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Because strings are expensive and running through them wastes a lot of energy and time that could be devoted to becoming a better musician I voted for just stick with them and plow through. If it’s a new instrument I would first make sure it is set up by a super pro. After that I’d give myself about a month of practicing with the instrument and then, if you still think the strings are to blame, venture very cautiously into the string game.
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In regards to cycling through, I don't have the scratch to buy 10 different pairs of strings and just try them out until I find one I like, so experimenting with strings is a big decision for me.
This ^^^ is the best advice. Get your instrument set up by someone really good and play what you have for at least a month. My money'd be on this solving the problem.
If you do try different strings give them at least 2-4 weeks before you **** can them.
These days dropping money on strings you're not sure about is a big decision for a lot of people. Unfortunately trying a set of strings is the only way you'll ever know if they work for you. If you decide to experiment try to clearly articulate exactly what's not working about a particular set of strings (as in too bright, too loose, too percussive, too much string noise, wrong color silks to match your headstock etc etc etc). Then people who have tried a lot of different strings could probably help you reduce the experimenting from ten sets to one or two. Someone may have mentioned this already but if you want to try flats they have resale value so look in the classifieds for them used. If you buy new flats don't cut them so they keep more resale value if you decide don't like them.
Since I my "go to" strings are TIs this has not been an issue for me either, they always seem to "do it".When in doubt, install TI strings.....

IF the stock strings don't work then my go-to is Ernie Ball Super SlinkysThey've always come through for me.
If ever they didn't do the trick, I would just suck it up.
I spent a [Cuss word] fortune trying to find my strings.
I ain't doing that again![]()
I have played SIT Nickel Power Wounds almost exclusively for 20 years. However, when I tried a set on my 5 string Jazz early this year, I couldn't get the B string to intonate at all...adjustment screw just wasn't long enough. Thought I had a bad string, so bought another set. Same thing. Did some research and ended up with some D'Addario NYXL strings, put them on and bingo; no more intonation problems. I still use the SITs on my Carvin LB-70, because they still work great for me there.
No matter what I try, I always end up pulling them off for elixir nickels. I leave them on for about 8 months. Anything else I put on my basses get ripped off in the time it takes for a new set of elixirs to reach my door. Longest would have to be boomers. They made it 2 weeks once.I was thinking about this just yesterday (due to a new bass arriving today). A lot of people (myself included) usually have a go-to string brand or even type/gauge for their basses. They might even use different brands based on whether they are rounds or flats. For me when it's rounds, I use DR SS Hi-Beams or Lo-Riders, and flats it's GHS Precision Flats.
In regards to cycling through, I don't have the scratch to buy 10 different pairs of strings and just try them out until I find one I like, so experimenting with strings is a big decision for me.
Let's posit that something isn't jiving with your go-to strings on a particular bass. You've tried a new (condition) pair, cleaned them, adjusted pickup height, tweaked your EQ, experimented with different tunings, and tried different amps but things just aren't working...what's the first thing you try when buying different strings?
EDIT: The implied issue is not being satisfied with the tone on a newly-acquired bass or one you haven't used in a certain context (live mix, recording, etc.) and don't find your typical go-to strings work well with that particular bass.