I know this has been discussed before, but I'm wondering what's currently out there in the world of strings now there's so many new short scales on the market. Here's what I know so far:
I'm currently using Chromes, Dunlop flats, and Atelier Z's own set of short scale rounds. In the past I've tried D'Addario tapes and DR HiBeams on my short scales, both of which were too thin sounding, and pretty floppy to play, so they didn't stick around for long (even though I love both of their long scale equivalents). I've just ordered a set of GHS Balanced Nickel rounds, the 044-106 set, and a set of D'Addario EXL160S 50-105's. Really curious about both of these.
The Chromes were great for a long time (despite the weird overtones when brand new), and they're still ok but they have started to sound a little uninspiring. Pretty good for recording, not so great live through an amp any more. Might replace them with a new set if I can't find anything better.
The Dunlop flats were nice to begin with, and they feel nice tension-wise, but in terms of tone, they are dead to the point of being barely audible. I was hoping they would reach that nice dead tone that flats get after a while, but short scale Dunlops seem to just lose all their tone once they die. I don't think I'll be buying these again, wondering if Labella's will be nicer in the long run.
Atelier Z stainless steel short scale rounds are great - not sure if anyone knows about these, but they are really nice and have a much beefier tone than other short scale rounds. They are 47-66-88-108, so a little chunkier than the usual short scale strings. Very bright and a little grippy at the start, but to me they have a similar vibe to long scale Rotosounds. They stay useable for quite a while too. Possibly a little hard to get hold of depending on where you live, I ordered 10 sets a while back directly from Japan.
I'm currently using Chromes, Dunlop flats, and Atelier Z's own set of short scale rounds. In the past I've tried D'Addario tapes and DR HiBeams on my short scales, both of which were too thin sounding, and pretty floppy to play, so they didn't stick around for long (even though I love both of their long scale equivalents). I've just ordered a set of GHS Balanced Nickel rounds, the 044-106 set, and a set of D'Addario EXL160S 50-105's. Really curious about both of these.
The Chromes were great for a long time (despite the weird overtones when brand new), and they're still ok but they have started to sound a little uninspiring. Pretty good for recording, not so great live through an amp any more. Might replace them with a new set if I can't find anything better.
The Dunlop flats were nice to begin with, and they feel nice tension-wise, but in terms of tone, they are dead to the point of being barely audible. I was hoping they would reach that nice dead tone that flats get after a while, but short scale Dunlops seem to just lose all their tone once they die. I don't think I'll be buying these again, wondering if Labella's will be nicer in the long run.
Atelier Z stainless steel short scale rounds are great - not sure if anyone knows about these, but they are really nice and have a much beefier tone than other short scale rounds. They are 47-66-88-108, so a little chunkier than the usual short scale strings. Very bright and a little grippy at the start, but to me they have a similar vibe to long scale Rotosounds. They stay useable for quite a while too. Possibly a little hard to get hold of depending on where you live, I ordered 10 sets a while back directly from Japan.