That's what dressing rooms (ok, restrooms) are for. I don't travel or do setups/teardowns in my performing threads.
Fair enough. But unless it's a formal event, I think I can look good for the occasion and still be comfortable enough to move the gear. And in the original-music world, unless you have roadies, you often have to do setups and teardowns right before and/or right after your set.
I'm sure the guys in Rush, as an example, cringe at their komonos and hair these days, too. Cringe all the way to the bank or their studios or their own record company office. Doesn't sound too bad to me!
See, I think this is one of those cases where managers, consultants or whomever pushed the musicians too far. Did Rush really have to wear kimonos to be that successful? I don't think so. Look at Geddy on stage now. And the tickets are probably 10 times more expensive now compared to when they wore kimonos. (That beats inflation by a good bit.)
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Yes. The Eagles had a very distinct southwestern, not-quite-cowboy look that they milked for years. But remember (you young wippersnappers), that was back when even just long hair was a "look" and could get you jailed in many parts of the country. Phil wore a zoot-suit and tie in his big hit video, didn't he?
I have a picture that still sticks in my mind--a concert review in Rolling Stone of the Eagles from the Hotel California era. Glenn Frey and Don Felder are both wearing those old generic, shapeless sports jerseys. Maybe they had the southwestern look very early on, but I'll bet that Hotel California tour did pretty well.
I suppose long hair was problematic in the South in the mid/late '60s, but it was very common by the mid-70s, and not just among musicians. When punk got started, it was rebellious just to go on stage and play rock with short hair (without even spiking it or developing a mohawk).
Phil Collins may have worn a zoot suit in the video for his Motown remake, but he had a ton of hits and I'm willing to bet that was far from the biggest one. My recollection is that his clothing was otherwise pretty generic.
Look through the current issue of BP: there's only one guy I can find in street clothes, and he's in a studio. Everyone else has the hair, the chains, the leather, the silk, the ties, or the hat--something to make them stand out from the crowd.
PS- It was freakin' HOT last night. My look was sweat-drenched through the layered shirts and tight (black) jeans and under a felt hat. I looked good though! (It was a great crowd, too!) Anyone else get their buns baked this weekend? I'll be wearing my LRG skater shorts when we play outdoors in a couple of weeks--the distinctive ones with the red straps and buckles.
I don't have a copy of the current BP. But the dressed-up players could be a reflection of the genres I believe get more coverage in BP--not a lot of metal (Murderface cover aside) or indie rock players featured, although Mike Watt made the cover a year or two ago in his jeans and flannel shirt.
I think I would enjoy rocking a formal look, but I sweat like crazy under the lights. And I have to be careful about dehydration, so I'd be drinking more water and getting even more drenched in a suit.