• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Your 3 basses for the most well-rounded stable

DSC08772.JPG
L2000 Slightly Reduced.JPG
sunburstandmaplejazzv.jpeg
 
1. fretless pj
2. backup fretless pj
3. fretless jazz

i have these now, but for a long time i didn't have a jazz, so i'm glad i 'accidentally' discovered that one. but if the OP's question narrowed it down to just two basses: i'd have to pick the pj's. some of you are picking instruments that i know nothing about (at least in terms of playing experience), so i have to limit my choices to what i personally know = pj's! full disclosure: i have five. none of them sound the same, but all seem versatile enough.
 
Right now, I'd have to go with:
Fbass BN5 w/ rounds (ash body, ebony board)
Fbass BN5 w/ flats (ash body, ebony board)
...
Those should basically cover everything I want, but if I had to choose a third then...

Bacchus PB4 (ash body, rosewood board)
 
  • Like
Reactions: mngnt
If you had to pick three basses to own that would cover the most band situations which would they be? This isn't a "which bass is better" or "which is more versatile" it's a "which three would YOU choose?"

Let's keep it civil, ya animals. :D

I'd personally choose a Fender P, a Fender J and a Rickenbacker. I think that pretty much covers it, except maybe a good active sound.

Simple Passive 4-string : G&L SB-1 or a LB100 depending on personal taste

Active 5-String Swiss Army Knife : G&L L2500

Fretless 4-String : G&L SB-2

If we're talking Fender, then a P, a fretless J and some sort of 5-string they offer.

There are other brands that can work as good. The main thing is you want some sort of P bass, some sort of 5-string, and then a fretless IMHO.
 
Last edited:
4 String passive (for instance P, J, P/J)
5 String active (Ray or L2000)
4 string hollow body or acoustic fretless (Rob Allen)

would do it for me. But the examples are guidelines more than rules.
 
For me it would have to be:

1. a fretted 6 (currently a Carvin LB76)
2. a nice 4 string P
3. some kind of low-ish cost Fender style (P or J, doesnt matter much to me for this function) to take apart and modify constantly