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Your Favorite Finish for Bubinga?

@TheEmptyCell I have done a couple of "oil" finishes with Osmo Polyx-Oil hard wax oil and I'm a convert. It literally feels silky to the touch, there's nothing quite like it IMHO. The closest thing to it has been Rubio Monocoat, but that has some hurdles in mixing and application which don't exist with Osmo, plus it's more expensive. A small can was not super cheap, but it has enough to do at least 5 instruments I'd guess. I used gloss on this bass below, but unless you buff it up, it doesn't get a shine to it and stays kind of a semi-gloss sheen.

My one caveat is that the bass above has been fully grain filled with dyed pore filler and then epoxy first before the Osmo. I like the slick feel of fully filled grain, but you could totally do this on unfilled bubinga. :thumbsup:
 
I might avoid home center water based polys right from the can unless I could do a good test.

Unless it's a pro market product, for example General Finishes, it might have a slight blu-ish tint that's great on really light woods, but can make dark woods look dead and lifeless. If can be remedied with a few drops of amber dye, like Trans-tint, but it's easier just to choose an oil-based poly.


Oil based polyurethane will tend to have at least a slight amber tint. Varathane Ultimate formerly from Home Depot but I think it has to be ordered online now is completely water clear over even black paint. VU would have to be thinned to wipe on well but it does work. However, testing a finish product, especially a new one is never a bad idea.
 
Your Favorite Finish for Bubinga?

Hi-Gloss


upload_2022-10-19_21-3-57.jpeg

 
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I have a Bubinga Warwick so I'll be watching this closely. I've only used the Warwick beeswax on it so I can't contribute much more than that to the finish conversation.

For hardware, I'd go all black hardware. I had a Bubinga Cirrus with gold hardware that was cool in the late 90's, but my Warwick has black hardware and I think it looks better against the Bubinga.
 
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I couldn't help myself when another 32" scale Warmoth neck came up for sale in the classifieds; I snagged it and then ordered a beautiful body from Warmoth that I'd been eyeing for a while.

I don't have a picture because I'm a silly goose and didn't save one before I made the purchase and they're still processing the order, but it's roasted ash with a bubinga top, and the neck I got is all roasted maple.

I lusted after Warwick basses a lot as a teen, so this bass is sort of scratching the itch for some bubinga (which sounds like innuendo... maybe it is).

I'm pleased with how easy applying Rubio Monocoat is, but I'm not sure I want to use it for this new build. I've read a bit about Danish oil, Tung oil, and Tru-oil (though this one mostly related to necks).

What's your favorite satin/not-gloss finish for bubinga?

Also, any opinions on gold or black hardware? I'm not crazy about the idea of chrome hardware on this body, with it's earthy color palette. Does anyone do satin gold tuners, bridge, and knobs?
Tung oil
 
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I would go with a satin Varnish Oil mix. Check out Minwax antique oil finish. Really easy to apply and looks great on anything.

Also I agree that chrome hardware isn't a good match. I'd go gold, black or maybe even those bright colored finishes they have.
 
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I have a Bubinga Warwick so I'll be watching this closely. I've only used the Warwick beeswax on it so I can't contribute much more than that to the finish conversation.

For hardware, I'd go all black hardware. I had a Bubinga Cirrus with gold hardware that was cool in the late 90's, but my Warwick has black hardware and I think it looks better against the Bubinga.
Try Howard Feed n Wax, it's much easier to apply, and you can really lay it on thick. It's much cheaper per oz, and it smells amazing! I used the Warwick bees wax for a long time until switching, and honestly the Howard does a better job in my opinion.
 
@TheEmptyCell I have done a couple of "oil" finishes with Osmo Polyx-Oil hard wax oil and I'm a convert. It literally feels silky to the touch, there's nothing quite like it IMHO. The closest thing to it has been Rubio Monocoat, but that has some hurdles in mixing and application which don't exist with Osmo, plus it's more expensive. A small can was not super cheap, but it has enough to do at least 5 instruments I'd guess. I used gloss on this bass below, but unless you buff it up, it doesn't get a shine to it and stays kind of a semi-gloss sheen.

My one caveat is that the bass above has been fully grain filled with dyed pore filler and then epoxy first before the Osmo. I like the slick feel of fully filled grain, but you could totally do this on unfilled bubinga. :thumbsup:
One more vote for the Osmo Polyx oil, amazing stuff. From what I understand, they have mat, satin and gloss nowadays, but I just use the satin.
 
Here's the raw body:
70DBEEDD-ABAC-4470-8C6D-17D8317461C6.jpeg


And here it is with one coat of Howard Feed-N-Wax (FNW). It smells ridiculously good paired with the roasted ash body, and it's absolutely dead simple to apply. I'm going to build up a few coats of this stuff and try to get a slight satin sheen to it.

769D4C07-2786-4991-960A-74F00D4F9016.jpeg


The roasted maple neck feels so smooth and sleek that I don't think I'm going to put any finish on it.
 
Here's the raw body:
View attachment 4854236

And here it is with one coat of Howard Feed-N-Wax (FNW). It smells ridiculously good paired with the roasted ash body, and it's absolutely dead simple to apply. I'm going to build up a few coats of this stuff and try to get a slight satin sheen to it.

View attachment 4854237

The roasted maple neck feels so smooth and sleek that I don't think I'm going to put any finish on it.
I suggest you put some sort of oil based finish on it or all the dirt and oils from your hand will darken the wood significantly. It will also absorb a lot of moisture from the air as well and eventually the grain will raise and it will not be butter smooth anymore. Just rub the whole thing with Danish oil or something similar or I think you will be looking at the neck in a few weeks and wondering why it looks like crap.
 
I suggest you put some sort of oil based finish on it or all the dirt and oils from your hand will darken the wood significantly. It will also absorb a lot of moisture from the air as well and eventually the grain will raise and it will not be butter smooth anymore. Just rub the whole thing with Danish oil or something similar or I think you will be looking at the neck in a few weeks and wondering why it looks like crap.

Before I saw this and while I was putting waiting for the first coat of FNW to dry on the body, I put some on the fingerboard. I'm not worried about the back of the neck looking dirty or worn. The fretboard I'd rather look relatively not-filthy.