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If you hadn't said anything, I'd have assumed it was an intentional gap to fit a cap veneer in there to hide the plywood. This build totally would have killed in the build off.The bad news is that it now bottoms out on the end of the neck tenon and needs a stupid number of shims to make contact on the shoulders as it should.
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But the good news is that there are an equal number of shims all around, so it's pretty square. I don't really want to cut the mortise any deeper or cut the tenon any shorter, so I think the solution is the end of the body is going to get a veneer equal in thickness to the shims. That will also hide the end of the body plywood. I'm kind of tempted to bind the edges all around, but at this point I'd also kind of like to just be done with it.
Quoted for emphasis.That's awesome

I'm going to leave doing one last thing, like cutting the slots in the nut, until this year's WBO. Then I'll submit it as a partial build on the second day and clean up.If you hadn't said anything, I'd have assumed it was an intentional gap to fit a cap veneer in there to hide the plywood. This build totally would have killed in the build off.![]()

Well I planned it all along NOW.Veneering the end sounds like a great idea.
You had planned to do that anyway didn’t you?
Nice little plane. I had one for a long time, polished and sharpened it and then stuck it in a drawer. Amazingly useful once I decided to play with it.
Thanks! That didn't occur to me until late. I had used a cardboard template to mark the curve on the tailpiece, so I just flipped it over and traced the same curve on the fingerboard.I especially like the offset cuts of the tailpiece and end of the fingerboard![]()
That's smart. I considered deepening the mortise instead of building up the shoulders, but at this point I've lost track of how thick the neck block is and don't want to remove too much material where the bolts go through.On my current build I cut an undersized mortise into the block before glue up. I did this on the guitar I’m building and it made the final fitting easier as instead of trying to remove a lot of material I was just opening it up and setting the angle as I cut to fit the tenon.
it seemed like it made the job easier on the violin sized body to trial and error and fine tune a tight fit. I hope it works on the bigger bass as well.
Overall, not really a useful instrument, but I could still put a bulb in it and turn it into a lamp.


