• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Your Favorite "One Night Stand"?

Not many chances for decent backline for me and I have my rig 99% of the time - it's simply the best for me.

The only time I've played something as incredible as my own... it was an SVT2 (unsure if a pro or not) into a '90s or early 00's Ampeg 8x10 at a rehearsal studio. I never liked 8x10s until then. And that amp. Still kinda kick myself for not buying it from the studio at the ludicrously low price of £300 however impractical it would've been.
 
  • Like
Reactions: KevInDaBassment
The 1st time for me was in college in the early 90's when I borrowed an SWR Redhead from a bass player friend of a friend. I was awestruck. In the late 90's I finally bought a SWR Bass 350 & Goliath 2x10 & 4x10. That was my rig for nearly 20 years. After reliability issues and tiring of the weight, I upgraded to this...
Genz Benz Festival Rig.jpg
 
  • Like
Reactions: Aqualung60
We were on tour circa 1990 and the opening act was a local band who, I assume, had something to do with the sound. They had all the backline amps setup and ready to go. The bass amp was a GK 800RB with a Hartke 410 cab. It was tight.

I ended up buying the exact same rig. I played the daylights out of that thing until I eventually got rid of the Hartke cab and purchased an SWR Goliath 410. And that was my rig for a decade or so.
 
Last edited:
An audition where the outgoing bass player was allowing candidates to use his rig: GK 800RB through a Avatar 410...sounded awesome...too bad I sounded like a-$$ hahahaha.

Second to that was (I am kind amazed to say this because of pre-conceived thoughts) a Hartke Kilo through a Hartke Hydrive HD210 at a music store...slightly odd pairing and it sounded dope.
 
  • Like
Reactions: KevInDaBassment
A studio in upstate New York. The owner had picked up a pair (yes, 2 full stacks) of of old Acoustic 360/361s from a "backcountry music store for a backcountry price" (his words).

He let me plug in my bass just for the hell of it and man, was that something. Just point your index finger at the strings and a wall of bone rattling low end starts shaking the foundations of the house. never had (before or since) so much low end at my disposal with so little effort. No way of course i want/can have that around the house or haul around for my jazz gigs, but still - amazing.

They had Johnny Winter stencilled on them, and I am tempted to believe these used to be Randy Jo Hobbs' amps who apparently used them in the 'Still Alive and Well' tour..
 
A studio in upstate New York. The owner had picked up a pair (yes, 2 full stacks) of of old Acoustic 360/361s from a "backcountry music store for a backcountry price" (his words).

He let me plug in my bass just for the hell of it and man, was that something. Just point your index finger at the strings and a wall of bone rattling low end starts shaking the foundations of the house. never had (before or since) so much low end at my disposal with so little effort. No way of course i want/can have that around the house or haul around for my jazz gigs, but still - amazing.

They had Johnny Winter stencilled on them, and I am tempted to believe these used to be Randy Jo Hobbs' amps who apparently used them in the 'Still Alive and Well' tour..

I think I'd pay money to simply TRY that rig! What kind of bass were you playing through it?
 
  • Like
Reactions: fishdreams
I think I'd pay money to simply TRY that rig! What kind of bass were you playing through it?
A Pbass (I had been assisting with someone else's recording session and seen that rig. I think I brought the bass to the mixing session just so I could try that thing).

I remember thinking ah so that is how Jaco got that massive rumble, as i had never gotten anything so low-endy out of my jazz basses with the puny amps i was used to play. Truly a revelation.