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Your Portland Jazz Orchestra successfully lands an original, Craig Skeffington's "It's A Waltz, Man."
Solos by Michael Sakash, tenor, Chris Marsh, flugelhorn and Brad Ciechomski, drums
The rig: 1850s German bass, 1980s Woods MI-100, Euphonic VL-110
Entirely live at One Longfellow Square, Portland, Maine
Nice. Do I detect some Oliver Nelson influence on the intro/head?
Thank you on behalf of the talented people I get to work with in PJO.
I'll pass your comment on to Craig and I know he'll hear it positively.
That 5’er sounds great and I love the Romani feel of the music. Nice performance!https://youtu.be/AjTCyxoHVN0
Here is a video of an original composition of mine I wrote for a quartet I was a part of this past academic year at UMass.
Thank you! I'm coming up on 3 years with this bass and the sound is maturing beautifully. The low B has been a good way to learn how to play with a lighter touch because while it is technically a heavier string than the rest of the setm it feels a lot more lighter under my right hand. So it really doesn't like a heavy touch, but will roar if I give it just the right amount of energy.That 5’er sounds great and I love the Romani feel of the music. Nice performance!
Young lioness Mihira is back with a blues she wrote. I wish I could say I played anywhere near that well when I was 12...
Here is a trio video from my trip to the Bay Area:
I am. Give my best to Michel!! We played together a lot! DM me with his email if you have it.@damonsmith -are you playing Matthew Sperry's bass in this clip? Michel Dumonceau sends greetings from Amsterdam.