doesn't appeal to me personally. I love RHCP but not the earlier slap heavy stuff. I don't much care for Marcus Miller's slappy stuff. When Victor Wooten goes at it I'd rather not hear it. But I think it's generally disliked by many because it's hard to do well and easy to do badly.
 
It's almost impossible to play anything from the 70's & 80's without
using slap...so why all the hate?? I get that some folks try to apply it
to everything, which slap really isn't meant for everything...but it does
have legitimate playing uses!

So is it a case of folks hating on it because it's really best for Disco/Motown,
and should never be used elsewhere?? Or just a general slap hate as a whole??

It should be a tool in every bassists arsenal, to my way of thinking.
Not the only tool, just one of several screwdrivers... ;)
Please, I can think of 100 songs without slap from the '70s alone.
If you like it, fine, but to me a lot of it sounds like one character chasing another in a video game.
 
Just depends on who is doing the slapping and if it serves the song well.

Louis Johnson was the master at slap. He knew when to use it and when not too. Listen to his isolated bass track on Strawberry Letter .

I never want to hear GET ON THE FLOOR played with a pick or fingerstyle. That song should be all thumb and nothing else.
 
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There was a time in the 90's to early 00's where slapping became the bassist equivalent of Smoke on the Water, Stairway to Heaven, and Freebird all in one. Well, at the music stores anyway. People who worked there hated slapping as much as the afore-mentioned songs.
In the giging world there was a perception by a lot of under-30 guitarists, singers, and drummers who considered slapping an indicator of overall chops. After all, most of he hip big-name bassists slapped. Most of the bassist wanted ads I saw back then had "must be able to slap" for non-metal and non-punk/ska rock bands. That caused two things: lots of bad slapping and lots of musically inappropriate slapping.
Those are the two reasons for the hate, IMHO.
Slapping is like brussels sprouts: done right and paired correctly, a real treat; but if it just sits in a boiling pot without proper seasoning, it is a mushy abomination that can ruin a perfectly good evening.