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Why This Obsession With The Fender Headstock?

Well, for the heck of it, why don't you name them?

I prefer all of these to the standard Fender headstock:

IbanezHeadstock.png


GibsonHeadstock.png


TeleHeadstock.png


SXDCUPHeadstock.png
 
I prefer all of these to the standard Fender headstock:
Ha! OK, well, I'll admit I like the Gibson an awful lot as well. That leaves the Ibby and the SX, cuz the Fender is a, um, Fender. The Ibby does have a sleek, purposeful look, but IMO doesn't hold a candle to Fender for sex appeal.
The SX is, well, 'somewhat less attractive?' Sure, IMO. But lots of folks are with me here.
 
I think it's some kind of statement on marketing, branding and public relations the way headstocks have turned into corporate logos. I started out on an upright bass and no upright player ever gave a moments thought to the shape of the headstock. All basses (more or less) had the same shaped headstock and you pretty much expected them to.

Then Leo comes along and just copies the general "feel" of an upright stock for his bass and other guitars and suddenly it's now "his" logo. Well, yeah, his adaptation of a traditional design was new but it's still a derivative work. But now viewed as a logo the issue of "public confusion" arises. Say two companies both create derivative headstocks based upon the upright scroll headstock. Now the lawyerly question would be is the public confused between the two brands.

So now headstocks are things to keep lawyers in their expensive cars and a simple common traditional decoration is forgotten. Personally I hate the look of headless instruments but I must admit that they certainly do put an end to all this nonsense.

What do we as musicians have to deal with, musically?

Just seven notes plus a few flats/sharps and look at all the variety and differences in music with just those building blocks.

My point? Well, you said that the Fender head is just a 'adaptation of a traditional design was new but it's still a derivative work'.

What else could it be but a derivative of something that proceeded it?

Solomon said that there's nothing new under the sun - and I add: 'just variations on a theme'.

You are, of course, correct - but that's kinda moot - right?
 
I love many headstocks and hate many others, but being my favourite the Steinberger, I can say I don´t have the problems commenter in this thread...:D Being Ned such a creative guy, I identify with the headstock = neckdive premise he used...aesthetics weren´t his main goal on eliminating the headstock, but nevertheless he resolved the issue being discussed...go headless, baby!!:eek:
 
I love many headstocks and hate many others, but being my favourite the Steinberger, I can say I don´t have the problems commenter in this thread...:D Being Ned such a creative guy, I identify with the headstock = neckdive premise he used...aesthetics weren´t his main goal on eliminating the headstock, but nevertheless he resolved the issue being discussed...go headless, baby!!:eek:

Of course this is all about personal opinion, but I think headless instruments are the worst looking things on the planet! Every time I see one they always remind me of some sort of agricultural implement rather than a musical instrument.

But on the other hand, I LOVE the technical reasons behind headless instruments. And the idea of having a Floyd-style trem with fixed end strings is truly nifty. I love the idea of removing the headstock weight to kill neckdive. I love the compactness of combining bridge and tuners.

But I have seen the ANSWER. Jens Ritter has solved the problem! Check out his "headless" Royal collector series. His solution of the "vestigial" headstock without tuners is positively GENIUS!

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Come to think of it, there's got to be more to Leo Fender's decision to implement a big honkin' headstock than just "2D Upright Copy." Maybe it was a manufacturing consideration? A piece of wood to clamp down? Something else I'm not foreseeing?
 
I love many headstocks and hate many others, but being my favourite the Steinberger, I can say I don´t have the problems commenter in this thread...:D Being Ned such a creative guy, I identify with the headstock = neckdive premise he used...aesthetics weren´t his main goal on eliminating the headstock, but nevertheless he resolved the issue being discussed...go headless, baby!!:eek:

If I had the money, rest assured I would have gotten a Steinberger by now. But I don't want all my basses to be headless. As I said before, I like headstocks. And apparently, so do many others.

Besides: headstock =/= neckdive necessarily. Some headstocks are small enough to avoid this.
 

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