worried about tuning? sheesh! you sissymarys! they do build these things to stay in tune, you know? just takes a little while longer.
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I found that builder in Oscar Prat. He definitely gets it and for that I am most thankful to him.
Has Oscar agreed to do your 15-string?
Oh yes.
We've been working on it for a few months now.
It's actually not that hard. Hipshot makes one. That's what Kevin Brubaker used on the 12 he made. Then again that was 12 singles.
Now strings OTOH are a bear.
And there's always monorail bridges or back in the day Wilkinson could do a custom plate that would accept whatever number of string saddles you wanted.
Shame Schaller discontinued that bridge, was an awesome piece of kit.
The 12-string bass I had my friend at Electrical Guitar Company make has a Schaller bridge. I bought it from Warmoth. It's made to be an 8-string or 12-string bridge; the saddles need to have their grooves cut by your luthier.
Here's a picture of the bridge on my 12-string:
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There are 4 main saddles on the bridge. Each saddle has two independently adjustable saddles on it, so once you get the strings intonated with each other (by using the actual saddles the strings sit on), you can then adjust them together using the main saddle they are on so you can intonate that course of strings with the other groups. All my strings are dead on from "the factory"; I've never had to adjust them.
Passive electronics. Kevin hand-wound the pickups. They have lots of Alnico V magnets in them. There are 4 volume knobs (I never use tone knobs). The switches directly under the volume knobs are on / off switches for the pickups. The toggles between those on / off switches are coil taps for the 2 guitar pickups. The bass pickups go to an output jack, and the guitar pickups go to another. The middle toggle allows me to route the guitar pickups to the bass output jack, in case I want to use one amp instead of a separate bass amp and guitar amp. Thing sounds WAY cooler through two amps than one, though.
Jauqo: That's what Kevin said the first time I explained the wiring I wanted... haha.
The bridge on the Warrior 15-string was wood, no? I always wondered how the intonation could ever be true given the different lengths required. An out-of-tune multi-course bass is not my idea of fun....
i'm pretty sure that Bill Conklin would make a multi-course 15 string.. and not give a hard time about it..