• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass Yamahiko Double Bass Pickup

The phase issue is tricky. Simply hardwire flipping 180 degrees isn't always an acceptable solution. 2 elements on the bridge, the phase shifts around depending on how the bridge swings. Same with a close mic and bridge pu. Nightmare, vertigo on the bandstand, I decided I'm too old for that stuff. One sound source is complex enough in a live setting. My experience. Others may vary.
 
Povi,
I talked with Don Underwood once, since he had built a four element pickup for Glenn Moore, that could be either in phase or out of phase. It had two elements inside each of the outer metal sleeves. So, I believe that even a regular two element, Underwood can
have issues with phase "artifacts" as I know players, who only use one side of the pickup.
I would postulate that's why the Realist, Realist Life Line, Full Circle, Ehrlund, and Schertler Stat B, only use one element. Just my opinion. Ric
That is why I did the experiment. Because I had the idea, that if I turned down one of the elements, I could reduce the outphasing between the elements that I felt was the reason for a certain flattening of the sound. Using only one element seemed and felt too radical for me at the time (many years ago). I agree that one element will give more dynamics.

I have found using the Stat B Vintage that the so called phase issue is easily solved by making sure each element has proper pressure. Phase cancelation is pretty easy to hear when it happens (in your stereo speakers for example) it sounds just like what it is. It's kind of like when someone steals your bounce on a trampoline. How a two element pickup shares the sound (without phase issues) is a different question. A Stat B with only one element on the E side sounds different then when they are both engaged...in my opinion better its with two...because of the kind of natural HPF that seems to happen when the signal is shared (it isnt phasing) it would be nice to control that some...and back to the Yamahiko, I am really interested in that second element design because it makes trying out all the possibilities really easy (the way all the connectors are interchangeable and that it would be easy enough ...and cheap enough to buy 2 single element versions and then test all the combos)
Well I believe that the HPF effect is related to the two elements picking up different vibrations that to an extent outphase each other. But perhaps others can chime in.
 
Last edited:
The phase issue is tricky. Simply hardwire flipping 180 degrees isn't always an acceptable solution. 2 elements on the bridge, the phase shifts around depending on how the bridge swings. Same with a close mic and bridge pu. Nightmare, vertigo on the bandstand, I decided I'm too old for that stuff. One sound source is complex enough in a live setting. My experience. Others may vary.

+1 it's just easier finding a single element pickup that suits you bass, and if there's a front line involved, sending a microphone out to the mains. Don Underwood talked about this in our conversation, but he didn't discuss phase issues. A Double Bass Bridge is a cantilever arch and when it vibrates
it's actually twisting and turning on the front end. Tricky stuff to attach a sensor to indeed. Violins are so much smaller that it's apparently easier to find the sweet spot on the bridge and attach a piezo at that point.

Ric
 
It's funny. Years ago I heard Eric Hochberg playing. He was using an Underwood with just the E string element in place. The other one just dangling there. Ok---the dual element Underwood was very smooth and legato (that 70's bass sound) but the single element had WAYYY more thump and attack. Actually a more functional sound. I think that by that time I was using a Fishman BP100. (I wanted to sound just like Marc Johnson). I almost cut my Underwood apart to use the single element! It seems to me, that the single Schertler has that kind of vibe with much greater fidelity. Didn't work for me, but Eric sounds great with it!.
 
  • Like
Reactions: Eric Hochberg
It's funny. Years ago I heard Eric Hochberg playing. He was using an Underwood with just the E string element in place. The other one just dangling there. Ok---the dual element Underwood was very smooth and legato (that 70's bass sound) but the single element had WAYYY more thump and attack. Actually a more functional sound. I think that by that time I was using a Fishman BP100. (I wanted to sound just like Marc Johnson). I almost cut my Underwood apart to use the single element! It seems to me, that the single Schertler has that kind of vibe with much greater fidelity. Didn't work for me, but Eric sounds great with it!.


Once the Realist was introduced, it seem's like all the piezo pickups went with a single element. Before that, the Underwood, Schertler Stat B, and The BP-100 all were designed with dual elements. I even did the Fishman Bass Blender, with the BP-100, and Crown Condenser.
By comparison, the Realist sounded way better. Sometimes, a simpler device gets better results.

Ric
 
I have to do some bridge work to get it to work. Have to drill and dowel the existing holes and the re-drill and tap. I think I'll put the Fishman on the G side for S's and G's. BTW---I was the guy that suggested that on the EA Doubler that the phase between both channels was variable---just for the idea of combining two pickups.
Hey James---nice meeting you at the Asheville GTG.
 
i've been using the Yamahiko for about a month. I prefer it to the FC. Better balance and attack. A bit more natural. The mids are stronger so I have to dial them back a bit. The 800 hz mid point on the Doubler is about perfect.
That's very nice to hear! I imagine you were using the one side only. I wonder if using the two elements would help with my G string sounding weak with the full circle (slightly). Can you please post some sound clips?
 
Kscbass, consider moving your soundpost a bit more away from the bridge.

I had problems with an Underwood-like pickup with my 5-string high-C bass if I used only one element on the bass side, but that went away after my luthier repositioned the soundpost more away from the bridge. Now the bass sounds softer (not quieter) but still nice and the Problem went away. Now I can also use single bass foot pickups without problems.