Why? Because it's the best looking headstock ever? Show me an equally or more attractive headstock. I really don't think you can.
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I can think of half a dozen headstock designs that I prefer over the Fender headstock.Why? Because it's the best looking headstock ever? Show me an equally or more attractive headstock. I really don't think you can.
Well, for the heck of it, why don't you name them?I can think of half a dozen headstock designs that I prefer over the Fender headstock.
But, obviously, you love it; so, I doubt I could find one that you prefer.
So true, lol... looks like a 'flip-flop.'btw, i agree about the alleva coppolo headstocks. respect to the rest of the bass because it's a damn fine bass, but the headstock looks like a foot without the toes.
Well, for the heck of it, why don't you name them?
Ha! OK, well, I'll admit I like the Gibson an awful lot as well. That leaves the Ibby and the SX, cuz the Fender is a, um, Fender. The Ibby does have a sleek, purposeful look, but IMO doesn't hold a candle to Fender for sex appeal.I prefer all of these to the standard Fender headstock:
I think it's some kind of statement on marketing, branding and public relations the way headstocks have turned into corporate logos. I started out on an upright bass and no upright player ever gave a moments thought to the shape of the headstock. All basses (more or less) had the same shaped headstock and you pretty much expected them to.
Then Leo comes along and just copies the general "feel" of an upright stock for his bass and other guitars and suddenly it's now "his" logo. Well, yeah, his adaptation of a traditional design was new but it's still a derivative work. But now viewed as a logo the issue of "public confusion" arises. Say two companies both create derivative headstocks based upon the upright scroll headstock. Now the lawyerly question would be is the public confused between the two brands.
So now headstocks are things to keep lawyers in their expensive cars and a simple common traditional decoration is forgotten. Personally I hate the look of headless instruments but I must admit that they certainly do put an end to all this nonsense.
I prefer all of these to the standard Fender headstock:
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i honestly perfer the original P basses headstock ,the "tele" shape.
I love many headstocks and hate many others, but being my favourite the Steinberger, I can say I don´t have the problems commenter in this thread...Being Ned such a creative guy, I identify with the headstock = neckdive premise he used...aesthetics weren´t his main goal on eliminating the headstock, but nevertheless he resolved the issue being discussed...go headless, baby!!
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What I like about it is how simple it is.Whoa! You prefer the SX "dixiecup" mod headstock to a Fender Stnd.?
I guess I can see that. It's basically the G&L (which I really like generally) without the "eyegouger" (which I hate).
I love many headstocks and hate many others, but being my favourite the Steinberger, I can say I don´t have the problems commenter in this thread...Being Ned such a creative guy, I identify with the headstock = neckdive premise he used...aesthetics weren´t his main goal on eliminating the headstock, but nevertheless he resolved the issue being discussed...go headless, baby!!
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I feel the Fender design appeals to that sense of balance and design like a Roman column and it's 18:5 ratio:::