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Wilton Felder appreciation thread

He did play on these albums, but not on all tracks. On C&S he played on Free Man In Paris and People’s Parties; and on Hissing of Summer Lawns he played on Edith And The Kingpin and Don’t Interrupt The Sorrow. Max Bennett played most of the remaining songs on those albums, with Jim Hughart playing Trouble Child on C&S. Not to take away from Wilton, he’s one of my favorite bassists.

Just heard "Free Man in Paris" this am after dropping the wife off at work! Forgot it was Felder!

I have had soooo many conversations with guys about Felder:

"I love Jamersons bassline on _____________."
Thats actually Felder
"Who's that? I think you are wrong"

Every conversation starts like that! ;)
 
Felder is my favorite bassist of all time. I love his playing on these songs.






I wish there was footage or more pictures of him. He also didn’t really seem to have many interviews. I know he was more famous as a saxophonist but I think he was a great musician in general and an awesome bassist.

Please share any of his bass lines that you love or any info about him that you can share with me.

Do I hear some pick playing in some of this? I imagine he would play whatever was called for... Such a great musician! Great thread!
 
He did play on these albums, but not on all tracks. On C&S he played on Free Man In Paris and People’s Parties; and on Hissing of Summer Lawns he played on Edith And The Kingpin and Don’t Interrupt The Sorrow. Max Bennett played most of the remaining songs on those albums, with Jim Hughart playing Trouble Child on C&S. Not to take away from Wilton, he’s one of my favorite bassists.
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yes. i know, i figured the op could look to see if he was interested.

also showed his range.
 
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For me, the first thirty seconds of Jimmy Smith's "Root Down" is the funkiest stretch of music ever captured on tape.

Grant Green's "Live at the Lighthouse" is one of my favorite albums of all time, thanks in large part to Felder's bass (though everyone was on fire that night). He mostly just lays down wonderful grooves, and then once in a while throws in a fill that shows you just how much he had in reserve:

 
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Don Peake and Wilton Felder, on a Jackson 5 1972 studio session



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unknown
 

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What's not to love? He was groovin' all day. If I had to single out something special about his playing, he brought a little bit of uptown rhythm, so smooth and en pointe. I like him a ton with Grant Green because, let's be honest, jazz can distill into wankery in about 30 seconds if the bassist isn't secretly calling the shots. He drove the train no matter who was in the boxcars.
 
Do I hear some pick playing in some of this? I imagine he would play whatever was called for... Such a great musician! Great thread!

Nope. I wrote to him when there was a protracted discussion (probably on The Bottom Line, maybe here on TB) about ,"I Want You Back" with many saying it had to be a pick. The response was "No, never a pick, always finger"

The single coil pickup has a critical difference compared to a Jazz or split-coil Precision, the single magnet pole per string. That gives it a very different attack.