• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Your "Always-on" pedal

My always ons are a Pigtronix Philosopher Stone Germanium to bring out some of the mid-highs in my tone and to fatten it slightly - I then run that into a McSpunkle And Aardvarks boost/od which gives me a super hot tone that I can dig into to make really clanky and distorted, or play softer for a hairy clean tone. I absolutely love the combo, its defined my sound for about 2 years now. I could never take the Aardvarks off the board.
 
TC Electronic Spectracomp, Two Notes Le Bass, and Broughton L+HPF are the core of my clean tone. Depending on which band I'm playing in, my Broughton Terraformer sometimes stays always-on as well.

I'm debating picking up a Fortin Zuul and another compressor for the end of my signal chain. Both would likely stay on all the time as well.
 
  • Like
Reactions: 96Brigadier
TC Electronic Spectracomp, Two Notes Le Bass, and Broughton L+HPF are the core of my clean tone. Depending on which band I'm playing in, my Broughton Terraformer sometimes stays always-on as well.

I'm debating picking up a Fortin Zuul and another compressor for the end of my signal chain. Both would likely stay on all the time as well.

That Zuul with the key input feature looks really interesting for some high gain/stacked pedal noise reduction.
 
Last edited:
We all have those pedals that we're always looking for excuses to use. Or, on the other hand, pedals that we barely even touch at all, but you still leave on the board... "Just in case".

However, there's the "Always on" pedals, for some of us. That one pedal that's just become such a significant part of your tone, that it's always turned on.

So, I was wondering. Do you guys have a pedal that you can't possibly live without? Your "always-on" pedal?


For hard rock/metal, it's the Darkglass B7K: it's always on, and I use it to shape the tone of other distortion pedals that I'm stacking into it for heavier crunch.

For other kinds of music (classic rock/pop/blues/country/funk/R&B/jazz/etc) I have a bunch of favorite always-on pedals: too many to list, but my most-often-gigged are the Damnation Audio MBD-1 and Reiner Gasoline.
 

Latest posts