If you're buying instruments for the purpose of making a profit then sure, put them in the closet and wait...
I'm more of a player than a collector and all my basses do active duty, blemishes are a part of the deal. If I'm going to pay good money for it I want to use it, if it needs modifying then it gets modified to my tastes.
In the 80's mods were like the in thing and replacement bridges, tuners, pickups, potentiometers, active circuits and even particular fretwork were thought to possess magical qualities that would make you play and sound better. In some cases this was true but a lot of it was hype also. How many players did we see with BA bridges, Bartolini pickups and preamps, tape over unused holes in the control plate, gaffer tape over the empty pickup route because that pickup wasn't 'necessary'. There were some wild colour schemes too as I remember.
Then was the era of the 'beater' look. All basses had to have some cosmetic damage if you were to be taken seriously in certain genres. Did it really matter to the sound? No, they still sounded the same, it was a fashion statement.
Jazzes and P basses haven't really changed much in decades and many other brands still do the same models today that they did in the early days, I suspect that if you heard both in a blindfold test you'd be hard pressed to pick the difference.
I'm more of a player than a collector and all my basses do active duty, blemishes are a part of the deal. If I'm going to pay good money for it I want to use it, if it needs modifying then it gets modified to my tastes.
In the 80's mods were like the in thing and replacement bridges, tuners, pickups, potentiometers, active circuits and even particular fretwork were thought to possess magical qualities that would make you play and sound better. In some cases this was true but a lot of it was hype also. How many players did we see with BA bridges, Bartolini pickups and preamps, tape over unused holes in the control plate, gaffer tape over the empty pickup route because that pickup wasn't 'necessary'. There were some wild colour schemes too as I remember.
Then was the era of the 'beater' look. All basses had to have some cosmetic damage if you were to be taken seriously in certain genres. Did it really matter to the sound? No, they still sounded the same, it was a fashion statement.
Jazzes and P basses haven't really changed much in decades and many other brands still do the same models today that they did in the early days, I suspect that if you heard both in a blindfold test you'd be hard pressed to pick the difference.