THAT is the unicorn I would be looking for! If I could get the BBP35 w/maple board, I wouldn't have even started this thread...
I'm that guy - this is that unicorn...
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THAT is the unicorn I would be looking for! If I could get the BBP35 w/maple board, I wouldn't have even started this thread...
I'm that guy - this is that unicorn...
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Where did you find that?!
There's a NBD thread on here about it - but basically, I was standing at the counter of a GC after having traded in a couple of basses that just weren't getting played much and while I was waiting for the sales guy to offer up a trade-in price, I was on the GC Used section on my phone. I put in the search term "Yamaha BB2025x" almost laughing at the thought they might have a used one in their system somewhere. I about fell over when this popped up as a result. I ordered in on the spot, right there at the GC Center counter. It was physically at a GC in Orlando Park FL and I had it shipped to me. Pure luck really.

I checked the GC used basses online and got excited to see a "BBP35" for $1100. Then I looked at the pictures and, sure enough, it's a BB435. The sticker on the back of the headstock is clear as day, if the hardware and a few other details weren't plain enough.![]()

Has anyone compared the 735a to the BBP35? They have the same basic construction, pickups, and hardware. The 735a has an active preamp, a painted 5pc neck, and is made in Indonesia. The BBP35 is passive, has a natural 5pc neck, is made in Japan, and costs 2x the 735a.
My question is whether the 2x price difference is worth it as a straight up PJ-5? I expect the fit and finish on the Japan-built bass to be nicer, and they apply their acoustic resonance treatment to the Japanese bass, so there's that. But how about playability, tone, weight, etc. If I was to strip the paint on the back of the neck, would I notice a huge difference while playing the 2?
I'm typically a passive guy, but I would kind of like to have the preamp as a bonus if it's quiet and functional, even if I used it in passive mode 85% of the time.
I've had another bass in mind for a while, and I'd still like to pursue that, so the 735a leaves a lot more room in the budget for that bass. OTOH, either of the Yamahas might just bump that other bass out of the picture for a while, so maybe the BBP35 is worth it.
I had a P35...great bass. Definitely THE best passive bass I've owned. It was versatile, and sounded alive, with one of the best and biggest-sounding B-strings ever.
For a pro-level player, the BBP is worth every cent. If Yamaha asked $2500 instead of $1600 street price, they'd probably be able to get it
The 734/5 is an amazing piece of wood, especially for the price, plays nice, sounds nice. But in all honesty, the Japanese BB is a noticeable step up, especially in the way the wood resonates, and how well it sustains. Also, all the Japanese versions I have ever tried were basically completely free of any dead spots on the neck which is in itself amazing already. Fender? Care to do something about that maybe?
I played a BB735A and loved it. I came back the next day to buy it, and it was gone.
Thanks for the responses, guys. One of the common themes I've seen in these comments, other comments, and on YT videos is the resonance and sustain. I also hear it in every BBP video I've been able to watch, from cell-phone videos to pro-recorded concerts, and everything in between. To my ears, there's no denying that the BBP has the resonant, "alive", character that I'm always looking for in an instrument.
I have a number of basses with that resonant character and sustain. My #1 Jazz, a Regenerate Guitar Works, I picked up, played one note unamplified, and knew right away that it was my bass. My RGW 6 string and P-bass have the same resonant qualities. I've done many records with those basses, which brings me to my other thought; whichever bass I get will primarily be a studio bass. Based on everything I've seen, I will have absolutely no regrets with the BBP. If I want additional EQ, it can be applied in spades via my outboard preamps, plug-ins, etc.
I actually set my mind on the BBP35 several months ago, then the more practical thoughts started creeping in. The 735a definitely has it's appeal, but I think the BBP35 is the way to go for my needs and tastes.
That one does sound good! Thanks for posting!
The only thing that bugged me (why I sold it), was the BIG body. If you don't mind that, then go for it. I paired mine with a patch from my Zoom MS60B...SVT modeler, with an Acoustic 18" cab sim. It sounded like a grand piano, both at home and live.
I can't speak to the Japanese model. I can say that, ime, the Indonesian ones are very, very good.i have a TRBX 505 and it is virtually flawless in construction. I did need the nut slots filed down a bit to facilitate a lower action at the 1st frets but that was a $15 adjustment by my local guy. The bass is a true value for it's cost. I'd say give the 735 a whirl a d return if not happy.Yeah, I understand that. Fit and finish will be much nicer on the Japanese bass, but the real question is whether that translates to playability and tone for 2x the money? They share the same 3pc alder/maple/alder body, the same 5pc maple/mahogany neck, the same V7 Alnico pickups, the same bridge, and the same mitered neck joint. They are presumably both made with the same CNC program. Maybe the woods used on the Japan model are a little higher quality than the Indonesian. Maybe.
Believe me, I'd love to play both if I could, but the last new mid-level Yamaha I saw in Albuquerque was many years ago. The probability of finding both to play is absolutely 0%.
My heart says go for the Japanese bass. My wallet says try the 735 and see. Either way, I'll have to order one in from elsewhere.
Yea, I had a 434 and the pups were wabbly.I have had a BBP35 I stupidly sold. Great bass, I would buy over and over again
I would say go for it, you won’t regret IMHO
Having say that, the 735a is 85% of the BBP so it’s up to you justify 2x price of the latter.
What’s the 15% that the Japanese differs to the Indonesian one?
IME (based on the 4 strings models):
- better balance overall
- slightly better satin finish on the neck
- IRÀ treatment: I can feel the improved resonance
- “sturdy” pickups: the ones on the 735 are a little “wabbly”